Roland pt-3100 Owner's Manual Page 16

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In the VM-3100, channel signals get from one place to another by
traveling through “busses.” A bus is simply a pathway down which one
or more signals can travel. The VM-3100 utilizes a variety of busses—
with different names and purposes—but they’re all basically the same
simple thing: pathways. What’s great about busses is that they allow you
to easily group together a bunch of signals and send them anywhere
you like.
You’ve actually already been working with busses. When you sent your
drum machine, bass and vocal to Effect 1 back on Page 14, you were
actually using the VM-3100’s mono FX bus. (The VM-3100Pro has two
mono FX busses, one that carries signals to Effect 1 and another that
takes them to Effect2). And throughout this
Supplemental Note
, you’ve
been listening to signals sent from their channels into the stereo main
mix bus. Unless they’re muted, channel signals are
always
sent to the
main mix bus—when you raise or lower a channel’s fader, you’re
controlling how much of its signal is going to the main mix bus. The
stereo main mix bus delivers signals to the MASTER OUT L and R (for
“Left” and “Right”) jacks and also to the MONITOR headphone jack.
Busses in the VM-3100 often carry signals to output jacks. To route a
signal to a particular output jack, therefore, you can simply send the
signal down the bus that’s connected to it. You can send as many
signals as you want to a jack by sending them to the bus that feeds it.
In addition to its FX and main mix busses, the VM-3100 provides
another eight mono busses—numbered 1 through 8—that can bring
signals to other output jacks:
Busses 1 and 2 carry signals to the AUX SEND 1 and 2 jacks, also
labeled as Jacks 1 and 2, respectively.
Busses 3 and 4 carry signals to the BUS OUT L and R jacks, also
labeled as Jacks 3 and 4, respectively.
The stereo DIGITAL I/O Out jacks A and B are special cases.You
can connect them to any odd/even pair of busses (1 and 2, 3 and 4,
and so on). This affords you tremendous flexibility and convenience
when you want to send signals digitally from the VM-3100 to
another device. As configured at the factory, Busses 4 and 5 feed
Digital Out A, and Busses 7 and 8 carry signals to Digital Out B.
The VM-3100’s eight digital RMDBII/R-BUS tracks also get their signals
from Busses 1-8. Any of the eight busses can be routed to any R-BUS
track.
1999 Roland Corporation U.S. The Basics of the VM-3100/VM-3100Pro Faxback# 21099 Page 16
®ÂØÒňΠSupplemental Notes The Basics of the VM-3100/VM-3100Pro
XVI. Understanding Busses
When you send a channel’s signal to a bus, you’re actually sending a
perfect digital copy of the signal, not the signal itself. The original signal
remains in the channel. As a result, you can send it to several busses
and destinations—for example, you can send a signal to a send-and-
return effect
and
to the main mix, as we did in our send-and-return
effect example.
A bus can be mono—a single stream of signals—or stereo, with its
signals distributed across two streams of audio.
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