Roland XP-60 Owner's Manual Page 108
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- TROUBLESHOOTING
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108
Chapter 3. Creating Your Own Sounds
XP-30 Operating Environment
Setup (System Parameters
and Their Functions)
fig.3-86
■ Display Screen Contrast and
Clock Settings (SETUP)
SYSTEM SETUP
LCD Contrast
Adjust the contrast (brighthess) of the display.
Power Up Mode
Select the condition that the XP-30 will be in when the power
is turned on.
LAST-SET: The XP-30 will be in the condition it was in
when power was last turned off.
DEFAULT: The XP-30 will be ready to play Patch
“USER:001.”
Patch Remain (Patch Remain Switch)
If you want currently-sounding notes to be turned off when a
new Patch (Rhythm Set) is selected, set this parameter OFF.
* Effects settings change as soon as you switch to a new Patch or
Rhythm Set, without being influenced by the Patch Remain
setting. Because of this, certain effects settings can cause notes
that were until then sounding to no longer be heard, even
though Patch Remain has been set to on.
Clock Source
Specify the tempo clock of the system.
INT: The internal clock will be the tempo clock for the
system.
MIDI: An external clock will be the tempo clock for the
system.
System Tempo
Set the system tempo.
* When Clock Source is set to MIDI, the tempo will synchronize
to the clock messages received from an external MIDI device, so
it will not be possible to set the tempo value. The tempo of the
external clock will be displayed in parentheses.
Category Select Mode
When searching for patches, specify the patch that will be
selected when you press the numeric key.
LAST-SET: The patch last-selected during the previous
patch search will be selected.
DEFAULT: The patch specified as the factory default will be
selected.
■ Arpeggio Settings (ARPEGGIO)
This is where to set Arpeggiator parameters.
ARPEGGIO
Style
Sets the style of the arpeggio. Select from the following 43
options. For creating your own style, choose LIMITLESS.
1/4: The rhythm will be divided in quarter notes.
1/6: The rhythm will be divided in quarter note triplets.
1/8: The rhythm will be divided in eighth notes.
1/12: The rhythm will be divided in eighth note triplets.
1/16: The rhythm will be divided in 16th notes.
1/32: The rhythm will be divided in 32nd notes.
PORTAMENTO A, B: A style using the portamento effect.
GLISSANDO: A glissando style.
SEQUENCE A–D: Styles for sequenced patterns.
ECHO: An echo-like style.
SYNTH BASS, SLAP BASS A, SLAP BASS B, WALK BASS:
Styles appropriate for bass playing.
RHYTHM GTR A–E: Styles for guitar cutting. Styles B–E are
effective when 3–4 notes are held.
3 FINGER GTR: Three-finger guitar style.
STRUMMING GTR: A style simulating a guitar chord
strummed upward (downward).
Effective when 5–6 notes are held.
KBD COMPING A, B: Styles for keyboard instrument
backing.
KBD COMPING C, D: Styles in triple meter.
KBD COMPING E: A reggae-type style. Effective when 3
notes are held.
PERCUSSION: A style suitable for percussive instrument
sounds.
HARP: The playing style of a harp.
SHAMISEN: The playing style of a Shamisen.
BOUND BALL: A style suggestive of a bouncing ball.
RANDOM:
A style in which the notes sound in random order.
BOSSANOVA: A style with bossanova guitar cutting. Hold
3–4 notes for best results. You can increase
the tempo and use this as a Samba.
SALSA: Typical salsa style. Hold 3–4 notes for best results.
MAMBO: Typical mambo style. Hold 3–4 notes for best
results.
LATIN PERCUSION: A rhythm style with Latin percussion
instruments such as Clave, Cowbell,
Clap, Bongo, Conga, Agogo etc.
SAMBA: Typical samba style. Use for rhythm patterns or
bass lines.
TANGO: Typical tango rhythm style. Hold the root, 3rd and
5th of a triad etc. for best results.
HOUSE: A style for house piano backing. Hold 3–4 notes for
best results.
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 4
- Important Notes 5
- Contents 10
- Main Features 11
- Front and Rear Panel 12
- ■ Rear Panel 14
- Quick Start 15
- Getting Ready 16
- “Turning On the Power” (p 18
- “Turning Off 19
- Outil d'installation 22
- “Turning 23
- Off the Power” (p. 26) et 23
- Making Connections 24
- “Connecting to Your 25
- Computer” (p. 134) 25
- Turning On the Power 26
- (Factory Reset) 27
- Listening to the Demo Song 28
- ■ Profile of the Composer 29
- Playing the Sounds 30
- (Patch Search Function) 32
- Try Out Performance Functions 34
- ■ Hold Pedal 35
- ■ Expression Pedal 35
- ■ Portamento 35
- 516 2,4,5,7 36
- Advanced Use 39
- XP-30 Configuration 40
- Performance 41
- Basic Operation 42
- ■ About the Function Buttons 43
- ■ About the Cursor Buttons 44
- ■ Modifying a Value 45
- ■ Assigning a Name 46
- Chapter 2. Playing 47
- Chapter 2 49
- Playing in Performance Mode 51
- ■ Playing Along with a Song 53
- Playback (XP-30 Used as a 53
- Multitimbral Sound Source) 53
- Sound in Realtime 54
- (Sound Palette Function) 54
- Playing in Rhythm Set Mode 55
- Playing an Arpeggio 56
- ■ Playing an Arpeggio Over a 57
- Preset Keyboard Area 57
- Using a Hold Pedal 58
- Convenient Functions for 59
- Semitone Steps (Transpose) 60
- Note Does Not Sound (Panic) 60
- Regarding Effects 61
- Sound Editing Procedures 62
- Note on Tone Editing 64
- ■ Editing a Performance 65
- ■ Editing a Rhythm Set 66
- Keeping Edited Sound 67
- Functions of Patch Parameters 68
- VELOCITY (Velocity Range) 69
- KEY RANG (Key Range) 70
- STRUCT (Structure) 70
- (EFFECTS) 71
- PATCH CHORUS 72
- Sounds Are Played (CONTROL) 73
- RxSWITCH (Receive Switch) 74
- PEAK & HOLD 74
- CONTROL SOURCE 75
- CONTROL 1–3 75
- ■ Modifying Waveform (WAVE) 76
- ■ Modulating Sounds (LFO) 78
- ■ Modifying Pitch (PITCH) 79
- Frequency 80
- T1 T2 T3 T4 81
- LOWER&UPPER 82
- LOWER UPPER 82
- Functions of Performance 83
- Parameters 83
- ■ Setting Effects for a 84
- Performance (EFFECTS) 84
- PERFORM CHORUS 85
- PERFORM REVERB 85
- ■ Controlling How a Rhythm 90
- Tone will Sound with 90
- Controllers (CONTROL) 90
- ■ Modifying Waveform of a 90
- Rhythm Tone (WAVE) 90
- ■ Changing the Volume and 92
- Stereo Location of a Rhythm 92
- Tone (TVA) 92
- Multi-Effects Types 93
- (EFX Parameter) 93
- 4: PHASER 94
- 5: SPECTRUM 94
- 6: ENHANCER 94
- 7: AUTO-WAH 95
- 8: ROTARY 95
- 9: COMPRESSOR 96
- 10: LIMITER 96
- 11: HEXA-CHORUS 96
- 15: STEREO-FLANGER 98
- 16: STEP-FLANGER 98
- 17: STEREO-DELAY 99
- 18: MODULATION-DELAY 99
- 19: TRIPLE-TAP-DELAY 100
- Chapter 3 101
- 20: QUADRUPLE-TAP-DELAY 101
- 21: TIME-CONTROL-DELAY 101
- 22: 2VOICE-PITCH-SHIFTER 102
- 23: FBK-PITCH-SHIFTER 102
- (Feedback Pitch Shifter) 102
- 27: OVERDRIVE→FLANGER 104
- 28: OVERDRIVE→DELAY 104
- 29: DISTORTION→CHORUS 104
- 34: ENHANCER→DELAY 106
- 35: CHORUS→DELAY 106
- 36: FLANGER→DELAY 106
- XP-30 Operating Environment 108
- Setup (System Parameters 108
- ■ Keyboard and Controllers 110
- Settings (CONTROL) 110
- ■ MIDI Settings (MIDI) 112
- ■ Phrase Preview Settings 113
- (PREVIEW) 113
- ■ Adjusting Tuning (TUNE) 113
- ■ Program Change (PGM CHNG) 114
- Installation Status of Wave 114
- Expansion Boards (INFO) 114
- About Utility/Card Mode 115
- Basic Procedure in Utility/ 115
- Card Mode 115
- Storing Sound Data in User 116
- Memory (WRITE) 116
- Copying Sound Source 117
- Settings (COPY) 117
- ■ Rhythm Set Copy 118
- Initializing Sound Source 119
- Settings (INIT) 119
- Transmitting Sound Settings 119
- ■ Transmitting Data to User 120
- Preventing User Memory 121
- Writing Operation (PROTECT) 121
- Memory Card-Related 121
- Settings (CARD) 121
- Loading a File from Memory 122
- Card into the XP-30 (LOAD) 122
- Saving Data to Memory Card 122
- Recalling Factory Default 123
- Settings (FACTORY RESET) 123
- Entering GM Mode 124
- Modifying GM Mode Settings 125
- GM CHORUS 126
- GM REVERB 126
- Convenient Functions in GM 127
- Mode (GM Utility) 127
- ■ Initializing GM Mode (INIT) 128
- Techniques for Using Patches 129
- Using the XP-30 to Play Live 131
- Using External MIDI Devices 132
- Chapter 6 133
- Selecting Patches 133
- Selecting Performances 133
- Selecting Rhythm Sets 133
- Apple Macintosh 134
- ■ Disconnecting the Keyboard 137
- (Local OFF) 137
- Appendices 139
- Troubleshooting 140
- Error Messages 142
- Quick Reference of Procedures 143
- ■ Controller Settings 144
- ■ Saving and Loading Data 145
- ■ Controlling External MIDI 145
- External MIDI Device 146
- Parameter List 147
- CONTROL Group (p. 73) 148
- WAVE Group (p. 76) 148
- LFO Group (p. 78) 148
- ■ Performance Parameters 150
- ■ Rhythm Set Parameters 151
- ■ GM Mode Parameters 153
- ■ EFX Parameters 154
- ■ System Parameters 158
- Waveform List 160
- INT-B (Internal B) 161
- ● XP-A Menu Waveforms 163
- ● XP-C Menu Waveforms 166
- Patch List 168
- ■ B.P.M. CONVERSION TABLE 174
- Rhythm Set List 177
- Performance List 181
- Arpeggio Style List 182
- MIDI Implementation 183
- 3. Parameter Address Map 190
- 4. Supplementary Material 199
- 10 02 00 00H 204
- 00 00H Patch Common 204
- MIDI Implementation Chart 206
- Specifications 207
- For PC (25-pin) 208
- Apparatus containing 215
- Lithium batteries 215
- Information 216
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