Roland Jupiter 80 User Manual Page 14
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Getting Acquainted with the JUPITER-80
14
Live Sets
A Live Set consists of the Tones assigned to the four layers, settings
for four MFX units, and settings for one reverb unit.
Tone 1
Tone 2
Tone 3
Tone 4
Live Set
MFX 1
MFX 2
MFX 3
MFX 4
Reverb
Layer 1
Layer 2
Layer 3
Layer 4
You can select a Live Set as the sound for the Upper Part, and
another Live Set as the sound for the Lower Part.
You can save 2,560 Live Sets you’ve edited, then call them up when
desired.
Live Set
0001–2560
Edits you make to the parameters of a Live Set are relative
adjustments that increase or decrease the values of the Tones; they
do not directly modify the Tones themselves.
This means that even if the same tone is used in other Live Sets, the
other Live Sets will not be aected by your editing.
Parts
The JUPITER-80 has four parts; Solo, Upper, Lower, and Percussion.
You can assign a Tone or Live Set to each Part and play it.
Solo
Upper
Lower
Percussion
You can play all Parts from the same keys, or use the Split function
(p. 39) to divide the keyboard and assign the sounds of dierent Parts
to their own zones.
The Registration screen shows the name of each Part’s sound.
This shows the split status of the Parts.
Not split
Solo
Upper
Lower
Percussion
Split
Solo
Upper
Lower
Percussion
For details on split, refer to “Split Performance” (p. 39).
- * 5 1 0 0 0 2 4 0 8 1 - 0 2 * 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFETY 4
- IMPORTANT NOTES 5
- Contents 7
- Introduction 9
- Main Features 10
- What is a Tone? 12
- What is a Live Set? 12
- What is a Registration? 12
- What are SuperNATURAL Tones? 13
- Behavior Modeling Technology 13
- Live Sets 14
- Registrations 15
- About Memory 16
- Audio les that can be played 17
- Audio les that will be saved 17
- Panel Descriptions 18
- Rear Panel Connections 20
- Turning the Power On 23
- Basic Operation 24
- Editing a Value 25
- [E1]–[E4] knobs 26
- Basic Touch Panel Operation 27
- [SHIFT] Button Operations 28
- [MENU] Button Operations 29
- Assigning a Name 29
- Navigating Between Screens 30
- Registration Part screen 31
- Live Set screen 32
- Tone Blender screen 34
- Key Range View screen 34
- MENU screen 34
- Song screen 34
- Visual Control screen 34
- Playing Sounds 35
- Upper Part 36
- Turning Each Part On/O and 37
- Adjusting its Volume 37
- Phrases (Manual Percussion) 38
- Keyboard (Drums/SFX) 38
- Split Performance 39
- Changing the Split Point 40
- Switching Registrations 41
- Switching Registration Sets 42
- Consecutively 42
- Using the Arpeggiator 43
- Arpeggio Parameters 44
- File (Import) 45
- Performing With Added Harmony 46
- Controlling the Performance 47
- Using Pedals 48
- Controlling the Rotary Eect 49
- Controlling Reverb 49
- Changing the Pitch by Octaves 50
- Transposing 50
- Editing Sounds 51
- Editing a Registration 52
- Saving a Registration 53
- 4. Touch <WRITE> 54
- Initializing a Registration 55
- Editing a Live Set 56
- Changing a Live Set’s Tones 57
- Eect Output Levels 59
- Editing a Tone 60
- Saving a Live Set 62
- Naming a Live Set 63
- Initializing a Live Set 64
- Copying a Layer 65
- Editing a Synth Tone 66
- Saving a Synth Tone 68
- Tone/Partial 69
- Copying a Partial 69
- Other Convenient Functions 71
- Playback 72
- Ranges (Equalizer) 73
- <Chain Play> 74
- Currently selected 74
- Audio le that will 74
- Creating a Folder 75
- Recording 77
- Audio Signal Flow 78
- Flash Drive 79
- Computer 80
- (Format) 81
- Exchanging Registration Sets 82
- Calibrating the Touch Panel 82
- Making System Settings 83
- Saving the System Settings 83
- System Parameters 83
- D Beam/Slider 84
- Keyboard 84
- Master EQ, Song EQ 85
- MIDI Tx/Rx 85
- Scale Tune 85
- OUT, SUB OUT) 86
- (Factory Reset) 87
- Connecting Other Equipment 89
- About MIDI 91
- External MIDI Device 93
- Connection example 94
- Controlling Visuals 95
- Visual Control Settings 96
- Appendix 97
- Error Message List 98
- Troubleshooting 100
- Specications 101
- MIDI Implementation Chart 102
- Information 105
- For EU Countries 106
- For China 106
- DECLARATION OF CONFORMITY 107
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