Roland Vs-880 Owner's Manual

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© 1996 Roland Corporation
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
All trademarks are the property of their respective owners.
3
MIDI
1 2 4 1234
L
IN
OUT IN OUT THRU
R
FOOT
SWITCH
POWER
AB
SCSI
DIGITAL
(
5,6
)
PHONES
AUX SEND
INPUT B
INPUT A
MASTER OUT
CONDITION MARKER#
MASTER
INPUT TRACK
AUX
TIME
48
24
4
0
dB
12
LOOP
NEXT
MARKER
PREVIOUS
TAP
CLEAR
AUTO PUNCH
LOC 1/ LOC 2/ LOC 3/ LOC 4/ SCRUB
PREVIEW
NO
CURSOR
CANCEL ENTER
FROMTO
DISPLAY
12345
67890
1/ 2/ 3/ 4 / CLEAR
TIME VALUE
SCENE
UNDONUMERICS
Pre Level
Post Level
Play List
Amp Profile
TRACK SYSTEMEFFECT
Track
-
Move
Copy
-
Xchg
-
Insert
-
Cut
-
Erase
Time Comp Exp.
EFFECT
-
2
-
1Marker
Locate
Loop
A.Punch I O
System
MIDI
Sync
Scene
DISK
Song Select
-
Name
-
New
-
Copy
-
Erase
-
Optimize
Drive Select
-
Initialize
DAT
-
Recover
Backup
LOCATORSONG
Fader Pan
STOP PLAY RECFFZERO REW
VARI PITCH
LOCATOR
EDIT CONDITION PLAY
SONG TOPSTORE SONG END SHUT EJECT RESTART
DISK
MIDI/
5678
YES
SHIFT
PARAMETER
5678
PAN
C
TRACK MIX
STATUS
SEL
a
1
Input BUSS
Input BUSS
V.Track
INPUT
TRACK
INPUT MIX
SOLO
AUX SEND
PEAK
(
dB
)
REC
PLAY
MUTE
EQ
BUSS Send
Channel Link
AUX Send
SOURCE
Master Out
6
4
0
4
8
12
18
24
36
(
dB
)
6
4
0
4
8
12
18
24
36
BUSS BUSS BUSS BUSSAUX
V.Track EQ Low EQ Mid EQ Hi Aux Send
SELECT
EFFECT
-
1 EFFECT
-
2
10
PAN
C
STATUS
SEL
PAN
C
STATUS
SEL
b AUX
PAN
C
STATUS
SEL
PAN
C
STATUS
SEL
c AUX
PAN
C
STATUS
SEL
PAN
C
STATUS
SEL
d AUX
PAN
C
STATUS
SEL
AUX SEND
2
PEAK
10
3
PEAK
10
4
0
PEAK
10
MASTER
CH EDIT CH EDIT EDIT
INPUT SENS
PHONES
MIXER MODE
12
CH EDIT CH EDIT
34
CH EDIT CH EDIT
56
CH EDIT CH EDIT
78
LR LR LR LR LR LR LR LR
4 50dBm 4 50dBm 4 50dBm 4 50dBm
010
6dB
EFFECT
-
2
-
1
EFFECT
-
2
-
1
This Application Guide provides step-by-step procedures and important information about day-to-day use of the
VS-880 in actual applications. This second edition is based upon a VS-880 V-Xpanded Digital Studio Workstation
(or a VS-880 that has had its software enhanced with the VS-880-S1 System Expansion Kit to Version 2 software),
and the use of a VS8F-1 effects expansion board.
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APPLICATION GUIDE 2.0
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1 2 ... 142

Summary of Contents

Page 1 - APPLICATION GUIDE 2.0

© 1996 Roland CorporationAll rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORP

Page 2 - Contents

9Chapter 1: Important InformationTAPE: Total time per each track = 30 minutesTRUE RANDOM ACCESS DISK RECORDING: Total time per track is variableTrack

Page 3

99Chapter 6: Mixdown ApplicationsLet’s assume that you want to do your final mixdown of a song using your favorite external reverb device.Sometimes bo

Page 4 - Table of Contents

100VS-880 Application GuideWhat do you do if you want to add a different reverb sound to each individual track of the VS-880 usingonly the 2 internal

Page 5

101Chapter 6: Mixdown ApplicationsThe {TRACK EXCHANGE} command allows you to move track data to another Track or V.Track (e.g. 1-2,7-3, 5-6). This wil

Page 6 - Icons & Symbols

102VS-880 Application GuideOn some occasions you might already have a really good mix set up in your VS-880, but you find that youwould like to add a

Page 7 - Commands

103Chapter 6: Mixdown ApplicationsSince hard disk drives are mechanical devices, they are more subject to failure than any other part of yourVS-880. I

Page 8 - Overdub Session

104VS-880 Application GuideIf you ever need to recover your song from DAT (reload the song onto the hard disk from the DAT tape),use the following pro

Page 9 - Mixdown Session

105Chapter 6: Mixdown ApplicationsThis guide described the use of scenes for mixdown in an earlier section. You can also add dynamicautomation for act

Page 10 - Pointer Based Editing

106VS-880 Application GuideAutomated Mixing Within the VS-880 (3 methods)It is also possible to add dynamic automation for actual fader and other cont

Page 11 - Terminology

107Chapter 6: Mixdown Applications(Automated Mixing Within the VS-880 (3 methods), Continued)ACTION: Automated Mixing using GradationThe VS-880 provid

Page 12

108VS-880 Application GuideA tempo map provides location and timing information about the bars and beats of your song. It describesthe tempo of each s

Page 13

10VS-880 Application GuideSummary of VS-880TerminologyYou might want to review the following summary ofspecific VS-880 terminology. Even though you wi

Page 14

109Chapter 6: Mixdown ApplicationsThe VS-880 provides a separate Sync track for recording the tempo map from an external sequencer. Thistempo map can

Page 15

110VS-880 Application Guide(Generating a Sync Track & Tempo Map from Markers (Tap Tempo), Continued)Creating a Sync Track from marker points:1. Pr

Page 16

111Chapter 6: Mixdown Applications(Generating a Sync Track from Start & End Times, Continued)8. Press the right [PARAMETER>>] button until “

Page 17

112VS-880 Application Guide

Page 18 - Understanding Your VS-880

113Chapter 7: Advanced Applications and TipsTips & FeaturesUsing The ‘Narration’ Effect (VS8F-1)If you have the optional VS8F-1 effects board inst

Page 19 - Understanding The Mixer

114VS-880 Application GuideVari-Speed Functions in Scrub Mode• You can use Vari-Speed while operating in the Scrub Preview mode to alter the pitch of

Page 20 - A Mixer Analogy

115Chapter 7: Advanced Applications and TipsAdditional Equalizers in VS8F-1• The optional VS8F-1 effects board not only contains many useful effects,

Page 21 - The VS-880 Mixer

116VS-880 Application GuideSync multiple VS-880’s togetherIf you need additional tracks, you can link several VS-880s together.SYNC:You can use Digita

Page 22 - Selecting Mixer Modes

117Chapter 7: Advanced Applications and TipsVS-880 with a Digital SamplerBecause the VS-880 has digital inputs, it is a natural companion for a digita

Page 23 - INPUT MIX / TRACK MIX Mode

118VS-880 Application GuideSync VS-880 to Analog Tape RecorderThe VS-880 can work together with your analog recorder.SYNC:You can use SMPTE Time Code

Page 24 - TRACK MIX

11Chapter 1: Important InformationEQ LowLow frequency equalization boosts or lowers theperceived loudness of bass (low) frequencies. TheVS-880 Low EQ

Page 25 - Mixer Effect Routing

119Chapter 7: Advanced Applications and TipsSync VS-880 to ADATSYNC:You can synchronize the VS-880 with an ADAT system by using MIDI Time Code and/or

Page 26 - Input Mix Mode Track Mix Mode

120VS-880 Application GuideSync VS-880 to DA-88SYNC:You can synchronize the VS-880 with an DA-88 system by using MIDI Time Code and/or MIDI MachineCon

Page 27 - Now Time

121Chapter 7: Advanced Applications and TipsSync VS-880 with Computer SequencerThe VS-880 is a natural partner for a sequencer. There are many ways th

Page 28 - Virtual Tracks

122VS-880 Application GuideSync VS-880 to Drum Machine or MIDI SequencerThe VS-880 can easily synchronize with your drum machine or sequencer using So

Page 29 - Finding Your Edit Points

123Chapter 7: Advanced Applications and TipsSync VS-880 to VideoYou can do video post production with the VS-880.SYNC:You can synchronize a video deck

Page 30 - Editing Resolution

124VS-880 Application Guide

Page 31 - Undo & Redo

125Chapter 8: AppendixGlossary of GeneralAudio and RecordingTermsAmbienceThe distinctive acoustical characteristic of a givenconcert hall, recording s

Page 32 - Channels vs Tracks

126VS-880 Application GuideCompingThe process of creating a single recording frommultiple takes. i.e.: In many cases a single vocalrecording on one tr

Page 33 - [STATUS] Buttons

127Chapter 8: AppendixDe-esserAn audio signal processing device that is used toremove excess sibilance (the lispy “sss” sound) fromcertain vocal track

Page 34 - TIME/VALUE Dial

128VS-880 Application GuideEqualizerAn electronic device that will amplify (boost) and/orattenuate (cut) certain portions of the audiofrequency spectr

Page 35 - VS-880 Demo Song

12VS-880 Application GuidePanA control on the VS-880 that allows you to position amono recording somewhere in the stereo field.ParameterA Parameter re

Page 36 - VS-880 Connections

129Chapter 8: AppendixFoldbackA term, usually on European mixers, usedinterchangeably with “cue” in recording work or“monitor send” in sound reinforce

Page 37

130VS-880 Application GuideLinearHaving an output that varies in direct proportion tothe input. May refer to low distortion.Line InputAn input designe

Page 38 - Creating A New Song

131Chapter 8: AppendixMTC (MIDI Time Code)MIDI Time Code is a synchronization signal that isdigitally sent through MIDI for synchronization ofabsolute

Page 39 - Naming A Song

132VS-880 Application GuidePhantom PowerA method of remotely powering the preamplifier orimpedance converter which is built into manycondenser microph

Page 40 - Save Your Song to Disk Often

133Chapter 8: Appendix(Continued)If the source or track is routed POST-Fader, then thefader will control the level to the Mix Output Buss.Generally, t

Page 41 - Sample Setup

134VS-880 Application GuideSliderAnother term for a straight-line fader (see “fader”).Also may refer to any straight-line control, asopposed to a rota

Page 42

135Chapter 8: AppendixTempo MapA TEMPO MAP includes bar and beat, tempo andtime signature information for part or all of a song.This information can b

Page 43

136VS-880 Application GuideMore About SCSISCSI is a high-speed data transmission buss that is often taken for granted thanks to its common use onperso

Page 44 - Using Locator Banks

137Chapter 8: AppendixThe VS-880 allows you to copy songs from the Internal IDE drive to any of your external SCSI drives. Thecommunications between t

Page 45

138VS-880 Application GuideExternal terminators are usually rectangular boxes which can be attached to a separate 50 Pin Amphenolconnector on the rear

Page 46 - CONDITION MARKER#

13Chapter 1: Important InformationSourceA mode of each channel allowing you to listendirectly to the incoming source for your recording.i.e. Microphon

Page 47

139Chapter 8: AppendixSCSI Summary• Keep SCSI cables as short as possible.• Do not allow the total length of the SCSI chain to exceed 6 meters.• Use o

Page 48

Blank Track Sheet

Page 49 - Internal Effects

VS-880 APPLICATION GUIDE 2.02394US

Page 50

14VS-880 Application GuideVS-880 Commonly Asked Questions•“I just want to record - what do I do?” (see Application Guide page 41)•“How do I record wit

Page 51

15Chapter 1: Important Information•“How do I sync my VS-880 to my sequencer, drum machine, etc.?” (seeApplication Guide beginning on page 58)•“When I

Page 52 - On Track Two

16VS-880 Application Guide

Page 53

17Chapter 2: Understanding Your VS-880Understanding Your VS-880This chapter is extremely important. It will explain the necessary concepts you will n

Page 54

18VS-880 Application GuideInternal VS8F-1 Effect Expansion BoardThe optional VS8F-1 Effect Expansion Board for the VS-880provides two independent, ste

Page 55

ContentsTable of Contents1Purpose of this Guide...

Page 56

19Chapter 2: Understanding Your VS-880SIGNAL PATH – The signal path is the wire (conduit, pipe, conductor, etc.) that carries your audiosignal (the mu

Page 57 - Loop Recording

20VS-880 Application GuideThink of your home as the VS-880 mixer. The cold water coming into your home from the main supply inthe street is just like

Page 58

21Chapter 2: Understanding Your VS-880The two master Mixer Modes are Input>Track and Input Mix / Track Mix: Selecting Mixer ModesWhen you power-on

Page 59

22VS-880 Application GuideRecording With Effects in INPUT>TRACK ModeINPUT>TRACK mode with “EQ/EffPreIns” set to ON routs the rear panel Inputs t

Page 60

23Chapter 2: Understanding Your VS-880Many DAT machines can be used as an analog to digital converter. Plug a microphone or line levelinstrument into

Page 61

24VS-880 Application GuideThe audio recorded on the Tracks, after the EQ, Fader, and Pan, can be routed to the MIX buss formonitoring, or to any of th

Page 62

25Chapter 2: Understanding Your VS-880When working with the Preset Patch List that came with the VS8F-1 Effect Expansion Board,Patches listed as ‘Loop

Page 63

26VS-880 Application GuideINPUT MIX / TRACK MIX ModeINPUT MIX is used to mix live music from external sources with the tracks your have already recor

Page 64

27Chapter 2: Understanding Your VS-880Virtual TracksThe VS-880 contains 8 primary recording tracks. In other words, the VS-880 is capable of playing b

Page 65

28VS-880 Application GuideThink of each of the eight primary recording tracks in the VS-880 having eightlayers. Each Virtual Track (layer) is complete

Page 66

VS-880 Application Guide2TIME/VALUE Dial ...

Page 67 - To One Track

29Chapter 2: Understanding Your VS-880A quick way to assign the Now Time to an edit point is to hold the [TRACK] button (under EDITCONDITION) and pres

Page 68 - Using the Serial Insert Path

30VS-880 Application GuideUsing Waveforms To EditThe VS-880 Scrub feature makes it very easy to find your edit points because you can see a visualrepr

Page 69

31Chapter 2: Understanding Your VS-880A flashing horizontal bar in the LCD display ([SHIFT] + [DISPLAY]) will indicatethe internal ‘electronic’ positi

Page 70 - Using the Voice Transformer

32VS-880 Application GuideImportant Navigational Rules & Skills to Master[PLAY (DISPLAY)] Button Use the [PLAY (DISPLAY)] button (directly below t

Page 71

33Chapter 2: Understanding Your VS-880[PARAMETER] Buttons Use the [PARAMETER] buttons to change screens (pages) in the LCD display.For example, you wo

Page 72

34VS-880 Application GuideVS-880 Demo SongAll VS-880’s are shipped with at least one demo song. Use it to experiment with your VS-880 tofamiliarize

Page 73

35Chapter 2: Understanding Your VS-880VS-880 ConnectionsSCSI (Small Computer System Interface) SCSI is a protocol for high-speed recording and da

Page 74

36VS-880 Application GuidePHONES Plug a pair of headphones into the PHONE jack. Use the PHONES control on the front panel to adjust thevolume.

Page 75 - Bouncing

37Chapter 2: Understanding Your VS-880Comments On VS-880 ConnectionsThe VS-880 uses 1/4” phone and RCA phono jacks as input connectors. Your microphon

Page 76

38VS-880 Application GuideNaming A SongWhen creating a new song it is a good idea to name that song. If you do not name the song, the VS-880automatica

Page 77 - Monitor - Cue

Table of Contents3Use {Move} To Place Guitar Part in New Location ...

Page 78

39Chapter 2: Understanding Your VS-880Save Your Song to Disk OftenSince the VS-880 creates editing information in RAM (Random Access Memory) before it

Page 79

40VS-880 Application GuideSample SetupThe VS-880 can be integrated into a large variety of studio environments. The diagram below depicts onepossible

Page 80

41Chapter 3: Recording ApplicationsChapter 3: Recording ApplicationsProbably the most common recording you will do is a single instrument or micropho

Page 81

42VS-880 Application GuideOnce a single musical track has been recorded, it is very helpful to place markers throughout the song tomake it easy to qui

Page 82 - TimeStart End

43Chapter 3: Recording Applications(Market Points, Continued)Clearing a Marker Point1. Locate the VS-880 to the marker point you wish to clear, hold t

Page 83

44VS-880 Application GuideIn order to control the volume of an audio signal being recorded into the VS-880, it is sometimes advisableto use an externa

Page 84

45Chapter 3: Recording ApplicationsIf you are unfamiliar with virtual tracks in the VS-880, refer to page 27 of this guide for more details. It isofte

Page 85

46VS-880 Application Guide(Record 5 Guitar Tracks using Virtual Tracks, Continued)15. Use the [TIME/VALUE] dial to select Virtual Track 2. The top lin

Page 86 - Start End To Time

47Chapter 3: Recording ApplicationsThere may be occasions where you want to just audition different effects on your instrument withoutactually recordi

Page 87 - Narration

48VS-880 Application GuideThere are many times that you may want to record a track ‘dry’, (without any effects), but you might wantto listen to effect

Page 88

VS-880 Application Guide4Sync multiple VS-880’s together ...

Page 89

49Chapter 3: Recording ApplicationsSometimes you want to make an original recording into the VS-880 with some type of effect added to thetrack during

Page 90 - AA'A"

50VS-880 Application Guide(Recording with Effects in Input>Track Mode, Continued)18. Press the [ZERO] button to return to the beginning of your son

Page 91 - Multiple Verses

51Chapter 3: Recording ApplicationsRecord A Guitar On Tr. 1, Record The Effects On Tr. 2There are occasions when you might want to record your guitar

Page 92

52VS-880 Application Guide(Record A Guitar On Tr. 1, Record The Effects On Tr. 2, Continued)20. Press the [SELECT] button under MIXER MODE to select T

Page 93

53Chapter 3: Recording ApplicationsPunching In And Out - Manual (with Undo & Redo)Sometimes you just want to record over a section of your song or

Page 94

54VS-880 Application Guide(Punching In And Out - Manual (with Undo & Redo), Continued)UNDO LEVEL allows you to choose how many previous actions to

Page 95

55Chapter 3: Recording ApplicationsUse Auto-Punch For Punch In/OutThere are occasions when you want to punch in and out at very specific time location

Page 96

56VS-880 Application GuideLoop RecordingLoop record is very similar to Auto Punch (see Use Auto-Punch for Punch In/Out) in that you are able torehears

Page 97 - Using Mute During Mixdown

57Chapter 3: Recording Applications(Loop Recording, Continued)8. Find the LOOP end point by using fast forward to locate a point after the punch out l

Page 98

58VS-880 Application GuideSync To A MIDI Sequencer Using MTC (MIDI Time Code)If your external MIDI sequencer is playing your music tracks from a sound

Page 99

Table of Contents5Purpose of this GuideThis Application Guide details many of the common concepts and procedures associated with recordingand editing

Page 100 - FX Processor

59Chapter 3: Recording Applications(Sync To A MIDI Sequencer Using MTC (MIDI Time Code), Continued)Slaving the VS-880 (slave) to your sequencer (maste

Page 101 - VS-880 Application Guide

60VS-880 Application GuideSync To A MIDI Sequencer Using MIDI ClockMIDI Clock is a sync code that uses the tempo settings of your song to lock two dev

Page 102 - Simultaneously

61Chapter 3: Recording ApplicationsMIDI Machine Control (MMC) is a set of commands that can be sent from your sequencer to control theVS-880’s Transpo

Page 103 - Compressor

62VS-880 Application Guide(Sync To An External Sequencer Using MMC, Continued)9.Using the [<<PARAMETER>>] buttons, scroll through the vari

Page 104 - Backup Your Song to DAT

63Chapter 3: Recording ApplicationsRecording From A Digital SourceRecording from a digital source into the VS-880 is very similar to recording an anal

Page 105 - Recover Your Song from DAT

64VS-880 Application GuideRecording Multiple Inputs To A Single Mono TrackWhat if you want to record multiple microphones to a single track of the VS-

Page 106

65Chapter 3: Recording ApplicationsRecording Multiple Inputs To 2 Tracks As A Stereo MixTo add depth and dimension to your background vocal recordings

Page 107

66VS-880 Application GuideRecord 4 Mics, Using Internal Compressor, To 1 TrackWhat if you want to record multiple microphones to a single track of the

Page 108

67Chapter 3: Recording ApplicationsUsing the Serial Insert PathThe serial insert FX path routing allow you to send the same mono channel thru both the

Page 109 - Creating A Tempo Map

68VS-880 Application GuideUsing the COSM Microphone SimulatorYou can record a vocal using an inexpensive dynamic mic such as the Roland DR-20 and then

Page 110 - Markers (Tap Tempo)

VS-880 Application Guide6Conventions Used In This ManualButtons•Actual front panel buttons are indicated in square brackets [ ].•Some buttons have mo

Page 111

69Chapter 3: Recording ApplicationsUsing the Voice TransformerThe Voice Transformer algorithm can be used to change the sound of a recorded track. For

Page 112

70VS-880 Application Guide

Page 113

71Chapter 4: Overdub ApplicationsChapter 4: Overdub ApplicationsProbably the most common overdubbing situation is adding one new instrument at a time

Page 114 - Tips & Features

72VS-880 Application GuideSometimes you will want to make a submix of existing tracks to free up tracks for more recording or to useone or two faders

Page 115

73Chapter 4: Overdub Applications(Bouncing Tracks 1-6 To Tracks 7-8, Continued)Using the INPUT MIX/TRACK MIX mode:Use the following procedure to bounc

Page 116 - Sync Track

74VS-880 Application GuideWhen bouncing multiple recorded tracks down to a single mono or stereo track, you may often want toadd effects during the bo

Page 117

75Chapter 4: Overdub Applications18. Press the right [PARAMETER>>] button again and use the TIME/VALUE Dial to set the Panposition.The effects w

Page 118 - VS-880 with a Digital Sampler

76VS-880 Application GuideSometimes a musician overdubbing a solo part wants to hear a blend of instruments in his or her monitorheadphones that is di

Page 119

77Chapter 4: Overdub ApplicationsThis function is known in recording studios as “vocal comps” or “comping vocals.” Let’s assume that youhave two lead

Page 120 - Sync VS-880 to ADAT

78VS-880 Application GuideOnce you have recorded some material into the VS-880, moving, erasing or copying is not really affectingthe original recordi

Page 121 - Sync VS-880 to DA-88

7Chapter 1: Important InformationIntroduction to Multitrack RecordingIn order to maximize the usefulness of your VS-880, a basic understanding of the

Page 122 - MIDI Interface

79Chapter 4: Overdub Applications(Making A New Version of Your Song, Continued)19. Press [LOC 1] again.20. Press [PARAMETER>>] to display “Copy

Page 123

80VS-880 Application Guide

Page 124 - Sync VS-880 to Video

81Chapter 5: Editing ApplicationsChapter 5: Editing ApplicationsBe sure you have read and understand the sections of the V-Xpanded Owner’s Manual des

Page 125

82VS-880 Application GuideAnother common editing function for the VS-880 is the ERASE command. It is very similar to the CUTcommand, however, it does

Page 126 - Chapter 8: Appendix

83Chapter 5: Editing ApplicationsSometimes your song is too short and you would like to add 2 additional verses after verse # 2. TheINSERT command wil

Page 127

84VS-880 Application GuideWhen you decide to make a new arrangement of your song, the MOVE command is very useful. Maybeyou decide that the second ver

Page 128 - Chapter 8: Appendix

85Chapter 5: Editing Applications(Use {Move} To Place Guitar Part in New Location, Continued)13. Press [LOC 1].14. Press the right [PARAMETER>>]

Page 129

86VS-880 Application GuideIf you have already used the MOVE command without designating a ‘FROM’ location, you noticed thatthe beginning of the sectio

Page 130

87Chapter 5: Editing Applications(Use {Move} To Place Guitar Part in New Location, Continued)9. Use the TIME/VALUE dial to select the Virtual Track th

Page 131

88VS-880 Application GuideA very important feature of random access recording is the ability to play the same recording over andover and over, without

Page 132

8VS-880 Application GuideOverdubbing may consist of many musicians adding new tracks to the recording simultaneously or maybeit will be a single vocal

Page 133

89Chapter 5: Editing Applications(Use {Copy} To Create A Drum LoopContinued)Copying twice to the same TrackAA'A"Start End To TimeCopying twi

Page 134

90VS-880 Application GuideWhat if you have a song with 3 chorus sections but you have the perfect background vocals recorded on Tr.6-1 for the first c

Page 135

91Chapter 5: Editing Applications(Use {Copy} To Re-Use A Vocal In Multiple Verses, Continued)19. Press the right [PARAMETER>>] button, “TRK Frm=

Page 136

92VS-880 Application Guide

Page 137 - More About SCSI

93Chapter 6: Mixdown ApplicationsChapter 6: Mixdown ApplicationsOnce you have your final tracks recorded and have chosen which virtual tracks you wis

Page 138 - SCSI Termination

94VS-880 Application GuideMixing your 8 VS-880 tracks to stereo DAT digitally is exactly the same as recording to a stereo analogrecorder. Remember th

Page 139 - Double Termination

95Chapter 6: Mixdown ApplicationsUsing the 2 effects processors built into the VS8F-1 expansion board (if installed) you can add additionalcreativity

Page 140 - SCSI Summary

96VS-880 Application GuideThe channel [STATUS] buttons are very useful during mixdown.MUTEThe normal playback mode during mixdown is that all channels

Page 141 - Blank Track Sheet

97Chapter 6: Mixdown ApplicationsThe VS-880 contains ‘snapshot’ automation known as SCENES. Essentially, the VS-880 allows you to take a‘snapshot’ or

Page 142 - VS-880 APPLICATION GUIDE 2.0

98VS-880 Application GuideThere are occasions when you have all 8 tracks recorded and you would like to add just one moreinstrument or vocal to your s

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