Roland KF-7 Owner's Manual Page 133
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Chapter 7 Using Other Functions
Chapter 7
A Style Composer Screen like the one shown below appears.
fig.07-04.eps
Display Part
R Rhythm
B Bass
A1 Accompaniment 1
A2 Accompaniment 2
A3 Accompaniment 3
<All Clear> Erase all of the data that has been input.
<Mute> You can mute the sound of particular Parts in
specific Divisions. For more information, take
a look at “Muting Parts for a Particular
Division” (p. 133).
<Clear> Cancels the selection of the Style.
<Options> Displays the Part Settings screen, in which you
can make detailed settings for each part. For
more information, take a look at “Changing
the Settings for Each Part” (p. 134)
<Execute> This records the style you have composed.
Touch here when you finished creating a style.
4. Touch the screen to choose the Part whose style
you want to change.
The Part you touched appears in reverse video.
5. Press the Music Style button, then choose a Style
by using the Touch Screen, the Value [-] [+]
buttons or the dial.
6. After you’ve chosen a style, touch <Exit> to
display the Style Composer screen.
7. Repeat steps 4, 5, and 6 to determine the style for
each Part.
8. When you have finished setting the Styles for all
Parts, touch <Execute>.
You create a new Style.
The User Style is recorded to the [Disk/User] button. Try
playing with the created Style to play.
* If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you don’t want to
lose it, you should save it on a floppy disk. Take a look at
“Saving a User Style” (p. 137).
Muting Parts for a Particular Division
You can mute the sound of particular Parts in specific
Divisions.
For instance, you can sound all parts when in Variation (the
Variation accompaniment pattern), or mute out
Accompaniment 2 and Accompaniment 3 when in Original
(the Original accompaniment pattern). This has the effect of
making the accompaniment more lively when you change
the accompaniment pattern from Original to Variation.
→ For more about Division, see “The Makeup of a Style” (p.
134).
1. Touch the Part you want to mute out at the Style
Composer screen.
2. Press the button to switch to the Division that you
want to silence.
fig.07-04.eps
3. Touch <Mute> on the screen.
The Part you chose is muted out in just the Division you
selected. If you want to hear the muted-out Part, touch
<Mute> again.
To mute out a Division that changes after a few seconds
(intro, ending, or fill-in), touch <Mute> immediately
after switching to the Division.
Select the Division
- Owner’s Manual 1
- USING THE UNIT SAFELY 4
- IMPORTANT NOTES 5
- Protect 6
- (prevents writing to disk) 6
- Introduction 7
- Checking the Included Items 8
- How to Use This Manual 8
- Contents 10
- Panel Descriptions 13
- 6 7 9 10 11 12 17 18 19 20 21 14
- 3 4 5 8 13 14 15 16 22 23 24 14
- 25 26 27 29 30 34 35 36 15
- 28 31 32 33 37 38 39 15
- Before You Play 16
- Turning the Power On and 17
- Adjusting the Sound’s 17
- Volume and Brilliance 17
- Connecting Headphones 17
- Connecting a Microphone 18
- About the Touch Screen 18
- ■ Basic Screen 19
- Quick Start 21
- Playing the Keyboard 22
- ([Tone Navigator] Button) 25
- (Piano Master) 26
- Playing with Accompaniment 28
- The range specifyed a chord 29
- Split Point ( ) 29
- (One-touch Arranger) 30
- Little Brown Jug 32
- Recording a Performance 34
- Navigator screen 35
- Accompaniment 36
- 2. Press the Play [ ] button 38
- 3. Press the Stop [ ] button 38
- Using Music Files 39
- 1 62 3, 4, 5 40
- 1, 42, 3 43
- ■ Adjusting the Echo 44
- ■ Modifying Your Voice 44
- 2. Touch <Harmonist> 46
- Reference 49
- Chapter 1 Performance 50
- Chapter 1 51
- (Layer Play) 53
- You can’t use this feature 57
- Basic Screen (p. 19) 57
- Playing Drum Sounds 58
- ■ Playing Effect Sounds 59
- Advanced 3D OFF 60
- Advanced 3D ON 60
- Sounding the Metronome 63
- ■ Adjusting the Tempo 64
- When is selected 65
- With a triplet beat (6/8, 9/ 65
- 8, or 12/8), added notes are 65
- ■ Changing the Type of Sound 66
- ■ Changing the Volume 66
- Using Automatic Accompaniment 67
- About Chords 68
- Chapter 2 69
- When changing the tone in 72
- Tones” (p. 56) 72
- Starting Over 75
- Modifying an Accompaniment 77
- (Melody Intelligence) 79
- 5. Finger the keyboard 80
- Accompaniment and Keyboard 81
- Chapter 3 Some Handy Features 83
- ■ Displaying the Score 84
- 4. Press the Play [ ] button 85
- Adjusting the Tempo 85
- 2. Touch <Tap Tempo> 86
- Chapter 3 89
- ■ Moving a Marker 91
- For more info about 92
- The transposition setting 93
- Press the [Function] button 95
- Touch <Piano Partner> 95
- For more information 96
- “Multitrack Recording with 96
- 16 Parts (16-Track 96
- Sequencer)” (p. 118) 96
- Chapter 4 101
- You can’t erase the settings 102
- Changing How Recording Stops 103
- 2. Touch <Rec. Mode> 103
- Recording begins here 104
- 4. Touch <Exit> 106
- Saving Songs to Floppy Disks 109
- 5. Touch <Format Disk> 110
- Selecting the Recording 115
- ■ Re-Recording Part of Your 117
- Performance 117
- (Punch-in Recording) 117
- Multitrack Recording with 16 118
- Parts (16-Track Sequencer) 118
- Sequencer 119
- Changing the Settings of 120
- Each Part 120
- Chapter 5 121
- Changing a Song’s Basic 122
- Changing the Tempo Within 123
- Chapter 6 Editing Functions 124
- Copying a Measure 125
- Copying a Rhythm Pattern 126
- Correcting Timing 126
- Discrepancies 126
- Deleting a Specific Measure 127
- Inserting a Blank Measure 128
- Transposing Individual Parts 128
- Making a Measure Blank 129
- Exchanging Parts 130
- Correcting Notes One by One 130
- Modifying the Tone Changes 131
- Creating an Original Style 132
- (User Style) 132
- Touch <Create Style> 132
- Touch <Style Composer> 132
- Chapter 7 133
- You Composed Yourself (Style 134
- Converter) 134
- Creating a Style in Auto Mode 135
- Changing an Extracted Part 136
- Saving a User Style 137
- Storing the Panel Settings 138
- (User Program) 138
- Calling Up User Program 139
- Saving User Programs on 140
- Floppy Disk 140
- Disabling Everything Except 141
- Piano Play (Panel Lock) 141
- Changing the Settings for 142
- One Touch Piano 142
- ■ Changing the Tuning 143
- ■ Adjusting Resonance 144
- Automatic Accompaniment 145
- ■ Changing How the Automatic 146
- Accompaniment Plays 146
- Bass Tone 146
- Chapter 8 147
- ❍ Assignable Functions 148
- What’s the Bend Range? 148
- Changing the settings for 149
- Score screen 149
- Marker and the Count Sound 150
- Adjusting the Standard Pitch 151
- (Master Tuning) 151
- Changing the Type of Reverb 151
- Changing the Type of Chorus 152
- Changing the Bend Range 152
- Changing the Screen Settings 153
- Changing the Screen Message 153
- When the Power Is Turned On 153
- (Opening Message) 153
- Maintaining Settings After 154
- (Memory Backup) 154
- Restoring the Factory 154
- Settings (Factory Reset) 154
- Connecting MIDI Devices 156
- What’s MIDI? 156
- MIDI Out Connector 156
- MIDI In Connector 156
- MIDI Settings 157
- (Program Change/ 158
- Synchronizing with 159
- Connected MIDI Devices 159
- MIDI Ensemble 159
- Connecting to Audio 160
- Equipment 160
- Connecting a Computer 161
- Trouble Shooting 162
- Indication: Error.43 165
- Indication: Error.51 165
- Indication: Error.41 165
- Indication: Error.42 165
- Tone List 166
- Appendices 167
- [Voice/GS] 168
- Drum/SFX Set List 170
- Music Style List 175
- Rhythm Pattern List 177
- Chord List 178
- Effects List 180
- Demo Song List 181
- Data Disk Song List 182
- SMF with Lyrics 183
- General MIDI 183
- General MIDI 2 183
- GS Format 183
- Glossary 184
- Tuning Curves 185
- DIGITAL PIANO 186
- Model KF-90 186
- Date : Mar. 1, 2000 186
- Version : 1.00 186
- MIDI Implementation Chart 186
- Main Specifications 187
- Information 194
- IMPORTANT SAFETY INSTRUCTIONS 195
- SAVE THESE INSTRUCTIONS 195
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