Roland SYS-553 Owner's Manual Page 97
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- Table of contents
- TROUBLESHOOTING
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97
REAC applications and settings
REAC applications and settings
REAC connection examples
Here we show some examples of REAC setups and
connections.For details on REAC settings for the M-200i, refer to
“REAC settings” (p. 98).
Set the M-200i’s REAC port to be the REAC master.
• In this example, the REAC port uses input and output from
the stage.
• In this example, the REAC port is used for splitting to a
monitor console or broadcast console.
To split the FOH inputs as analog audio signals or AES/EBU format,
an S-4000S in which output modules (SO-DA4 or SO-AES4) have
been installed can be used. This allows up to 40 channels of analog
audio signals (SO-DA4) or in AES/EBU format (SO-AES4).
Set the M-200i’s REAC port to be the REAC master (p. 98).
• You can use a REAC driver with SONAR DAW software to
record from the M-200i’s REAC port to a computer.
For details, refer to the following website:
http://www.roland.com/professional/
The M-200i’s REAC port connected to a computer must be a
REAC master.
You can set the M-200i to the stage and send its input or its
output mix to an FOH console.
Set the M-200i’s REAC port to SLAVE (p. 98).
The preamp gain for the M-200i cannot be controlled from the
FOH console.
The sampling frequency of the FOH console must match the
sampling frequency of the M-200i.
FOH console setup
FOH CONSOLE
REAC
MASTER
SLAVE
S-1608
FOH CONSOLE
REAC SPLITTER
REAC
MASTER
To Monitor
To Broadcast
Recording to a computer
Submixer setup
FOH CONSOLE
REAC
MASTER
Firewire
(IEEE1394)
to Ethernet connector
PC
FOH CONSOLE
REAC A REAC B
MASTER MASTER
SLAVE
S-1608
SLAVE
M-480
M-200i_e.book 97 ページ ２０１３年６月２８日 金曜日 午後１時２７分
- Owner’s Manual 1
- ALWAYS OBSERVE THE FOLLOWING 3
- IMPORTANT NOTES 6
- Contents 8
- Introduction 11
- Placement 13
- Turning the power on/off 15
- About the internal lithium 16
- About USB memory 16
- Explanation of the panels 17
- PHONES LEVEL knob 21
- iPad connection area 21
- Rear panel 22
- Basic operation 26
- Screen operations 27
- List operations 28
- Library operations 30
- Editing a name 33
- Peak clear 33
- About the input channels 34
- Accessing the CHANNEL EDIT 35
- Input channel operations 36
- CHANNEL FUNCTION screen 37
- AUX, MTX, MAIN operations 39
- GATE/EXPANDER screen 44
- GATE FUNCTION screen 47
- COMPRESSOR/LIMITER screen 49
- COMPRESSOR screen 50
- LIMITER screen 53
- LIMITER FUNCTION screen 54
- 4-BAND EQ 55
- EQ FUNCTION screen 56
- AUX/MTX send 57
- SENDS screen 58
- SENDS FUNCTION screen 58
- Metering 59
- DCA groups 60
- DCA GROUP FUNCTION screen 61
- Mute groups 62
- About effects 64
- EFFECTS screen 65
- EFFECTS FUNCTION screen 66
- Effect input/output settings 66
- Inserting an EXT FX into a 68
- Editing effect parameters 69
- Using the effect library 70
- About GEQs 71
- Editing GEQ parameters 72
- Scene memory 74
- USB memory recorder 77
- RECORDER FUNCTION screen 78
- Using the USB memory recorder 78
- SETUP screen 80
- Saving and loading mixer 81
- Locking the console 83
- Viewing system information 83
- Managing USB memory 85
- Input/output patchbay 86
- Patchbay operations 87
- Talkback 89
- Oscillator 91
- Monitor/Solo 92
- Using the monitor 93
- Using solo 93
- User Preference settings 94
- Editing the user buttons 95
- Selecting the Home screen 95
- REAC applications 96
- REAC connection examples 97
- REAC settings 98
- Network functions 100
- Network settings 100
- LAN setting 101
- Restrictions 104
- Connecting using WPS 104
- MAC ADDRESS 105
- Connection status 105
- Connection infomation 105
- IP ADDRESS 105
- Remote functions 106
- Accessing the REMOTE screen 107
- MIDI settings 108
- USB MIDI settings 109
- V-LINK settings 110
- RS-232C settings 110
- System settings 111
- Date&time setting 112
- Other settings 113
- Appendix 115
- Error message list 116
- Troubleshooting 117
- Pin configuration diagrams 119
- Main specifications 121
- Dimensions 124
- Effect types 125
- St.REVERB (Stereo Reverb) 126
- REVERB+GATE 128
- Delay A/B 130
- Modulation 134
- Channel strip 136
- Pitch shift 138
- Roland vintage effects 140
- The amount of RAM access for 141
- Apparatus containing 142
- Lithium batteries 142
- DECLARATION OF CONFORMITY 143
- Block Diagram 147
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