Roland MVS-12 Specifications download pdf (Page 12)

11

48M-480 19 8 25 3 10 in/8 out

●

48M-380 18 8 13 3 10 in/8 out

●

32M-300 11 4 17 2 12 in/8 out

●

Digital Snakes

XLR Input XLR Output

TRS Input

(Hi-Z Input)

REAC/Power

Redundant

MIDI

Connection

with V-Mixer

Embedded Power

Operation

32S-4000S-3208 8

● ● ●

8S-4000S-0832 32

● ● ●

8 (Line level)S-4000H 32

● ●

16S-1608 8

●

8S-0816 16

●

8S-0808 8 4 (2)

● ●

Audio Recorders

Maximum number

of Phrases

Control Terminal RS-232C MIDI

DC Power

Operation

AR-LINK

Network Control

Option

Phrase Editing

2000AR-3000R 16

●

Master/Slave

● ●

1000AR-200R 9

●

●

9-24V Slave

Multi-Channel Recorders

Personal Mixers

AUDIO EQUIPMENT

AUDIO EQUIPMENT

Digital Consoles

Mixing ChannelModel

Model

Input Source Monitoring Channels 3-band EQ Reverb Limiter Ambient Mic

Embedded Power

Operation

40M-48 16 Stereo Groups

● ● ●●●

Model

Model

Recording

Channel

Playback Channel Input Output Editing WordClock VideoSync External Control

48R-1000 48

Model

Bus Matrix

6 stereo

FX Return CH Fader REAC port

●

48M-400 18 8 25 3 10 in/8 out

●

Cascade

Console

Analog I/O

USB Memory

Playback/Rec.

Step 1

Decide on inputs/outputs

There are a number of I/O configu-

ration choices.

Select based on size, i/o count, and

modularity.

Step 2

Choose a Console

There are four choices of consoles

to choose from.

Differences center around:

- Mixing Channels

- Processing Power

- Number of Faders

- Size and rackmount ability

Step 3

Choose Monitoring

Solution

Monitoring needs can be addressed

by adding the M-48 Personal Mixing

option, another V-Mixer as a monitor

console, or the combination of both.

The M-48 offers musicians the

flexibility to control exactly what

they want to listen to

during their perfor-

mance.

Add an additional V-Mixer to create a

monitor position that can control

wedges and/or any

M-48 personal mixers

connected taking the

burden off of the FOH

position.

Step 4

Choose Recording/

Playback Solution

Multi-channel recording and

playback can be added by using a

simple Cat5/6 cable from a split

point.

Record/play back up to 48-channels

of audio using the Roland R-1000

Multi-Channel Recorder/Player.

Capture up to 40-channels of audio

to a computer using the SONAR

REAC Recording solution.

Determine if you need additional

splits for monitoring, recording or

distribution to multiple places. You

can also distribute your main i/o units

together into a merged REAC signal.

How to Configure a V-Mixing System

Black Burst MIDI, RS-232C, GPI

●

REAC REAC, 2 XLR

S-0808 S-1608

S-4000D S-4000M M-380 SONARM-300

R-1000

M-48

M-300

M-480 M-400

S-4000S

40 (via REAC)SONAR

●

REAC

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