Roland VS-CDRII User Manual Page 7

  • Download
  • Add to my manuals
  • Print
  • Page
    / 39
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 6
It’s helpful to note that balanced vs. unbalanced is usually, but not always,
related to impedance. For example, XLR cables are almost always low
impedance, but quarter-inch cables can be either balanced or unbalanced and
either low or high impedance.
Also, if you are connecting a balanced output to an unbalanced input over a
long cable run (10 to 15 feet or more), it’s a good idea to use a balanced cable
for the majority of the cable run and a direct box or matching transformer
right before you connect to the unbalanced input. That way you can take
advantage of the higher noise rejection capability of the balanced cable.
Balanced Line
An audio circuit consisting of three wires: High (+), Low (-), and a shield
connected to Ground. The High and Low wires are an equal potential
difference from the Ground. This is a common design used to help prevent
noise and interference for lengthy cable runs.
Unbalanced Line
An audio circuit consisting of two wires: High (+) and Low (-). The High wire
carries the signal while the Low wire is connected to Ground. The ground
conductor serves as a shield around the other conductor. Because the High
and Low wires are not at an equal potential difference to the Ground, they are
considered “unbalanced.”
6 The Basics of Modern Recording
Balanced and Unbalanced (continued)
Unbalanced
RCA
Unbalanced 1/4-inch
Balanced 1/4-inch
tip, ring, sleeve (TRS)
Balanced
XLR
Page view 6
1 2 3 4 5 6 7 8 9 10 11 12 ... 38 39

Comments to this Manuals

No comments