Roland V-Synth Owner's Manual Page 165
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165
Sample Mode
Sampling Procedure
Here’s how to input a sound from the input jacks and sample it. For resampling, refer to the following section.
The V-Synth GT has the following input jacks.
• INPUT L, R
• MIC IN (mixed into INPUT R)
• DIGITAL AUDIO INTERFACE
OPTICAL IN
COAXIAL IN
USB (Audio)
Use the input jack that is appropriate for your situation.
• Monaural sampling from a mic
→
MIC IN
• Sampling from an analog source
→
INPUT L, R
• Sampling from a digital source
→
OPTICAL IN or COAXIAL IN
• Sampling via USB
→
USB
983
Howling could be produced depending on the location of microphones relative to speakers. This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from speakers.
3. Lowering volume levels.
When sampling, you must make sure that the following two items are set correctly. If these two settings are
incorrect, the sample will not be recorded as you intend.
• What type of sample are you recording? (stereo or mono)
→
In the Sampling General screen, set Sampling Type.
• Which input are you sampling from? (select the input jack)
→
In the Sampling General screen, set Input Source.
If you have set the metronome (p. 176), the metronome sound will be output from the DIRECT OUT jacks during
sampling. However, the sound that is assigned to the DIRECT OUT jacks (p. 139) will not be output.
1.
Press [SAMPLE].
The Sample Top screen appears.
fig.04-01_50
V-Synth-GT_e.book 165 ページ ２００７年４月９日 月曜日 午後１時４６分
- 04566667 07-04-1N 1
- DECLARATION OF CONFORMITY 2
- IMPORTANT SAFETY INSTRUCTIONS 4
- SAVE THESE INSTRUCTIONS 4
- USING THE UNIT SAFELY 5
- IMPORTANT NOTES 7
- Using USB Memory 8
- Contents 10
- How to Use the Documentation 15
- Main Features 16
- Getting Ready 17
- Turning On the Power 18
- Turning Off the Power 19
- Panel Descriptions 20
- Rear Panel 24
- Overview of the V-Synth GT 26
- About Structures 28
- About Memory 30
- About VariPhrase 32
- Moving the Cursor 33
- Editing a Value 34
- E1–E8 Knobs 35
- Envelope Sliders 35
- Using the Map Function 37
- The V-Synth GT’s Four Modes 38
- About the Patch Play Screen 39
- Selecting a Patch 40
- Pitch Bend/Modulation Lever 43
- Using the E1–E8 Knobs 49
- Arpeggiator 51
- Example Connections 52
- Enter V-LINK Mode 53
- Patch Mode (Editing a Patch) 54
- Selecting a Tone 55
- Category Search Area 57
- Keyword Search Area 57
- Patch Menu 58
- Patch Name (Naming a Patch) 59
- Patch Category List 61
- Key Range 68
- Arpeggio 69
- Erasing a Pattern (Clear) 75
- Patch Mode (Editing a Tone) 80
- Tone Menu 81
- Tone Name (Naming a Tone) 82
- Structure 86
- Bender/Octave 90
- Matrix Control 91
- OSC1/OSC2 (Oscillator 1/2) 95
- OSC Type (Analog OSC) 96
- What is a sub-oscillator? 98
- OSC Type (PCM OSC) 99
- Editing a Tone (Pro Edit) 100
- OSC Type (External In) 101
- Pulse Width (Analog) 103
- Fat (Analog) 104
- Time (PCM) 111
- Formant (PCM) 112
- MOD Type 115
- COSM1/COSM2 117
- Making Envelope Settings 121
- Making LFO Settings 122
- How to Apply the LFO 123
- AP Syn (AP-Synthesis) 124
- Phrase Model 125
- Control 1 137
- Control 2 138
- Tone-FX (Tone Effect) 139
- <Step Mod> 142
- Multi Step Modulator Switch 142
- Multi Step Modulator 144
- Vocal Designer 146
- Using Vocal Designer 148
- Mic Settings 151
- Noise Sup 153
- Stereo/Mono/Enhance 156
- AP-Synthesis 161
- Sample Mode 163
- Sampling Procedure 165
- Sample Name (Naming a Sample) 168
- Sample Move (Moving a Sample) 170
- Resampling 173
- Editing a Sample 178
- (Zero Cross Search) 181
- Sample Editing Functions 183
- Loop Region Settings 185
- Original Tempo Setting 186
- Selecting the Encoding Type 188
- Saving a Sample 191
- Checking Sample Information 192
- Editing Groups 193
- System Menu 194
- USB MIDI 199
- Audio Input 200
- Audio Output 201
- USB Audio 202
- Keyboard 203
- Time Trip Pad 204
- V-LINK Settings 208
- C1/C2 Knob 211
- Utility Mode 214
- Disconnecting USB Storage 222
- Internal Memory 226
- USB Memory 226
- Beep (Beep Tone Settings) 227
- Screen Saver 229
- MIDI Implementation Chart 236
- Specifications 237
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