Roland GT-001 Owner's Manual download pdf (Page 13)

EFFECT

HARMONIST

Harmonist is an eect where the amount of shifting is adjusted

according to an analysis of the guitar input, allowing you to create

harmony based on diatonic scales.

* Because of the need to analyze the pitch, chords (two or more

sounds played simultaneously) cannot be played. Be sure to

mute all the other strings and play only one note at a time.

* If the unit cannot detect the attack, it may not sound correctly. If

the unit cannot detect the attack, it may not sound correctly.

* The sensitivity may vary according to the guitar’s TONE knob

and pickup type.

* For the USB SECONDARY audio routing (p. 34), the harmonist

eect cannot be used on audio from USB IN.

Knob Parameter Value Explanation

Page 1

[1] VOICE

Selects the number of voices for the pitch shift sound.

1VOICE

One pitch-shifted voice is output in

monaural.

2MONO

Two pitch-shifted voices are output in

monaural.

2STEREO

Two pitch-shifted voices are output

to the L-channel and the R-channel

respectively.

[2]

[3]

1:HARM

2:HARM

-2 oct–+2

oct, USER

This determines the pitch of the sound

added to the input sound, when you

are making a harmony.

It allows you to set it by up to 2 octaves

higher or lower than the input sound.

When the scale is set to USER, this

parameter sets the user scale number

to be used.

[4]

KEY

(MASTER KEY)

C (Am)–B

(G#m)

The key setting corresponds to the key

of the song (#, b) as follows.

Major

Minor

Page 2/Page 3 (if VOICE is set to “1VOICE”: page 2 only)

[1]

1:P-DLY

(1:PRE DELAY)

2:P-DLY

(2:PRE DELAY)

0 ms–300

ms,

BPM

–

Adjusts the time from when the direct

sound is heard until the harmonist

sounds are heard. Normally you can

leave this set at 0 ms.

* When set to BPM, the value of each

parameter will be set according

to the value of the “MASTER BPM”

specied for each patch. This makes

it easier to achieve eect sound

settings that match the tempo of

the song.

* If, due to the tempo, the time is

longer than the range of allowable

settings, it is then synchronized to a

period either 1/2 or 1/4 of that time.

[2]

1:F-BAK

(1:FEEDBACK)

0–100

Adjusts the feedback amount of the

harmonist sound.

[3]

1:LEVEL

2:LEVEL

0–100

Adjusts the volume of the harmony

sound.

[4]

DIR.MIX

(DIRECT MIX)

0–100

Adjusts the volume of the direct

sound.

Knob Parameter Value Explanation

For 1VOICE: pages 3–5

For 2MONO or 2STEREO: pages 4–6 (1:HARM), 7–9 (2:HARM)

[1]

USER SCALE

*1 *2

-24

C–+24 C

You can specify a

pitch in the range

two octaves

above or below

the direct sound.

[2] Db

-24

D²–+24 D²

[3] D

-24

D–+24 D

[4] Eb

-24

E²–+24 E²

[1] E

-24

E–+24 E

[2] F

-24

F–+24 F

[3] F#

-24

F¾–+24 F¾

[4] G

-24

G–+24 G

[1] Ab

-24

A²–+24 A²

[2] A

-24

A–+24 A

[3] Bb

-24

B²–+24– B²

[4] B

-24

B–+24 B

*1 This can be specied if 1:HARM or 2:HARM is “USER.”

*2 The correspondence between the note names and the knobs diers depending

on the specied KEY. Knob [1] of the rst page is the tonic (root note) of the

specied KEY. The table shows the example of when KEY is set to C (Am).

OVERTONE (FX2 Only)

This eect uses MDP technology to add new harmonics to the

sound, producing resonance and richness that was not present in

the original sound.

Knob Parameter Value Explanation

Page 1

[1]

LWR.LVL

(LOWER LEVEL)

0–100

Adjusts the volume of the harmonic

one octave below.

[2]

UPR.LVL

(UPPER LEVEL)

0–100

Adjusts the volume of the harmonic

one octave above.

[3]

DIR.MIX

(DIRECT MIX)

0–100 Adjusts the volume of the direct sound.

[4] DETUNE 0–100

Adjusts the amount of the detune

eect that adds depth to the sound.

Page 2

[1] TONE -50–+50 This adjusts the tone.

SOUND HOLD

You can have sound played on the guitar be held continuously.

This eect allows you to perform the melody in the upper registers

while holding a note in the lower registers.

* This function will not work properly when two or more notes are

played simultaneously.

Knob Parameter Value Explanation

[1] HOLD OFF, ON

Switches the hold sound on and o.

Normally, this is controlled with the

CTL pedals.

• It is assumed that this parameter will

be assigned to the footswitch.

• Patches are written with the HOLD

parameter set to O.

[2]

RISE.TM

(RISE TIME)

0–100

Adjusts how rapidly the Sound Hold

sound is produced.

[4]

E.LEVEL

(EFFECT LEVEL)

0–120 Adjusts the volume of the hold sound.

1 2 ... 8 9 10 11 12 13 14 15 16 17 18 ... 47 48

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Roland GT-001 Owner's Manual Page 13

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