Roland XP-60 Owner's Manual download pdf (Page 228)

228

Since the size of the Performance Part is 00 00 00 19H,

F0 41 10 6A 11 10 02 12 00 00 00 00 19 ?? F7

(1) (2) (3) (4) (5) address size checksum (6)

(1) Exclusive status (2) ID number (Roland) (3) Device ID (17)

(4)

Model ID (XP-60/XP-80)

(5) Command ID (RQ1) (6) EOX

Next we calculate the checksum.

10H + 02H + 12H + 00H + 00H + 00H + 00H + 19H =

16 + 2 + 18 + 0 + 0 + 0 + 0 + 25 = 61 (sum)

61 (total) / 128 = 0 (product) ... 61 (remainder)

checksum = 128 - 61 (remainder) = 67 = 43H

Thus, a message of F0 41 10 6A 11 10 02 12 00 00 00 00 19 43 F7 would be

transmitted.

<Example 3> Retrieving data for Temporary Performance (RQ1)

Note: When a data transfer is executed in Utility mode, data that is

accessed will be the same as that which is transmitted when the

Type parameter is set to PERFORM and the Source parameter is set

to TEMP: -PATCH

The “Parameter address map” gives the following start addresses for

Temporary Performance data.

01 00 00 00H Temporary Performance Common

01 00 10 00H Temporary Performance Part 1

01 00 1F 00H Temporary Performance Part 16

Since Performance Part has a size of 00 00 00 19H, we add that size to the start

address of the Temporary Performance Part 16, resulting in:

01 00 1F 00H

+) 00 00 00 19H

01 00 1F 19H

Thus, the Size for the retrieved data will be:

01 00 1F 19H

-) 01 00 00 00H

00 00 1F 19H

F0 41 10 6A 11 01 00 00 00 00 00 1F 19 ?? F7

(1) (2) (3) (4) (5) address size checksum (6)

(1) Exclusive status (2) ID number (Roland) (3) device ID(17)

(4)

Model ID (XP-60/XP-80)

(5) command ID (RQ1) (6) EOX

Calculating the checksum as shown in <Example 2>, we get a message of F0

41 10 6A 11 01 00 00 00 00 00 1F 19 47 F7 to be transmitted.

<Example 4> Retrieving the Temporary Performance data

together with all Temporary Part and Rhythm Set data (RQ1)

Note: When a data transfer is executed in Utility mode, the data that is

accessed will be the same as that which is transmitted when the

Type parameter is set to PERFORM and the Source parameter is set

to TEMP: +PATCH

The “Parameter address map” gives the following start addresses for

Temporary Performance, Performance Mode Temporary Patch and

Performance Mode Temporary Rhythm.

01 00 00 00H Temporary Performance

02 00 00 00H

Performance Mode Temporary Patch(part 1)

02 08 00 00H

Performance Mode Temporary Patch(part 9)

02 09 00 00H Temporary Rhythm Setup

02 0A 00 00H

Performance Mode Temporary Patch(part 11)

02 0F 00 00H

Performance Mode Temporary Patch(part 16)

The Patch offset addresses are as follows.

00 00H Patch Common

10 00H Patch Tone 1

16 00H Patch Tone 4

Since Patch Tone has a size of 00 00 01 01H, we add this size to the start

address of Performance Mode Temporary Patch (Part 16) Tone 4, to get:

02 0F 00 00H

16 00H

+) 00 00 01 01H

02 0F 17 01H

Thus, the size of the retrieved data will be:

02 0F 17 01H

-) 01 00 00 00H

01 0F 17 01H

F0 41 10 6A 11 01 00 00 00 01 0F 17 01 ?? F7

(1) (2) (3) (4) (5) address size checksum (6)

(1) Exclusive status (2) ID number (Roland) (3) device ID(17)

(4)

Model ID (XP-60/XP-80)

(5) command ID (RQ1) (6) EOX

Calculating the checksum as shown in <Example 2>, we get a message of F0

41 10 6A 11 01 00 00 00 01 0F 17 01 57 F7 to be transmitted.

● Scale Tune function (Model ID : 42H (GS), address: 40 1x

40H)

Scale Tune is a function that makes fine adjustments to the pitch of each note

C—B. Settings are made for one octave, and applied to the notes of all octaves.

By making Scale Tune settings you can use tunings and temperaments other

than the standard Equal Temperament. Here we give three types of settings as

examples.

* Scale tune messages for any parts are recognized in the patch mode.

❍ Equal temperament

This temperament divides the octave into 12 equal steps, and is the tempera-

ment most frequently used today, especially in western music. Initially, the

Scale Tune function of this instrument is set to Equal Temperament.

❍ Just intonation (tonic of C)

The primary triads sound more beautiful in just intonation than in equal tem-

perament. However, this applies only in one key, and chords will be discor-

dant if you play in a different key. The settings here are for a tonic of C.

❍ Arabian-type scale

The Scale Tune function allow you to use various tunings of ethnic music.

Here is one of the Arabian scales.

Setting examples

Note

Equal Temp. Just (in C) Arabian-type scale

C0 0 -6

C# 0 -8 +45

D0+4 -2

D# 0 +16 -12

E 0 -14 -51

F0 -2 -8

F# 0 -10 +43

G0+2 -4

G# 0 +14 +47

A 0 -16 0

A# 0 +14 -10

B 0 -12 -49

The values in the above table are in units of 1 cent. Convert these values to

hexadecimal, and transmit them as exclusive data. For example to set the Scale

Tune of Part 1 to an Arabian-type scale, transmit the following data.

F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7

● ASCII code table

On the XP-60/80, the following ASCII code set is used for processing data

such as the Patch Name and the Performance Name.

+----+-----++----+-----++----+-----+

|Char| Hex.||Char| Hex.||Char| Hex.|

| SP | 20H || | || | |

| A | 41H || a | 61H || 0 | 30H |

| B | 42H || b | 62H || 1 | 31H |

| C | 43H || c | 63H || 2 | 32H |

| D | 44H || d | 64H || 3 | 33H |

| E | 45H || e | 65H || 4 | 34H |

| F | 46H || f | 66H || 5 | 35H |

| G | 47H || g | 67H || 6 | 36H |

| H | 48H || h | 68H || 7 | 37H |

| I | 49H || i | 69H || 8 | 38H |

| J | 4AH || j | 6AH || 9 | 39H |

| K | 4BH || k | 6BH || ! | 21H |

| L | 4CH || l | 6CH || # | 23H |

| M | 4DH || m | 6DH || * | 2AH |

| N | 4EH || n | 6EH || + | 2BH |

| O | 4FH || o | 6FH || , | 2CH |

| P | 50H || p | 70H || - | 2DH |

| Q | 51H || q | 71H || . | 2EH |

| R | 52H || r | 72H || / | 2FH |

| S | 53H || s | 73H |+----+-----+

| T | 54H || t | 74H |

| U | 55H || u | 75H |

| V | 56H || v | 76H |

| W | 57H || w | 77H |

| X | 58H || x | 78H |

| Y | 59H || y | 79H |

| Z | 5AH || z | 7AH |

+----+-----++----+-----+

Note: SP indicates “space”.

Chapter 12. Supplementary material

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Roland XP-60 Owner's Manual Page 228

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