Roland HPi-6F User Manual Page 66
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66
Connecting Other Devices
Preventing Doubled Notes from the Sound
Generator when a Sequencer is Connected
If you connect a MIDI sequencer to the HPi-6F, set the Local Control
setting to “Local O.”
A MIDI sequencer will typically have its “Thru” function turned on,
meaning that the notes from the keyboard will reach the sound
generating section by two routes: internally within the HPi-6F itself,
and also via the MIDI sequencer. This will cause notes to be sounded in
duplicate, or to be cut o inappropriately. To prevent this, you should
disconnect the internal route by choosing the “Local O” setting.
When set to Local On
MIDI
In
MIDI
OUT
MIDI
IN
MIDI
Out
Local Control On
Play once
Sounded twice
The HPi-6F
Sequencer
On
Thru
function
Sound
generator
When set to Local O
MIDI
In
MIDI
OUT
MIDI
IN
MIDI
Out
Local Control O
The performance
sounds correct
The HPi-6F
Sequencer
On
Thru
function
Sound
generator
1. Press the [Application/Lesson] button➝ [Function] ➝ [O]
button ➝ [MIDI] ➝ [O] button ➝ [Local Control] (p. 22).
2. Use the cursor up/down buttons to turn the setting on/o.
Changing the MIDI Transmit Channel
Here’s how to set the MIDI channel that the HPi-6F will use for
transmission.
MIDI uses sixteen “MIDI channels” (1–16). When MIDI devices are
connected, and the MIDI channels of the devices are set to match, a
device can play notes or select tones on the other device.
1. Press the [Application/Lesson] button ➝ [Function] ➝ [O]
button ➝ [MIDI] ➝ [O] button ➝ [Tx Channel] (p. 22).
2. Use the cursor up/down buttons to change the setting.
MEMO
• If you turn this “O,” the HPi-6F will not transmit MIDI data.
• The HPi-6F can receive all channels 1–16.
Transmitting Recorded Performance Data to
a MIDI Device
If the “Composer MIDI Out” setting is “On,” the recorded performance
data can be transmitted to a MIDI device or computer that’s connected
to the HPi-6F.
1. Press the [Application/Lesson] button ➝ [Function] ➝ [O]
button ➝ [MIDI] ➝ [O] button ➝ [Composer MIDI Out] (p. 22).
2. Use the cursor up/down buttons to turn the setting on/o.
- * 5 1 0 0 0 1 5 4 0 4 - 0 1 * 1
- IMPORTANT SAFETY INSTRUCTIONS 3
- SAVE THESE INSTRUCTIONS 3
- Look at All 4
- You Can Do! 5
- USING THE UNIT SAFELY 6
- Important Notes 8
- Using External Memories 9
- Copyright 9
- Contents 10
- Panel Descriptions 12
- Analog RGB 13
- Display Out 13
- Backlight 13
- Before You Begin Playing 14
- Using the Music Holders 15
- Connecting the Power Cord 15
- Opening/Closing the Lid 15
- Turning the Power On/O 16
- Adjusting the Sound’s Volume 16
- Using the Headphones 17
- Basic Operation and Screens 18
- Basic Screen 19
- Notation View Settings 20
- About the Notation Screen 20
- Notation Screen 21
- Tone Screen 21
- Song Screen 21
- Continues on p. 22 21
- Application/ 22
- Enjoying Lessons 24
- Performing 25
- Using the Pedals 26
- Performing with the Metronome 27
- Adjusting the Reverb Depth 29
- Cancelling Dual Play 31
- Changing the Split Point 33
- Cancelling Split Play 33
- Switching the Twin Piano Mode 35
- Cancelling Twin Piano 35
- Disabling the Buttons 37
- Creating Your Own Piano Sound 38
- Listening to Songs 39
- Fast-forward and Rewind 40
- About Tracks 40
- About Muting 40
- Changing the Tempo of a Song 43
- Using External Memory 44
- Copying a Song 45
- Recording Your Performance 46
- Saving a Recorded Performance 48
- Advanced Recording Methods 49
- Overdubbing 50
- About re-recording 50
- Recording Along with a Song 51
- Deleting a Saved Song 52
- Saving User Programs 53
- Recalling User Programs 54
- Loading a User Program Set 56
- Various Settings 58
- Initializing Memory 59
- Power is Turned O 59
- Other Operations 61
- Image data that can be shown 62
- Slide Show 62
- Connecting Other Devices 63
- Connecting to Audio Equipment 64
- Connecting to MIDI Devices 65
- When set to Local On 66
- When set to Local O 66
- Connecting a Computer 67
- Using V-LINK 67
- Appendix 68
- Song does not play correctly 70
- Can’t record / play back 70
- Specications 71
- Information 76
- For EU Countries 77
- For China 77
- DECLARATION OF CONFORMITY 78
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