Roland V-Synth Specifications Page 3

  • Download
  • Add to my manuals
  • Print
  • Page
    / 64
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 2
Sections p.16
The TVA Section
p.21
p.26
The Effect Section
p.27
Sections
Inside the V-Synth - A Tutorial
9
Doorway to a new universe of musical
expression (the V-Synth!) 4
Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
First Steps 10
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Trying out the Presets . . . . . . . . . . . . . . . . . . . . . . . . . . 11
The Two Basic Approaches to Programming . . . . . . . . . 11
Alternative Methods of Setting Values . . . . . . . . . . . . . 11
The Simplest of Patches . . . . . . . . . . . . . . . . . . . . . . . . 12
Basic Sound Parameters 16
The OSC1/OSC2 Sections . . . . . . . . . . . . . . . . . . . . . . . 16
The Mod Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
The COSM Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
The TVA Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
The Effect Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Advanced Sound Programming 28
Sampling and Encoding . . . . . . . . . . . . . . . . . . . . . . . . . 28
Effective Use of Envelopes . . . . . . . . . . . . . . . . . . . . . . 31
Getting More out of a Sample . . . . . . . . . . . . . . . . . . . . 34
Advanced Performance 35
The Arpeggiator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Performance Controls . . . . . . . . . . . . . . . . . . . . . . . . . . 37
The Matrix - Assigning Destinations . . . . . . . . . . . . . . . 38
Backing Up your Data 40
New dimensions in visual performance — V-LINK
42
Linking sound and images (V-LINK) . . . . . . . . . . . . . . . 42
Preparing to use V-LINK . . . . . . . . . . . . . . . . . . . . . . . . 43
Using the V-Synth to control sound and images . . . . . . 44
V-LINK functions that can be controlled from the V-Synth
. . 46
Appendices 47
Sound Designers’ Comment 48
Howard Scarr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Stephane Pigeon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Hans-Joerg Scheffler . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Other Tips 51
Patch List 54
Waveform List 56
Understanding Sound 58
Specifications 60
Index 62
S o n i c C o n t r o l.
S o n i c C o n t r o l.
Page view 2
1 2 3 4 5 6 7 8 ... 63 64

Comments to this Manuals

No comments