Roland RS-50 User Manual Page 13
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13
Panel descriptions
Rear panel
fig.04-02
A
MIDI connectors (IN, OUT)
These connectors can be connected to other MIDI devices to receive
and transmit MIDI messages (p. 92). Use MIDI cables (sold
separately) to make connections.
IN: MIDI messages from an external device are received at this
connector.
OUT: MIDI messages are transmitted from this connector to an
external device.
B
PEDAL jacks
CONTROL:
An optional expression pedal (such as the EV-5), pedal switch (the
optional DP-2 or DP-8), or foot switch (the optional BOSS FS-5U) can
be connected to this jack (p. 14).
HOLD:
An optional pedal switch (such as the DP-2 or DP-8) or foot switch
(the optional BOSS FS-5U) can be connected to this jack for use as a
hold pedal (p. 14).
If you are using DP-8, set the DP-8’s function switch to “Switch.”
C
OUTPUT jacks
These jacks output stereo (L/R) audio signals to your amp or mixer.
For mono output, use the L jack.
D
PHONES jack
This is the jack for connecting headphones (sold separately) (p. 14).
E
Cord hook
To prevent the inadvertent disruption of power to your unit (should
the plug be pulled out accidentally), and to avoid applying undue
stress to the DC IN jack, anchor the power cord using the cord hook,
as shown in the illustration.
fig.CordHook.e
F
DC IN jack
Connect the AC adaptor here (p. 14).
Be sure to use only the supplied AC adaptor.
G
POWER switch
This switch turns the power on/off (p. 15).
H
Ground terminal
927
Depending on the circumstances of a particular setup, you may
experience a discomforting sensation, or perceive that the surface
feels gritty to the touch when you touch this device, microphones
connected to it, or the metal portions of other objects, such as guitars.
This is due to an infinitesimal electrical charge, which is absolutely
harmless. However, if you are concerned about this, connect the
ground terminal (see figure) with an external ground. When the unit
is grounded, a slight hum may occur, depending on the particulars
of your installation. If you are unsure of the connection method,
contact the nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous in
the event of lightning)
AB DE F G HC
Cord Hook
To the Power Outlet
The cord of
the supplied
AC Adaptor
RS-50_e3.book 13 ページ ２００３年１１月７日 金曜日 午後７時１分
- Owner’s Manual 1
- IMPORTANT NOTES 4
- Handling CD-ROMs 5
- Contents 6
- Main Features 9
- Panel descriptions 10
- Rear panel 13
- Getting ready 14
- Turning on/off the power 15
- (LCD CONTRAST) 16
- Listening to the demo songs 18
- Quick Start 19
- Try out the sounds 20
- Selecting a rhythm set 22
- (Multi-chord Memory) 24
- Switching chord sets 25
- Vibrato and Wah effects (LFO) 27
- (D Beam Controller) 31
- ASSIGNABLE 33
- Using the RS-50 effects 35
- Using the Rhythm Guide 36
- Switching sounds 37
- Change the tempo 37
- Advanced Use 39
- Overview of the RS-50 40
- Overview 41
- Temporary Area 41
- Basic operation of the RS-50 42
- Assigning a name 43
- Creating a patch (Patch mode) 44
- Selecting patch parameters 45
- Saving a patch 48
- Copying patch parameters 49
- (PATCH PRM COPY) 49
- Patch Mode 51
- How to make the rhythm set 52
- Patch Mode (Rhythm) 53
- Selecting performance numbers 55
- Performance Mode 57
- (Performance Part Effect) 58
- (PERFORM PRM COPY) 59
- Copying effect settings 60
- Creating your own arpeggio 62
- 90 10 90 10 63
- 50 50 50 50 63
- Shuffle Rate = 50% 63
- Shuffle Rate = 90% 63
- Using chord memory function 64
- Adding effects 65
- The effect signal path 66
- Making effects settings 67
- Setting multi-effects 68
- 16: STEP FLANGER 74
- 17: St DELAY (Stereo Delay) 74
- 18: LONG DELAY 75
- Shifter) 77
- 24: FB PCH SHIFT 78
- (Feedback Pitch Shifter) 78
- 25: REVERB 78
- 33: ENH>CHORUS (Enhancer 81
- 34: ENH>FLANGER (Enhancer 81
- Flanger) 81
- 38: CHO>FLANGER (Chorus 83
- Making chorus settings 86
- Making reverb settings 87
- How to make the system 88
- Functions of the system 89
- System Function 91
- About MIDI 92
- Using the RS-50 to play an 93
- Playing the RS-50’s sound 94
- MIDI device 94
- Performance 95
- Recording to an external 96
- Recording 97
- Listening to the recorded 97
- Performing with a computer 99
- Appendix 101
- Troubleshooting 102
- Error Messages/Messages 105
- Parameter list 106
- Performance parameters 107
- System parameters (p. 89) 108
- Original tone list 109
- Patch list 111
- Rhythm set list 116
- Arpeggio template list 121
- Arpeggio style list 122
- Multi-chord set list 122
- MIDI implementation chart 124
- Specifications 125
- ................ 47 128
- USING THE UNIT SAFELY 131
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