Roland VS-CDRII User Manual Page 14

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Beginner recording enthusiasts are often confused by the concept of how the
signal being input to the mixer or recording device gets through the console to
its final destination. A very important aspect of signal flow is the concept of
the Bus. Simply put, a bus is just a pathway for the signal to follow; from an
input to a track, from a track to a track, from a track or input to an effects
processor, etc.
When “bussing” signals from one place to another, your signals are passing
through a type of “routing matrix.” A routing matrix is just another name for
a summing amplifier; an amplifier used to combine multiple signals while
keeping their respective volume levels and pan positions. A good analogy for
record busses is the way you control the water in your house. The water
usually enters your house at a single location (barring any natural disasters
such as floods, hurricanes, tsunamis, etc). It is then routed through a series of
pipes to different locations in your house. The path that the water follows is
determined by which faucets you turn on or off.
It is common for most mixers to have “stereo busses” which direct your signal
to one or two locations. For example, record busses are usually setup in pairs
such as tracks 1 and 2 (or A and B), tracks 3 and 4, C and D, etc. The amount
of signal sent to each side of the stereo bus is controlled by the pan position. If
you assign a signal to the record bus for tracks 1 and 2 and pan that signal all
the way to the left, all of the signal will be recorded on track 1 and none of
the signal will be recorded on track 2. Setting the pan all the way to the right
would have the opposite effect. If you set the pan position to the center, the
signal will be recorded equally on tracks 1 and 2. Just think of a stereo bus
like a two-lane highway. The pan knob is your steering wheel and it controls
which lane you drive in.
13The Basics of Modern Recording
Bussing
Stereo Bus
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