Roland GT-001 Owner's Manual download pdf (Page 5)

EFFECT

5

Knob Parameter Value Explanation

Page 4

[1]

SP.TYP

(SPEAKER TYPE)

*1

Select the speaker type.

OFF

This turns o the speaker

simulator.

ORIGIN

(ORIGINAL)

This is the built-in speaker of the

amp you selected with PREAMP

TYPE.

1x8"

This is a compact open-back

speaker cabinet with one 8-inch

speaker.

1x10"

This is a compact open-back

speaker cabinet with one 10-inch

speaker.

1x12"

This is a compact open-back

speaker cabinet with one 12-inch

speaker.

2x12"

This is a general open-back speaker

cabinet with two 12-inch speakers.

4x10"

This is an optimal speaker cabinet

for a large enclosed amp with four

10-inch speakers.

4x12"

This is an optimal speaker cabinet

for a large enclosed amp with four

12-inch speakers.

8x12"

This is a double stack of two

cabinets, each with four 12-inch

speakers.

CUSTOM

Custom speaker You can customize

it however you like to match the

sound you want.

[2]

MIC.TYP

(MIC TYPE)

*1

This setting selects the simulated mic type.

DYN57

This is the sound of the SHURE SM-

57. General dynamic mic used for

instruments and vocals. Optimal

for use in miking guitar amps.

DYN421

Simulates the sound of the MD-

421. Dynamic mic with extended

low end.

CND451

Simulates the sound of the AKG

C451B. Small condenser mic for use

with instruments.

CND87

Simulates the sound of the

NEUMANN U87. Condenser mic

with at response.

FLAT

Simulates a mic with perfectly at

response. Produces a sonic image

close to that of listening to the

sound directly from the speakers

(on site).

[3]

MIC.DIS

(MIC DISTANCE)

*1

Simulates the distance between the mic and

speaker.

OFF MIC

This setting points the mic away

from the speaker.

ON MIC

Provides conditions whereby the

mic is directed more towards the

speaker.

[4]

MIC.POS

(MIC POSITION)

*1

This simulates the mic position.

CENTER

Simulates the condition that the

mic is set in the middle of the

speaker cone.

1–10 cm

Simulates the condition that the

mic is moved away from the center

of the speaker cone.

Page 5

[1]

MIC.LVL

(MIC LEVEL) *1

0–100 Adjusts the volume of the mic.

[2]

DIR.MIX

(DIRECT MIX) *1

0–100

Adjusts the volume of the direct

sound.

*1 This is enabled when the OUTPUT SELECT parameter is set to LINE/PHONE.

PREAMP TYPE

This is a list of the amp types that can be selected for PREAMP.

Category Type Explanation

ADVANCED

NtrlCLN

(NATURAL CLEAN)

An unembellished, clean sound that

minimizes the amp’s idiosyncrasies,

such as its trebly character and

boomy low end.

FUL RNG

(FULL RANGE)

An amp with a broad frequency

range and an extremely at re-

sponse. Good for acoustic guitar.

CB CRNC

(COMBO CRUNCH)

Crunch sound that allows the

nuances of your picking to be

expressed even more faithfully than

on conventional combo amps.

ST CRNC

(STACK CRUNCH)

Great-feeling crunch sound that

responds well to picking dynamics

while retaining all the dening

characteristics of a 4 x 12” speaker

cabinet.

HiG STK

(HiGAIN STACK)

High-gain sound of a vintage

Marshall specially revamped in a

way that is possible only with COSM

modeling technology.

PwrDRV

(POWER DRIVE)

A straightforward drive sound

that is suitable for a wide range of

situations from backing to lead, and

which could not be obtained from

previous combo amps or stack amps.

XTRM LD

(EXTREME LEAD)

A new type of sound that smoothes

out the uneven frequency response

that is typical of existing large stack

amps.

COR MTL

(CORE METAL)

A large stack sound that has been

tweaked extensively in the pursuit of

the ultimate metal sound.

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