Roland Prelude User Manual download pdf (Page 71)

This is a stereo delay.

When Feedback Mode is NORMAL:

fig.MFX-43a

When Feedback Mode is CROSS:

fig.MFX-43b

A delay that provides a long delay time.

fig.MFX-44

This delay connects two delay units in series. Feedback can be

applied independently to each delay unit, allowing you to produce

complex delay sounds.

fig.MFX-45

43: DELAY

Parameter Value Description

Delay Left

0–1300 ms,

note

Adjusts the time until the delay sound is

heard.

Delay Right

Phase Left

NORMAL,

INVERSE

Phase of the delay sound

Phase Right

Feedback

Mode

NORMAL,

CROSS

Selects the way in which delay sound is fed

back into the effect. (See the figures above.)

Feedback -98– +98%

Adjusts the amount of the delay sound that’s

fed back into the effect. Negative

(-) settings invert the phase.

HF Damp

200–8000 Hz,

BYPASS

Adjusts the frequency above which sound fed

back to the effect is filtered out. If you don’t

want to filter out any high frequencies, set this

parameter to BYPASS.

Low Gain -15– +15 dB Gain of the low frequency range

High Gain -15– +15 dB Gain of the high frequency range

Balance

D100:0W–

D0:100W

Volume balance between the direct sound

(D) and the delay sound (W)

Level 0–127 Output level

44: LONG DELAY

Parameter Range Explanation

Delay Time 0–2600 ms, note

Delay time from when the origi-

nal sound is heard to when the

delay sound is heard

Phase NORMAL, INVERSE

Phase of the delay (NORMAL:

non-inverted, INVERT: inverted)

R in

R out

L in

L out

Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

Delay

R in

R out

L in

L out

Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

Delay

L in

R in

L out

R out

2-Band

Pan R

Pan L

2-Band

Feedback

Long Delay

Feedback -98– +98%

Proportion of the delay sound

that is to be returned to the input

(negative values invert the phase)

HF Damp

200–8000 Hz,

BYPASS

Frequency at which the high-fre-

quency content of the delayed

sound will be cut (BYPASS: no

cut)

Pan L64–63R Panning of the delay sound

Low Gain -15– +15 dB

Amount of boost/cut for the high-

frequency range

High Gain -15– +15 dB

Amount of boost/cut for the high-

frequency range

Balance D100:0W–D0:100W

Volume balance of the original

sound (D) and delay sound (W)

Level 0–127 Output volume

45: SERIAL DELAY

Parameter Range Explanation

Delay1 Time 0–1300 ms, note

Delay time from when sound is

input to delay 1 until the delay

sound is heard

Delay1

Feedback

-98– +98%

Proportion of the delay sound

that is to be returned to the input

of delay 1 (negative values invert

the phase)

Delay1 HF Damp

200–8000 Hz,

BYPASS

Frequency at which the high-fre-

quency content of the delayed

sound of delay 1 will be cut (BY-

PASS: no cut)

Delay2 Time 0–1300 ms, note

Delay time from when sound is

input to delay 2 until the delay

sound is heard

Delay2

Feedback

-98– +98%

Proportion of the delay sound

that is to be returned to the input

of delay 2 (negative values invert

the phase)

Delay2 HF Damp

200–8000 Hz,

BYPASS

Frequency at which the high-fre-

quency content of the delayed

sound of delay 2 will be cut (BY-

PASS: no cut)

Pan L64–63R Panning of the delay sound

Low Gain -15– +15 dB

Amount of boost/cut for the low-

frequency range

High Gain -15– +15 dB

Amount of boost/cut for the high-

frequency range

Balance D100:0W–D0:100W

Volume balance of the original

sound (D) and delay sound (W)

Level 0–127 Output volume

Parameter Range Explanation

R in

R out

L in

L out

Feedback 1

Pan L

Pan R

Delay 1

Feedback 2

Delay 2

Prelude_e.book Page 71 Wednesday, January 14, 2009 2:18 PM

1 2 ... 66 67 68 69 70 71 72 73 74 75 76 ... 111 112

Comments to this Manuals

No comments

Roland Prelude User Manual Page 71

Comments to this Manuals

Related products and manuals for Digital pianos Roland Prelude