Roland V-Synth Specifications Page 2
- Page / 64
- Table of contents
- BOOKMARKS
- B e y o n d R e a l i t y 1
- ➝ Performance Control 2
- ➝ The Simplest of Patches 2
- S o n i c C o n t r o l 3
- Side Band Filter 4
- Main Feafures 5
- Sound-making that transcends 6
- A revolutionary leap in sound 7
- — COSM — 8
- F i r s t S t e p s 10
- Trying out the Presets 11
- The Simplest of Patches 12
- Simplicity 13
- The OSC1 / OSC2 Sections 16
- PITCH (Analog or PCM) 17
- PULSE WIDTH (Analog only) 17
- FAT (Analog only) 17
- TIME (PCM only) 18
- FORMANT (PCM only) 18
- The Mod Section 19
- OSC TVA (Analog or PCM) 19
- ENV RING 20
- OSC SYNC 20
- W-SHAPE (Wave Shaper) 21
- AMP (Amplifier Emulation) 21
- The COSM Sections 21
- SPEAKER (Speaker Emulation) 22
- SBF1 (SideBand Filter 1) 22
- SBF2 (SideBand Filter 2) 23
- COMB (Comb Filter) 23
- COMP (Compressor) 24
- TVF (Time-Variant Filter) 24
- DUAL (Dual Filter) 24
- LO-FI (Low-Fidelity) 25
- F-SHIFT (Frequency Shifter) 25
- The TVA Section 26
- The Effect Section 27
- Sampling and Encoding 28
- Pre-Effects 28
- Metronome 28
- Editing Samples - Truncating 29
- Encoding 30
- Defining Events 30
- Effective Use of Envelopes 31
- Typical Envelope Shapes 31
- Composite TVAs 31
- Inverse Envelopes 33
- Getting More out of a Sample 34
- Stage 1 - Normal Arpeggios 35
- The Arpeggiator 35
- Stage 2 - Custom Rhythms 36
- Stage 3 - Custom Sequences 37
- Performance Controls 37
- V-Synth controller section 42
- Preparing to use V-LINK 43
- A p p e n d i c e s 47
- 008:Voco Bass 49
- 018:Pulsatronic 49
- 110:Sidewalk 49
- Designer: Stephane Pigeon 49
- Hans-Joerg Scheffler 50
- 240:OTODAMA-East meets west 50
- 223:Cutting Edge 50
- 255:V-ocoder 50
- 009:Phraselab 50
- O t h e r T i p s 51
- Preset Patches 52
- P a t c h L i s t 54
- No. PatchName 55
- Elements 56
- Wa v e f o r m L i s t 56
- Menu waves 57
- Multi-samplesElements 57
- What is Sound? 58
- Manipulating Partials 58
- Wah pedal 59
- S p e c i f i c a t i o n s 60
- I n d e x 62
- The Book 64
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