Roland VS-1824 Owner's Manual Page 117
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117
MIDI Implementation
MIDI Implementation
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1E | 0aaaaaaa| Limiter Bch SW |
| 04 00 1F#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 20 | 0aaaaaaa| Mic Converter Ach: Input |
| 04 00 21#| 0bbbbbbb| 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 22 | 0aaaaaaa| Mic Converter Ach: Output |
| 04 00 23#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 24 | 0aaaaaaa| Mic Converter Ach: Phase |
| 04 00 25#| 0bbbbbbb| 0,1 = Normal,Inverse|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 26 | 0aaaaaaa| Bass Cut Ach: Bass Cut Frequency |
| 04 00 27#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 28 | 0aaaaaaa| Distance Ach: Proximity Effect |
| 04 00 29#| 0bbbbbbb| -12,,,+12|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 2A | 0aaaaaaa| Distance Ach: Timelag |
| 04 00 2B#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 2C | 0aaaaaaa| Limiter Ach: Detect HPF Frequency |
| 04 00 2D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 2E | 0aaaaaaa| Limiter Ach: Level |
| 04 00 2F#| 0bbbbbbb| -60,,,24dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 30 | 0aaaaaaa| Limiter Ach: Threshold |
| 04 00 31#| 0bbbbbbb| -60,,,0dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 32 | 0aaaaaaa| Limiter Ach: Attack |
| 04 00 33#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 34 | 0aaaaaaa| Limiter Ach: Release |
| 04 00 35#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 36 | 0aaaaaaa| Mic Converter Bch: Input |
| 04 00 37#| 0bbbbbbb| 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 38 | 0aaaaaaa| Mic Converter Bch: Output |
| 04 00 39#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 3A | 0aaaaaaa| Mic Converter Bch: Phase |
| 04 00 3B#| 0bbbbbbb| 0,1 = Normal,Inverse|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 3C | 0aaaaaaa| Bass Cut Bch: Bass Cut Frequency |
| 04 00 3D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 3E | 0aaaaaaa| Distance Bch: Proximity Effect |
| 04 00 3F#| 0bbbbbbb| -12,,,+12|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 40 | 0aaaaaaa| Distance Bch: Timelag |
| 04 00 41#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 42 | 0aaaaaaa| Limiter Bch: Detect HPF Frequency |
| 04 00 43#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 44 | 0aaaaaaa| Limiter Bch: Level |
| 04 00 45#| 0bbbbbbb| -60,,,24dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 46 | 0aaaaaaa| Limiter Bch: Threshold |
| 04 00 47#| 0bbbbbbb| -60,,,0dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 48 | 0aaaaaaa| Limiter Bch: Attack |
| 04 00 49#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 4A | 0aaaaaaa| Limiter Bch: Release |
| 04 00 4B#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 4C | 00 | (Reserved) |
: :
| 04 00 7F | 00 | |
+————————————————————————————————————————————————————————————————————————+
*When Mic Converter Input = MinCn, Output is fixed to SmlDy or LrgCn.
*When Link SW = On, Bch corresponds to Ach.
✧Algorithm 30 3 Band Isolator
+————————————————————————————————————————————————————————————————————————+
| 04 00 0E | 0aaaaaaa| Isolator SW |
| 04 00 0F#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 10 | 0aaaaaaa| Isolator High Volume |
| 04 00 11#| 0bbbbbbb| -60,,,+4dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 12 | 0aaaaaaa| Isolator Middle Volume |
| 04 00 13#| 0bbbbbbb| -60,,,+4dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 14 | 0aaaaaaa| Isolator Low Volume |
| 04 00 15#| 0bbbbbbb| -60,,,+4dB|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 16 | 0aaaaaaa| Isolator Anti Phase Middle Switch |
| 04 00 17#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 18 | 0aaaaaaa| Isolator Anti Phase Middle Level |
| 04 00 19#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1A | 0aaaaaaa| Isolator Anti Phase Low Switch |
| 04 00 1B#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1C | 0aaaaaaa| Isolator Anti Phase Low Level |
| 04 00 1D#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1E | 00 | (Reserved) |
: :
| 04 00 7F | 00 | |
+————————————————————————————————————————————————————————————————————————+
✧Algorithm 31 Tape Echo 201
+————————————————————————————————————————————————————————————————————————+
| 04 00 0E | 0aaaaaaa| Tape Echo SW |
| 04 00 0F#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 10 | 0aaaaaaa| Tape Echo Mode Select |
| 04 00 11#| 0bbbbbbb| 0,,,6 = 1,,,7|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 12 | 0aaaaaaa| Tape Echo Repeat Rate |
| 04 00 13#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 14 | 0aaaaaaa| Tape Echo Intensity |
| 04 00 15#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 16 | 0aaaaaaa| Tape Echo Effect Level |
| 04 00 17#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 18 | 0aaaaaaa| Tape Echo Direct Level |
| 04 00 19#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1A | 0aaaaaaa| Tape Echo Tone Bass |
| 04 00 1B#| 0bbbbbbb| -100,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1C | 0aaaaaaa| Tape Echo Tone Treble |
| 04 00 1D#| 0bbbbbbb| -100,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1E | 0aaaaaaa| Tape Echo Tape Head S Pan |
| 04 00 1F#| 0bbbbbbb| 1,,,127 = L63,,,R63|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 20 | 0aaaaaaa| Tape Echo Tape Head M Pan |
| 04 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 22 | 0aaaaaaa| Tape Echo Tape Head L Pan |
| 04 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 24 | 0aaaaaaa| Tape Echo Tape Distortion |
| 04 00 25#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 26 | 0aaaaaaa| Tape Echo Wah Flutter Rate |
| 04 00 27#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 28 | 0aaaaaaa| Tape Echo Wah Flutter Depth |
| 04 00 29#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 2A | 00 | (Reserved) |
: :
| 04 00 7F | 00 | |
+————————————————————————————————————————————————————————————————————————+
✧Algorithm 32 Analog Flanger
+————————————————————————————————————————————————————————————————————————+
| 04 00 0E | 0aaaaaaa| Analog Flanger SW |
| 04 00 0F#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 10 | 0aaaaaaa| Analog Flanger Mode |
| 04 00 11#| 0bbbbbbb| 0,,,3 = FL1,FL2,FL3,CHO|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 12 | 0aaaaaaa| Analog Flanger Feedback |
| 04 00 13#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 14 | 0aaaaaaa| Analog Flanger Modulation Rate |
| 04 00 15#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 16 | 0aaaaaaa| Analog Flanger Modulation Depth |
| 04 00 17#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 18 | 0aaaaaaa| Analog Flanger Modulation Frequency |
| 04 00 19#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1A | 0aaaaaaa| Analog Flanger Channel B Modulation |
| 04 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1C | 0aaaaaaa| Analog Flanger Channel A Phase |
| 04 00 1D#| 0bbbbbbb| 0,1 = Nor,Inv|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 1E | 0aaaaaaa| Analog Flanger Channel B Phase |
| 04 00 1F#| 0bbbbbbb| 0,1 = Nor,Inv|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 20 | 00 | (Reserved) |
: :
| 04 00 7F | 00 | |
+————————————————————————————————————————————————————————————————————————+
✧Algorithm 33 Analog Phaser
+————————————————————————————————————————————————————————————————————————+
| 04 00 0E | 0aaaaaaa| Analog Phaser SW |
| 04 00 0F#| 0bbbbbbb| 0,1 = Off,On|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 10 | 0aaaaaaa| Analog Phaser Mode |
| 04 00 11#| 0bbbbbbb| 0,1 = 4STAGE,8STAGE|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 12 | 0aaaaaaa| Analog Phaser Frequency |
| 04 00 13#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 14 | 0aaaaaaa| Analog Phaser Resonance |
| 04 00 15#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
| 04 00 16 | 0aaaaaaa| Analog Phaser LFO 1 Rate |
| 04 00 17#| 0bbbbbbb| 0,,,100|
|——————————+—————————+———————————————————————————————————————————————————|
- Appendices 1
- About MIDI 3
- About SCSI 4
- Troubleshooting 5
- Disk drive problems 6
- Internal Effects 7
- CD-RW Drive Problems 7
- MIDI Devices Problems 7
- Other problems 8
- Error Messages 10
- Glossary 12
- Shortcut Key Operations 14
- ■ LOCATOR/SCENE buttons 15
- ■ FUNCTION buttons 15
- Parameter List 16
- ■ Master Block [MASTER] 17
- Preset Patch List 20
- Stereo Delay Chorus 21
- ■ Reverb2 (20 presets) 22
- ■ Mic Modeling (22 presets) 22
- Algorithm List 25
- (Compressor-related) 25
- Sound types 26
- Reverb sound quality 26
- Delay repetition 28
- Setting up pitch 32
- Tips for using Vocoder 34
- What is RSS? 35
- Continued 35
- For Stereo Speakers 36
- Delay RSS 37
- Chorus RSS 38
- GuitarMulti 1–3 39
- Vocal Multi 42
- St Phaser (Stereo Phaser) 47
- St Flnger (Stereo Flanger) 49
- Reverb sound 52
- MultiTapDly (Multi-Tap Delay) 54
- Stereo Multi 56
- Reverb 2 58
- 1, 2, 3, 4, 1+4, 2+4, 3+4 60
- Creating lo-fi sounds 61
- Cutting noise 62
- Preventing howling 63
- Hum Canceler 64
- Vocal Canceler 65
- Voice Transformer 67
- Vocoder 2 (19) 69
- Mic Converter A 71
- Mic Converter B 71
- Muting the bass 73
- Muting vocals 73
- Muting noise 73
- TapeEcho201 74
- Output L 74
- Output R 74
- AnalogFlnger (Analog Flanger) 75
- AnalogPhaser 76
- Speaker Modeling 77
- Mastering Tool Kit 79
- 2. Data Transfer Address Map 98
- MIDI Implementation 100
- 3. MIDI Machine Control 123
- 4. Appendices 125
- Mix Offset Bal 127
- Mixer Section Block Diagram 128
- Master Block 129
- Track Sheet 130
- Track Sheet (2) 131
- Specifications 132
- ...MEMO 137
- Contents 139
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