Roland R-4 User Manual Page 2

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The R-26’s dual stereo mics provide the ultimate
exibility in different recording applications.
In addition to capturing recordings that
leverage the individual characteristics of OMNI
(omnidirectional) and XY (directional) mics, you
can mix the mics together to achieve the optimum
balance.
Two types of built-in stereo mics—
omnidirectional and directional—
operate independently of each other.
Three-channel IARC circuitry
reduces interference between inputs
for high-quality sound.
Directional
(XY)
Omnidirectional
(OMNI)
2ch
Analog IN
6ch Simultaneous Rec
2ch
XY
2ch
OMNI
A/D
A/D
A/D
IARC Conceptual Diagram
OMNI
or
PLUG IN
XY
XLR/
TRS
INPUT LEVEL
INPUT LEVEL
INPUT LEVEL
The R-26 captures audio with high-definition direct sound, as well as the rich natural ambience of the recording
environment. With dual stereo mics, six channels of simultaneous recording, and much more, this portable recorder
offers true professional quality and flexibility, opening the door to limitless creative possibilities.
Superior detail, depth, and unparalleled flexibility—
welcome to a new world of portable recording.
In addition to the onboard mics, the R-26
provides XLR/TRS inputs for up to six channels
(three stereo) of simultaneous recording.
For example, you can capture an instrument
up close with the built-in mics, record room
ambience with external mics, and save them
as separate fi les for mixing together later.
Support for up to six channels of
simultaneous recording—a powerful
tool for professional applications.
The R-26 is equipped with Roland’s proprietary
IARC (Isolated Adaptive Recording Circuit) on
the inputs for the built-in mics and as well as the
external inputs. This analog circuit is completely
isolated from the digital circuitry and has its
own power supply, reducing digital noise and
achieving very clear sound.
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