Roland VS-1824 Owner's Manual

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Before using this unit, carefully read the sections entitled: “IMPORTANT
SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT
SAFELY” (Owner’s Manual p. 3), and “IMPORTANT NOTES” (Owner’s
Manual p. 5). These sections provide important information concerning the
proper operation of the unit. Additionally, in order to feel assured that you
have gained a good grasp of every feature provided by your new unit, User
Guide, Owner’s Manual, and Appendices should be read in its entirety.
These manuals should be saved and kept on hand as a convenient reference.
Appendices
To resize thickness, move all items on the front cover to left or right.
Copyright © 2001 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
Roland Web Site: http://www.roland.co.jp/
VS-1824 Appendices
Copyright
Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or
in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is
held by a third party is prohibited by law.
•When exchanging audio signals through a digital connection with an external instrument, this unit can
perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS).
This is because the unit is intended solely for musical production, and is designed not to be subject to restric-
tions as long as it is used to record works (such as your own compositions) that do not infringe on the
copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital
connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-
protection feature.)
•Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no
responsibility whatsoever with regard to any infringements of third-party copyrights arising through your
use of this unit.
About the License Agreement
The VS-1824 and its CD-R/RW capability are designed to allow you to reproduce material to which you have
copyright, or material which the copyright owner has granted you permission to copy. Accordingly, repro-
duction of Music CD or other copyrighted material without permission of the copyright owner avoiding
technical prohibiting features of second-generation and later copying like SCMS or others constitutes
copyright infringement and may incur penalties even in case such reproduction is for your own personal use
and enjoyment (private use). Consult a copyright specialist or special publications for more detailed infor-
mation on obtaining such permission from copyright holders.
Disclaimer of liability
Roland will take no responsibility for any “direct damages,” “consequential damages,” or “any other damages”
which may result from your use of the VS-1824. These damages may include but are not limited to the following
events which can occur when using the VS-1824.
Any loss of profit that may occur to you
Permanent loss of your music or data
Inability to continue using the VS-1824 itself or a connected device
* Microsoft and Windows are registered trademarks of Microsoft Corporation.
* Apple and Macintosh are registered trademark of Apple Computer, Inc.
* IBM and IBM PC are registered trademark of International Business Machines Corporation.
* Iomega is a registered trademark of Iomega Corporation.
* ZIP is a trademark of Iomega Corporation.
* Cakewalk is a registered trademark of Twelve Tone systems, Inc.
* Cakewalk Pro Audio and Cakewalk Professional are trademarks of Twelve Tone systems, Inc.
* OMS is a registered trademark of Opcode Systems, Inc.
* FreeMIDI is a trademark of Mark of the Unicorn, Inc.
* VST is a trademark of Steinberg Media Technologies AG.
* All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
02781278 ’02-4-E2-31KS
This owner’s manual is printed on recycled paper.
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1 2 3 4 5 6 ... 139 140

Summary of Contents

Page 1 - Appendices

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s

Page 2

10Error MessagesFinalized CD !This message appears when an attempt is made to write to a commercial CD or a finalized CD-R disc. Replace the disc with

Page 3 - About MIDI

100MIDI Implementation| 02 00 4F | 00 - 08 | Track Channel ATT -16 ||——————————+—————————+————————————————————————————————

Page 4 - About SCSI

101MIDI ImplementationMIDI Implementation| 02 04 4F | 00 - 08 | Track Channel FX2 Insert Return Level -16 ||——————————+—————————+—————————————

Page 5 - Troubleshooting

102MIDI Implementation|——————————+—————————+———————————————————————————————————————————————————|| 02 09 40 | 00 - 01 | Input Channel BUS Send Switch -

Page 6 - Disk drive problems

103MIDI ImplementationMIDI Implementation : : :| 02 0E 6F | 01 - 7F | Track Channel AUX(AUX3) Pan -16 ||———

Page 7 - MIDI Devices Problems

104MIDI Implementation|——————————+—————————+———————————————————————————————————————————————————|| 02 11 2F | 00 - 7F | Monitor Out Level

Page 8 - Other problems

105MIDI ImplementationMIDI Implementation| 02 12 6A | 00 - 01 | Input Channel BUS Send Switch -9 -17 Off,On || 02 12 6B | 00 - 01 | Input Channe

Page 9

106MIDI ImplementationExample 2) Write the mark point ( DeviceID = 10 ) (HOST) => F0 41 10 00 0E 12 03 01 00 aa aa aa aa ss F7 => (VS-1824)

Page 10 - Error Messages

107MIDI ImplementationMIDI Implementation| | | 4:Vocoder || | | 5:2ch RSS

Page 11

108MIDI Implementation : :| 04 00 7F | 00 | |+——————————————————————————

Page 12 - Glossary

109MIDI ImplementationMIDI Implementation|——————————+—————————+———————————————————————————————————————————————————|| 04 00 14 | 0aaaaaaa| Vocoder: Voi

Page 13

11Error MessagesError MessagesToo Many Markers!You have tried to set track number mark points in excess of the maximum (98) you can set for one CD.Unf

Page 14 - Shortcut Key Operations

110MIDI Implementation| 04 00 43#| 0bbbbbbb| 0,,,1000ms||——————————+—————————+————————————————————————————————

Page 15 - ■ FUNCTION buttons

111MIDI ImplementationMIDI Implementation| 04 00 7F | 00 | |+——————————————————————————————————

Page 16 - Parameter List

112MIDI Implementation| 04 00 1E | 0aaaaaaa| Flanger: Effect Level || 04 00 1F#| 0bbbbbbb|

Page 17 - ■ Master Block [MASTER]

113MIDI ImplementationMIDI Implementation|——————————+—————————+———————————————————————————————————————————————————|| 04 00 18 | 0aaaaaaa| M.Tap Delay:

Page 18

114MIDI Implementation+————————————————————————————————————————————————————————————————————————+| 04 00 0E | 0aaaaaaa| Reverb SW

Page 19

115MIDI ImplementationMIDI Implementation| 04 00 33#| 0bbbbbbb| -60,,,12dB||——————————+—————————+—————————————

Page 20 - Preset Patch List

116MIDI Implementation| 04 00 20 | 0aaaaaaa| EQ: Mid EQ Gain || 04 00 21#| 0bbbbbbb|

Page 21 - Stereo Delay Chorus

117MIDI ImplementationMIDI Implementation|——————————+—————————+———————————————————————————————————————————————————|| 04 00 1E | 0aaaaaaa| Limiter Bch

Page 22 - ■ Mic Modeling (22 presets)

118MIDI Implementation| 04 00 18 | 0aaaaaaa| Analog Phaser LFO 1 Depth || 04 00 19#| 0bbbbbbb|

Page 23

119MIDI ImplementationMIDI Implementation●Remote Operation+————————————————————————————————————————————————————————————————————————+| Start |

Page 24

12GlossaryActive TerminatorA type of terminator (a terminating resistance) place at each end of a SCSI chain. A new addition to SCSI-2 specifications,

Page 25 - (Compressor-related)

120MIDI Implementation| 05 00 06#| 0ddddddd| ||——————————+—————————+————————————————————————————————

Page 26 - Reverb sound quality

121MIDI ImplementationMIDI Implementation| 05 00 14#| 0bbbbbbb| |+——————————+—————————+—————————————

Page 27

122MIDI Implementation| address | Data | Contents and remarks ||==========+=========+================================

Page 28 - Delay repetition

123MIDI ImplementationMIDI Implementation| 00 00 39 | 20 - 7e | Name - 16 ||——————————+—————————+—————————————

Page 29

124MIDI ImplementationF0H 7FH,Dev,06H,03H F7HByte DescriptionF0H Status of System Exclusive Message7FH Universal System Exclusive Message Realtime Hea

Page 30

125MIDI ImplementationMIDI ImplementationF7H EOX (End of System Exclusive Message)If the device ID on the message was as same as that of the receiving

Page 31

126MIDI Implementation<Ex. 4> What in nibble system is 1258 in decimal system? ____ 16)1258 16) 78 ... 10 16) 4 ..

Page 32 - Setting up pitch

127MIDI ImplementationMIDI ImplementationControlChange24-bit Digital Studio RecorderModel VS-1824Date : Aug. 01 2001Version : 1.00MIDI Implementatio

Page 33

128Mixer Section Block DiagramInput Mixer and Track Mixerfig.10-01REC Bus (1–8)Level(Fader)ATT(-42–+6 dB)Phase(NRM, INV)TRACK1-11-21-31-41-51-61-71-81

Page 34 - Tips for using Vocoder

129Mixer Section Block DiagramMixer Section Block DiagramMaster Blockfig.10-02Level(Knob)BalanceREC BUSMIXDIR OUT 7DIR OUT 8Level(Knob)PHONESMONITORMO

Page 35 - Continued

13GlossaryGlossaryNTSC FormatColor television format used in Japan, the United States, and other countries. Tapes recorded in the NTSC format cannot b

Page 36 - For Stereo Speakers

130Track Sheetfig.16-03TracksV-Tracks1234567812345678910111213141516SCENELOCATORProject Artist ClientDateSong NameInternal Removable Backing up toTrac

Page 37 - Delay RSS

131Track SheetTrack Sheetfig.10-04Tracks91011121314 1817161512345678910111213141516NOTESTrack Sheet (2)V-Tracks

Page 38 - Chorus RSS

132SpecificationsVS-1824 / VS-1824CD24 bit Digital Studio Workstation* In the interest of product improvement, the specifications and/or appearance of

Page 39 - GuitarMulti 1–3

133SpecificationsSpecificationsInput ImpedanceInput1–2: 30 k ohmInput3–8: 30 k ohmGuitar (Hi-Z): 500 k ohmNominal Output LevelMaster Out: 0 dBuAUX A (

Page 40

134IndexNumerics10-Band Graphic Equalizer ... 632ch RSS ...

Page 41

135IndexIndexLo-Fi Process ... 61Lo-Fi Processor ...

Page 42 - Vocal Multi

136IndexStereo In ... 17Stereo Multi ...

Page 43

137IndexIndex...MEMO...

Page 44

138Index...MEMO...

Page 45

2 To resize thickness, move all items on the front cover to left or right. Contents ...

Page 46

14Shortcut Key OperationsHere is a list of the functions that can be performed by pressing multiple buttons, or usingthe TIME/VALUE dial in conjunctio

Page 47 - St Phaser (Stereo Phaser)

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s

Page 48

15Shortcut Key OperationsShortcut Key Operations LOCATOR/SCENE buttons[SCENE] + [REC]: Automix Realtime recording (when Automix is “on.”)[SHIFT] + [S

Page 49 - St Flnger (Stereo Flanger)

16Parameter List Input Mixer [CH EDIT] (INPUT 1–8, DIGITAL)]Parameter name Display Value, Initial valueChannel Link Link Off, OnAttenuator ATT -12–0

Page 50

17Parameter ListParameter ListParameter name Display Value, Initial valueV-track V.Track 1–16AUX Switch AUX (1–3) Off, PreFade, PstFade (*6)AUX Level

Page 51

18Parameter List System Parameter [SHIFT] + [F5 (SYSTM)] → [F1 (SYSPM)]Parameter name Display Value, Initial valueMaster Clock MasterClk DIGIN1, INT

Page 52 - Reverb sound

19Parameter ListParameter List Metronome Parameter [SHIFT] + [F5 (SYSTM)] → [F5 (METRO)]Parameter name Display Value, Initial valueMetronome Out Met

Page 53

2 To resize thickness, move all items on the front cover to left or right. Contents ...

Page 54 - MultiTapDly (Multi-Tap Delay)

20Preset Patch ListOn the VS-1824, you can access the range of effects listed below.Loop: Direct Level is set to “0.” Connect this Patch to the effect

Page 55

21Preset Patch ListPreset Patch ListNo. Patch Name Algorithm Type Input CommentP046 GT:DIedClean Vocal Multi Insert Mono Superclean sound like line re

Page 56 - Stereo Multi

22Preset Patch ListNo. Patch Name Algorithm Type Input CommentP091 Vocal Multi Vocal Multi Insert Mono (p. 42)P092 Rotary Rotary Insert Mono (p. 44)P0

Page 57

23Preset Patch ListPreset Patch List Parametric Equalizer (26 presets)No. Patch Name Algorithm Type Input CommentP142 PEQ:BassDrum Parametric EQ Inse

Page 58 - Reverb 2

24Preset Patch ListNo. Patch Name Algorithm Type Input CommentP193 ParametricEQ Parametric Equalizer Insert 2ch (p. 62)P194 Graphic EQ Graphic Equaliz

Page 59

25Algorithm ListAlgorithm ListThis section describes the effects associated with the respective algorithms and internal terminations. Read this sectio

Page 60 - 1, 2, 3, 4, 1+4, 2+4, 3+4

26Algorithm ListReverbThis feature adds reverberation to the sound to simulate the size of space such as a hall and a room.fig.08-04Input LInput ROutp

Page 61 - Creating lo-fi sounds

27Algorithm ListAlgorithm ListParameter (full name) Setting FunctionEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain -12– +12

Page 62 - Cutting noise

28Algorithm ListDelayDelay is a feature to add a delayed sound to the direct sound in order to add thickness to the sound or to yield a special effect

Page 63 - Preventing howling

29Algorithm ListAlgorithm ListEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amoun

Page 64 - Hum Canceler

3About MIDIAbout MIDIThis section explains the basic concepts of MIDI, and how the VS-1824 handles MIDI messages.What is MIDIMIDI stands for Musical I

Page 65 - Vocal Canceler

30Algorithm ListStDly-Chorus (Stereo Delay Chorus)Delay and Chorus can be combined to create spaciousness.fig.08-10Parameter (full name) Setting Funct

Page 66

31Algorithm ListAlgorithm ListChorus: Adds spaciousness and depth to the sound.Sw (Switch) On, Off Turns the chorus on or off.Rate (Rate) 0.1–10.0 kHz

Page 67 - Voice Transformer

32Algorithm ListStPS-Delay (Stereo Pitch Shifter Delay)Changes the pitch of the direct sound. Corrects vocals out of tune or adds thickness to the sou

Page 68

33Algorithm ListAlgorithm ListEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amoun

Page 69 - Vocoder 2 (19)

34Algorithm ListVocoderThe vocoder creates “talking instrument” effects. To use Vocoder, input an instrumental sound into the left channel and a vocal

Page 70

35Algorithm ListAlgorithm List2ch RSSGives each of the sounds input into the respective channels three-dimensional locations.fig.08-16• Input A is inp

Page 71 - Mic Converter B

36Algorithm ListPrecautions for using RSSIn order to obtain the maximum effect from the RSS, observe the following points.• Acoustically “dead” rooms

Page 72

37Algorithm ListAlgorithm ListDelay RSSThe right-side, left-side and center Delay sounds can be set separately. As RSS is connected to both the right

Page 73 - Muting noise

38Algorithm ListChorus RSSRSS is connected to the Chorus output. The sound image is defined with the sound from the left-side channel located at left

Page 74 - Output R

39Algorithm ListAlgorithm ListGuitarMulti 1–3These provide multi-effects for guitar sounds suited for rock. Guitar Multi 1 through 3 differ in the deg

Page 75 - AnalogFlnger (Analog Flanger)

4About SCSISCSI stands for Small Computer System Interface. It is a data transfer standard that allows large amounts of data to be sent and received.

Page 76 - AnalogPhaser

40Algorithm ListParameter (full name) Setting FunctionComp (Compressor):Compresses the entire output signals when the input volume exceeds a specified

Page 77 - Speaker Modeling

41Algorithm ListAlgorithm ListFlg (Flanger): Adds effects similar to ascending/descending sound of a jet.Sw (Switch) On, Off Turns the flanger on or o

Page 78

42Algorithm ListVocal MultiThis feature provides a multi-effect suited for vocals.fig.08-30Parameter (full name) Setting FunctionNS (Noise Suppressor)

Page 79 - Mastering Tool Kit

43Algorithm ListAlgorithm ListEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amoun

Page 80

44Algorithm ListRotarySimulates a rotary speaker. Behaviors of High and low frequency band Roters can be set up separately, allowing realistic modelin

Page 81

45Algorithm ListAlgorithm ListPre-amplifierSimulates the pre-amplifier section of a guitar amplifier. 14 types of pre-amplifiers that can be simulated

Page 82

46Algorithm ListParameter (full name) Setting FunctionNS (Noise Suppressor): Mutes noise in the silent mode.Sw (Switch) On, Off Turns the noise suppr

Page 83

47Algorithm ListAlgorithm ListSt Phaser (Stereo Phaser)A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that c

Page 84

48Algorithm ListEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low f

Page 85

49Algorithm ListAlgorithm ListSt Flnger (Stereo Flanger)fig.08-38Parameter (full name)SettingFunctionFlg (Flanger): Adds effect similar to ascending/d

Page 86

5TroubleshootingTroubleshootingWhen the VS-1824 does not perform the way you expect, check the following points before you suspect a malfunction. If t

Page 87

50Algorithm ListDual Comp/Lim (Dual Compressor/Limitter)Compressors suppress signals at High levels. Limiter is used to control excessive input. Each

Page 88

51Algorithm ListAlgorithm ListParameter (full name) Setting FunctionCmpA, CmpB (Compressor): Compresses the entire output signals when the input volum

Page 89

52Algorithm ListGate ReverbThis is a reverb in which the reverberation is muted during its decay. Its reverse mode can be used in conjunction with Acc

Page 90

53Algorithm ListAlgorithm ListParameter (full name) Setting FunctionGRev (Gate Reverb): Mutes the revert sound midway.Sw (Switch) On, Off Turns the g

Page 91

54Algorithm ListMultiTapDly (Multi-Tap Delay)This is a Delay feature that can set 10 delay sounds separately.fig.08-45Parameter (full name) Setting Fu

Page 92

55Algorithm ListAlgorithm ListEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amoun

Page 93

56Algorithm ListStereo Multifig.08-47Parameter (full name) Setting FunctionNS (Noise Suppressor): Mutes noise in the silent mode.Sw (Switch) On, Off

Page 94

57Algorithm ListAlgorithm ListEQ (Equalizer)Sw (Switch) On, Off Turns the equalizer on or off.Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amoun

Page 95

58Algorithm ListReverb 2This gate reverb works in either of two modes of gate operation (Gate/Ducking). In the Gate mode, the gate opens when a certai

Page 96

59Algorithm ListAlgorithm ListParameter (full name) Setting FunctionRev (Reverb 2): Gate reverb with two modes of gate operationSw (Switch) On, Off Tu

Page 97

6Troubleshooting• The sampling rate of the recording destination song is different than the sampling rate of the digital audio device.→ Match the samp

Page 98 - 2. Data Transfer Address Map

60Algorithm ListSpace ChorusThis is a chorus effect simulating Roland SDD-320. The effect to be changed can be reproduced by turning the four buttons

Page 99

61Algorithm ListAlgorithm ListLo-Fi Process (Lo-Fi Processor)This allows you to create a “lo-fi” sound by lowering the sample rate and/or decreasing t

Page 100 - MIDI Implementation

62Algorithm ListParametricEQ (4-Band Parametric Equalizer)This is an equalizer that can freely change the cutoff frequency or the band width (Q). With

Page 101

63Algorithm ListAlgorithm List*1: If Low Type (Low Type) or High Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is i

Page 102

64Algorithm ListHum CancelerEliminates annoying hum (or “surge” sounding “boon”).fig.08-59Parameter (full name) Setting FunctionHC (Hum Canceler): Re

Page 103

65Algorithm ListAlgorithm ListVocal CancelerWhen a stereo source is being input from CD or DAT and so on, this cancels the sound which is located in t

Page 104

66Algorithm List*1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit.*2: Setting to “Unlimit” mea

Page 105

67Algorithm ListAlgorithm ListVoice TransformerYou can convert male voice into female voice, female voice into male voice, and human voice into mechan

Page 106

68Algorithm ListParameter (full name) Setting FunctionVT (Voice Transformer): Creates various voice characters.Sw (Switch) On, Off Turns Vocal the tra

Page 107

69Algorithm ListAlgorithm ListVocoder 2 (19)This is a 19-band vocoder. Provides clear sounds that used to be impossible with the previous vocoders.fig

Page 108

7TroubleshootingTroubleshootingInternal EffectsEffects cannot be used• The VS8F-2 has not been installed correctly (User Guide p. 6, 9).• Only one VS8

Page 109

70Algorithm ListParameter (full name) Setting FunctionVoc (Vocoder 2): The pitch is specified as in the instrumental sound while the tone is output in

Page 110

71Algorithm ListAlgorithm ListMicModeling (Microphone Modeling)This modifies sound that was recorded by a conventional dynamic mic, lapel mic or direc

Page 111

72Algorithm ListParameter (full name) Setting FunctionLnk (Link): Channel B follows the settings for Channel A.Link (Link Switch) On, Off Specifies if

Page 112

73Algorithm ListAlgorithm List3BndIsolater (3-Band Isolator)Sharply cuts off components by frequency band to eliminate undesired sounds. Useful to eli

Page 113

74Algorithm ListTapeEcho201Simulates the tape echo section of the Roland RE-201 Space Echo. Capable of reproducing very subtle behavior at the measuri

Page 114

75Algorithm ListAlgorithm ListAnalogFlnger (Analog Flanger)Simulates Roland SBF-325 Analog Flanger. Provides three types of flanger effects as well as

Page 115

76Algorithm ListAnalogPhaserTwo units of analog phasers are placed in parallel to accommodate stereo sounds. Surges unique to Phaser is created by add

Page 116

77Algorithm ListAlgorithm ListSpeaker ModelingModels a variety of speaker characteristics ranging from those of High-end professional monitor speakers

Page 117

78Algorithm ListParameter (full name) Setting FunctionSpMod (Speaker Modeling): Selects the speaker subject to characteristics modeling.Sw (Switch) Of

Page 118

79Algorithm ListAlgorithm ListMastering Tool KitThis Kit is a compressor that splits sounds into different frequency band to unify their volumes. With

Page 119

8TroubleshootingWhen synchronizing using a MIDI sequencer as the master, the VS-1824 does not respond to the sequencer messages• The MIDI cable is not

Page 120

80Algorithm ListHigh Freq (High Frequency) 1.40–20.0 kHz Sets the center frequency in the High frequency band.High Q (High Q) 0.3–16.0 Sets the width

Page 121

81Algorithm ListAlgorithm ListHigh Rel (High Release) 50 ms–5.000 s Sets the time until when the High frequency band expander stops working after the

Page 122

82MIDI ImplementationModel: VS-1824, Version 1.00, Aug. 01 20011. TRANSMITTED DATA AND RECOGNIZED RECEIVE DATA Channel Voice Message●Note On/OffWhen “

Page 123 - 3. MIDI Machine Control

83MIDI ImplementationMIDI Implementation<stereo in & effect return> ST IN FX1 FX2 FX3 FX4MIDI ch. ->

Page 124

84MIDI Implementation| | | 5,,,40m||—————————+—————————+———————————————————————————————————

Page 125 - 4. Appendices

85MIDI ImplementationMIDI Implementation|—————————+—————————+———————————————————————————————————————————————————|| 00H 1DH | mmH llH | EQ: High EQ Fre

Page 126

86MIDI Implementation|—————————+—————————+———————————————————————————————————————————————————|| 00H 04H | mmH llH | Delay RSS: Center Level

Page 127 - Mix Offset Bal

87MIDI ImplementationMIDI Implementation| 00H 23H | 00H 00H | (Reserved) | : :| 00H 7FH

Page 128 - Mixer Section Block Diagram

88MIDI Implementation|—————————+—————————+———————————————————————————————————————————————————|| 00H 09H | mmH llH | Pre Amp: Treble

Page 129 - Master Block

89MIDI ImplementationMIDI Implementation| | | 0,1,2 = A,B,Link||—————————+—————————+————————————————

Page 130 - Track Sheet

9Error MessagesError MessagesAborted Command!Illegal Request!This disk drive cannot be used by the VS-1824.Already SelectedThe currently selected disk

Page 131 - Track Sheet (2)

90MIDI Implementation| 00H 19H | mmH llH | M.Tap Delay: Time 9 || | |

Page 132 - Specifications

91MIDI ImplementationMIDI Implementation|—————————+—————————+———————————————————————————————————————————————————|| 00H 12H | mmH llH | EQ: Low EQ Freq

Page 133

92MIDI Implementation| | | 3,,,100 = 0.3,,,10.0||—————————+—————————+———————————————————————————————————

Page 134

93MIDI ImplementationMIDI Implementation|=========+=========+===================================================|| 00H 00H | mmH llH | Voice Transform

Page 135

94MIDI Implementation| | | -60,,,0dB||—————————+—————————+———————————————————————————————————

Page 136

95MIDI ImplementationMIDI Implementation| 00H 7FH | 00H 00H | |+—————————+—————————+————————————————

Page 137 - ...MEMO

96MIDI Implementation|—————————+—————————+———————————————————————————————————————————————————|| 00H 33H | mmH llH | Compressor Low Release

Page 138

97MIDI ImplementationMIDI Implementation●Song Position PointerThe current position is transmitted with the Song Position Pointer Message before the VS

Page 139 - Contents

98MIDI ImplementationaaH Response::bbH ResponseF7H EOX (End of System Exclusive Message)(*) see “3. MIDI Machine Control” section●Data Transfer (RQ1,

Page 140

99MIDI ImplementationMIDI Implementation|——————————+—————————+———————————————————————————————————————————————————|| 00 00 16 | 00 - 01 | MIDI System E

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