Roland CDX-1 User Manual Page 21
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21
Panel Descriptions
Panel Descriptions
Top Panel
INPUT section
fig.14-01e
PEAK indicators
These indicate whether distortion is occurring in the sound
that is being input to the respective input jacks (MIC1, MIC2,
GUITAR/BASS, LINE).
The PEAK indicator will light at a level below clipping level. Adjust
the INPUT SENS knob as high as possible without causing the
PEAK indicator to light when the sound is input.
INPUT SENS knobs
These adjust the input sensitivity of the input jacks (MIC1,
MIC2, GUITAR/BASS, LINE).
INPUT SELECT buttons
Use these buttons to select the input source (input jack) that
you wish to record. The selected button will light. When you
press an INPUT SELECT button that is lit, it will go dark, and
the input sound will be muted (silenced).
•[MIC1]:
Select this when you wish to record the sound of a mic
connected to the MIC1 jack (phone or XLR).
* Do not use identically numbered phone-type and XLR-type MIC jacks
simultaneously.
•[MIC2/Gtr/Bs]:
Select this when you wish to record the sound of a mic
connected to the MIC2 jack or the sound of an instrument
connected to the GUITAR/BASS jack.
* Do not use identically numbered phone-type and XLR-type MIC jacks
simultaneously.
• [LINE]:
Select this when you wish to record the sound of an
instrument or CD player connected to the LINE jacks.
• SIMUL [MIC1]+[MIC2]:
When you wish to record vocal and guitar simultaneously, or
when you wish to record two mics, press [MIC1] and [MIC2]
simultaneously. Both buttons will light, and can be recorded
simultaneously.
* If an instrument and mic are connected to both the GUITAR/BASS jack
and the MIC2 jack, respectively, the input from the GUITAR/BASS jack
will take priority. The input from the mic connected to the MIC2 jack
(phone-type/XLR-type) cannot be recorded.
• [DIGITAL]:
Select this when you wish to record the sound of a CD player
or MD player connected to the COAXIAL IN connector or
OPTICAL IN connector.
When you press [DIGITAL], the connected connector
(COAXIAL IN or OPTICAL IN) will be selected
automatically.
* If digital audio devices are connected only to coaxial connectors, you can
repeatedly press [DIGITAL] to cycle through lit (COAXIAL IN is
selected)
→
blink
→
OFF (mute).
* If digital audio devices are connected to both the optical and coaxial
connectors, the input from the COAXIAL IN will take priority. In this
case, you can repeatedly press [DIGITAL] to cycle through COAXIAL
IN
→
OPTICAL IN
→
OFF (mute).
* Digital audio signals cannot be recorded simply by connecting a digital
audio device to the OPTICAL or COAXIAL connector. If you wish to
recorded digital audio signals, you must change the settings as described
in “In order to make a Digital recording with CD player” (p. 148).
INPUT REC LEVEL knob
This adjusts the volume of the input source or the recording
level of the input source that you are recording.
* If you use the INPUT REC LEVEL knob to turn down the volume of the
input source during recording, the sound will be recorded in the audio
track or pad at a low volume, so that noise will be more apparent when
you raise the volume of the audio track or pad for playback. If you wish to
lower the volume of the input source you are hearing, use the MASTER
fader or the phone knob to lower the volume.
4
1
PEAK indicators
2
INPUT SENS knobs
3
INPUT SELECT button
INPUT REC LEVEL knob
1
2
3
4
- Owner’s Manual 1
- FOR HOME OR OFFICE USE 2
- Contents 4
- IMPORTANT NOTES 9
- Laser beam 10
- Before Using Compact Discs 10
- Copyright 10
- About the License Agreement 10
- Introduction 11
- Before you begin 12
- A diverse array of connectors 13
- Digital audio workstation 13
- Expanding the memory 14
- How to expand the memory 15
- Verifying that the memory is 16
- Learning about CD-R/RW discs 18
- Discs for use on the CDX-1 19
- Disc handling 20
- Disc cleaning 20
- Panel Descriptions 21
- INSERT EFFECTS section 22
- PHONES Section 22
- LOOP EFFECTS section 22
- AUDIO TRACK section 23
- TRACK EDIT section 23
- RHYTHM GUIDE section 23
- AUDIO CD Section 25
- AUDIO TRACK RECORD Section 26
- Power Switch 26
- Transport section 26
- AUTO PUNCH section 27
- PREVIEW section 27
- Control section 28
- Eject button 28
- MASTER Section 29
- Display Section 29
- Front Panel 30
- Rear Panel 30
- Basic operation of the CDX-1 32
- Turning the Power On and Off 33
- Turning Off the Power 34
- Inserting/removing a disc 35
- Removing a disc 36
- The Basic screens 37
- —Song Information screen 39
- Naming a song (CD-RW disc) 39
- What you need to do 43
- Listening to the demo disc 45
- Playing an audio CD 47
- About the Display 48
- Playing and stopping a song 49
- Rewind/fast-forward 50
- Collecting audio 53
- What is sampling? 54
- Pads and banks 54
- Naming a pad bank 55
- Sampling to a pad 56
- Recording a sound to a pad 57
- Loading a Windows WAVE file 58
- CDX-1 is not able to be 59
- Data type and sampling time 60
- —Start with 61
- —Pre Trigger 62
- —Resampling 63
- —Optimize Sample 64
- Deleting samples individually 65
- —Bank Protect 66
- Saving Pad/Sequence 67
- Playing the pad samples 69
- —Pad Crossfade 71
- Using Hold 72
- Playing repeatedly—Loop mode 73
- Editing the sample of a pad 76
- Setting each point 78
- Clipboard 82
- What is a sequence? 88
- About the sequence tracks 88
- How recording works 89
- Realtime recording 90
- Arranging audio samples 91
- —Quantize 92
- During Recording 93
- Step recording 94
- Playing a sequence track 96
- Editing a sequence track 98
- Cutting a phrase—Cut 100
- Erasing Phrases—Erase 101
- 00000000 105
- Deleting a sequence track 107
- Creating an audio CD 109
- What is multitrack recording? 110
- What is the data type 111
- Selecting the input source 113
- Monitoring the sound 113
- Tuning an instrument—Tuner 114
- About the tuner display 115
- Using the rhythm guide 116
- Changing the rhythm pattern 117
- Changing the tempo 117
- —Tempo Map 117
- Deleting a tempo map 118
- Recording a Performance 119
- Doubling technique 120
- Re-recording only a mistake 121
- —Punch-in/out 121
- —Auto Punch-in/out 122
- How to Record 123
- —Overdubbing 124
- Bounce recording procedure 125
- Playing back/stopping 126
- Saving Song settings 126
- —Optimize Disc 127
- —the Repeat function 128
- Assigning a marker 129
- Deleting a marker 129
- Naming a marker 130
- Marker Stop 131
- Mixing down 133
- Adjusting the mastering tools 134
- Writing to a CD-R disc 135
- Finishing the CD Burning 135
- Finalizing a CD-R disc 136
- Taking full advantage 137
- More functions for the CDX-1 138
- Using the insert effects 141
- Using an insert effect 142
- Saving insert effect settings 143
- Using the loop effects 145
- Creating a backup CD-RW disc 147
- What is SCMS? 150
- MIDI Fundamentals 151
- Switching MIDI OUT/THRU 152
- Play samples 153
- Switch the pad bank 153
- MIDI OUTMIDI IN 154
- MIDI Sequencer 154
- Frames (p. 205) 155
- NTSC-format (p. 206) 155
- SECAM/PAL-format 155
- (p. 206) 155
- Using MMC 156
- For details on the MMC 157
- Implementation” (p. 212) 157
- CD direct recording 159
- Using the mastering tools 160
- Crossfade on a CD-R disc 162
- CD-R disc 163
- Appendices 165
- Troubleshooting 166
- Problems with the sound 166
- Synchronization problems 168
- Other problems 168
- Unable to make Audio CD 169
- Major Message List 170
- Rhythm Pattern List 172
- Loop Effect 174
- Insert effect algorithm list 175
- 1. STEREO MULTI 176
- 2. LO-FI BOX 178
- ■ GUITAR 181
- 6. COSM GUITAR AMP 185
- 9. ACOUSTIC GUITAR 192
- 12. VOCAL MULTI 199
- 13. VOICE TRANSFORMER 201
- Glossary 204
- ■ Rhythm Guide Parameter 208
- Parameter List 208
- ■ Mixer Parameter 208
- ■ Pad Recording Parameter 209
- ■ Edit Pad Parameter 209
- ■ Pad Parameter 209
- MIDI Implementation 212
- 3. TRANSMITTED DATA 213
- 4. MIDI Machine Control 214
- 5. Appendices 215
- MIDI Implementation Chart 216
- Mixer Block Diagram 217
- Specifications 218
- Information 226
- Newly Added Functions Ver.1.5 229
- "Grade" 231
- Adjusting the crossfade time 234
- —Exchange Track 235
- —Copy Track 236
- —Region In/Out 237
- Canceling an editing region 238
- Editing the specified region 238
- Cutting Segments—Cut 239
- Chorus/delay/doubling 242
- Effect on (solid line) 246
- Effect off (dotted line) 246
- ● B CUT (Bass Cut Filter): 248
- MIDI OUT/THRUMIDI IN 252
- 40455612 ’01-11-E2-21KS 252
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