Roland V-Synth Specifications Page 6

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Samples that make effective use of
VariPhrase (Patch Preview 1)
Unfortunately, merely listening to the factory preset patches does
not reveal even half the power of the V-Synth. This is because
many of these hitherto-unheard sounds are created by taking
advantage, behind-the-scenes, of VariPhrase to produce sounds
that differ radically from their original form. Let's examine some
sounds to see how they work.
As examples, we'll take 007:VoixBulgares, 012:Poppy Day,
084:Tetapali, and 138:Spongle. Listen and compare these four
patches. These patches have totally different personalities, but are
actually created from the same wave — 066:137Scat 2+!
Next let's look at 008:Voco Bass. This is a typical synth bass, but
the original wave is not produced by analog modeling or bass
guitar. Amazingly, the wave that underlies this patch is
063:080 MakeGrv +, which is a vocal phrase! This type of
sound-creation is made possible by VariPhrase's ability to extract
just the beginning of a wave.
Now try playing 110:Sidewalk. You can hear a sitar-like phrase
loop. While you play, slowly turn the [COSM1] knob located in the
[COSM1] section of the front panel. The sense of pitch diminishes
until gradually you hear a conga! Notice how certain nuances of
the original wave remain as a totally different sound is created.
All of these examples demonstrate the V-Synth's synthesis power.
Sound-making that transcends
the time axis (TimeTrip Pad)
The amazing expressive power of VariPhrase technology is
typified by the newly developed TimeTrip Pad.
New performance techniques that differ from
scratching or turntables
While playing a rhythm loop from the keyboard, touch the pad and
move your finger in a circle. Moving rapidly clockwise speeds up the
playback speed of the loop, and moving slowly slows it down .
Moving counter-clockwise reverses the playback . When you
stop moving your finger, the music freezes! You rule the time
domain with your fingertips! VariPhrase gives you expressive power
to control wave playback position and speed in realtime. This is
somewhat related to a scratching turntable technique, but since
you can control time without changing the pitch, you can also play
melodies from the keyboard!
fig.tt1
Take conventional instrument sounds on a
TimeTrip as well!
TimeTrip is also effective with source material other than rhythm
loops. For example, it's fun to try it out with decay-type sounds
such as piano or cymbal. Stopping at the attack portion produces
a bright and percussive sustained tone, while stopping at the
release portion produces a darker and muted tone. At that point,
you can play the keyboard to create melodies! The possibilities
are endless; you can create string sounds without absolutely no
vibrato or tremolo, or scratch while playing a keyboard solo.
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