Roland VIMA JM-8 Owner's Manual download pdf (Page 165)

VIMA JM-8

165

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Balance (D100:0W, D50:50W, D0:100W)—Volume balance

between the direct (D) and the effect sound (W).

●

Level (0~127)—Output level.

70. MLT Tap DLY

This effect provides four delays. Each of the Delay Time param-

eters can be set to a note length based on the selected tempo.

You can also set the panning and level of each delay sound.

●

Delay Time 1~4 [sync] (msec, Note)—Use this parameter to spec-

ify whether (“Note”) or not (“msec”) the delay time should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

●

Delay 1~4 Time [msec] (0~2600ms)—Adjusts the time until

Delay 1~4 are heard.

●

Delay 1~4 Time [note] (musical notes)—Delay times can be set

as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

●

Delay 1 Feedback (–98%~0~+98%)—Adjusts the amount of the

delay sound that’s fed back into the effect. Negative (–) settings

invert the phase.

●

HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above

which sound fed back to the effect is ﬁltered out. If you don’t

want to ﬁlter out any high frequencies, set this parameter to

BYPASS.

●

Delay 1~4 Panpot (L64~0~63R)—Stereo location of Delays 1~4.

●

Delay 1~4 Level (0~127)—Output level of Delays 1~4.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Balance (D100:0W, D50:50W, D0:100W)—Volume balance

between the direct (D) and the effect sound (W).

●

Level (0~127)—Output level.

71. Reverse DLY

This is a reverse delay that adds a reversed and delayed sound

to the input sound. A tap delay is connected immediately after

the reverse delay.

●

Threshold (0~127)—Volume at which the reverse delay will

begin to be applied.

●

Rev Delay Time [sync] (msec, Note)—Use this parameter to spec-

ify whether (“Note”) or not (“msec”) the reverse delay time

should be synchronized to the Arranger or Recorder tempo.

Depending on your choice, the setting range of the following

parameter refers to a time (msec) or a note value.

●

Rev Delay Time [msec] (0~1300ms)—Delay time from when

sound is input into the reverse delay until the delay sound is

heard.

●

Rev Delay Time [note] (musical notes)—Delay times can be set

as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

●

Rev Delay Feedback (–98%~0~+98%)—Proportion of the delay

sound that is to be returned to the input of the reverse delay

(negative values invert the phase)

●

Rev Delay HF Damp (200~8000Hz, Bypass)—Frequency at which

the high-frequency content of the reverse-delayed sound will be

cut (BYPASS: no cut).

●

Rev Delay Panpot (L64~0~63R)—Panning of the reverse delay

sound.

●

Rev Delay Level (0~127)—Volume of the reverse delay sound.

●

Delay 1 Time [sync] (msec, Note)

●

Delay 2 Time [sync] (msec, Note)

●

Delay 3 Time [sync] (msec, Note)—Use this parameter to specify

whether (“Note”) or not (“msec”) the delay time should be syn-

chronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

●

Delay 1 Time [msec] (0~1300ms)

●

Delay 2 Time [msec] (0~1300ms)

●

Delay 3 Time [msec] (0~1300ms)—Adjusts the time until the

delay is heard.

●

Delay 1 Time [note] (musical notes)

●

Delay 2 Time [note] (musical notes)

●

Delay 3 Time [note] (musical notes)—Delay times can be set as a

note-value of a tempo, if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

●

Delay 3 Feedback (–98%~0~+98%)—Proportion of the delay

sound that is to be returned to the input of the tap delay (nega-

tive values invert the phase).

●

Delay HF Damp (200~8000Hz, Bypass)—Frequency at which the

low-frequency content of the tap delay sound will be cut

(BYPASS: no cut).

●

Delay 1 Panpot (L64~0~63R)

●

Delay 2 Panpot (L64~0~63R)—Panning of the tap delay sounds.

●

Delay 1 Level (0~127)

●

Delay 2 Level (0~127)—Volume of the tap delay sounds.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Balance (D100:0W, D50:50W, D0:100W)—Volume balance

between the direct (D) and the effect sound (W).

●

Level (0~127)—Output level.

72. Shuffle DLY

Adds a shufﬂe to the delay sound, giving the sound a bouncy

delay effect with a swing feel.

●

Delay Time [sync] (msec, Note)—Use this parameter to specify

whether (“Note”) or not (“msec”) the delay time should be syn-

chronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

●

Delay Time [msec] (0~2600ms)—Adjusts the time until the delay

is heard.

●

Delay Time [note] (Musical Notes)—Delay times can be set as a

note-value of a tempo, if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

●

Shufﬂe Rate (0~100%)—Adjusts the ratio (as a percentage) of

the time that elapses before Delay B sounds relative to the time

that elapses before the Delay A sounds. When set to 100%, the

delay times are the same.

●

Acceleration (0~15)—Adjusts the time over which the Delay

Time changes from the current setting to its speciﬁed new set-

ting.

●

Feedback (–98%~0~+98%)—Adjusts the amount of the delay

sound that’s fed back into the effect. Negative (–) settings invert

the phase.

●

HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above

which sound fed back to the effect is ﬁltered out. If you don’t

want to ﬁlter out any high frequencies, set this parameter to

BYPASS.

●

Panpot A (L64~0~63R)

●

Panpot B (L64~0~63R)—Stereo location of Delay A/B.

●

Level A (0~127)

●

Level B (0~127)—Volume of delay A/B.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Balance (D100:0W, D50:50W, D0:100W)—Volume balance

between the direct (D) and the effect sound (W).

●

Level (0~127)—Output level.

73. 3D Delay

This applies a 3D effect to the delay sound. The delay sound

will be positioned 90 degrees left and 90 degrees right.

●

Delay Left Time [sync] (msec, Note)—Use this parameter to

specify whether (“Note”) or not (“msec”) the left delay time

should be synchronized to the Arranger or Recorder tempo.

Depending on your choice, the setting range of the following

parameter refers to a time or a note value.

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