Roland VM-C7200 Owner's Manual Page 147
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146
Chapter 8 Using the Internal Effects
Gate Reverb
This is a reverb in which the reverberation is muted during its decay. Its reverse mode can be used in conjunction
with Accent sounds to obtain sounds like from reverse playback of a tape.
fig.08-42
Input L
Input R
Gate Reverb
Output L
Output R
Direct Level
Direct Level
3BAND EQ
3BAND EQ
Gate Reverb
fig.08-43e
Reverb applications
You can select how reverb sounds can be applied by setting up Gate Mode (Mode).
Normal: Ordinary Gate Reverb
L->R: The Gate Reverb sound moves from the left to right side.
R->L: The Gate Reverb sound moves from the right to left side.
Reverse1: Reverse Gate (effect as if reverb are replayed backward.)
Reverse2: Reverse Gate that causes the reverb sound to decay midway.
Level
Direct sound (DirLvl)
Time
Pre Delay
(PreDLY)
Gate Time
(Time)
Accent Delay Time
(AcDLY)
Accent
Level
(AcLvl)
Reverb
Level
(EfxLvl)
Reverb sound
Accent sound
- Owner’s Manual 1
- VM-C7200/C7100 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- Important Notes 4
- Table of Contents 5
- Chapter 1 Introduction 10
- A: Display area 12
- B: Monitor area 13
- C: Memory/Recall area 15
- D: Transport area 16
- Rear panel 20
- Precautions on connection 21
- Rear Panel on the console 22
- Front Panel on the Processor 22
- Rear Panel 23
- Turning the power on/off 24
- IMPORTANT 27
- Formatting a memory card 28
- Creating new project 28
- Internal Signal Flow 29
- Master clock (word clock) 31
- ■ Word clock connector 32
- ■ Checking the overall system 32
- (Factory Reset) 33
- ■ Factory reset procedure 33
- Basic Operations 34
- ■ Setting parameters 35
- Level Meter Settings 36
- -3dB 0dB 37
- What is GPI? 38
- OUT IN OUT IN 40
- Memory Card (2–16 MB) 43
- 3. Press [COPY/LIBRARY] 44
- 5. Confirm selection 45
- SCENE ACTIVE CHANNEL page 48
- CURRENT SCENE NAME EDIT page 49
- Protect Area 50
- Chapter 3 Data Storage 51
- ■ Storing a project 52
- ■ Selecting a project 55
- ■ Copying a project 56
- ■ Backing up a memory card 58
- Chapter 4 Useful Functions 59
- ■ Routing template 60
- ■ Virtual patchbay 61
- (Quick Channel Edit) 63
- (Quick channel edit) 64
- How to set parameters 67
- Chapter 5 Mixing Procedure 1 68
- (Input Channel) 68
- ■ Muting a channel (MUTE) 78
- Frequency 79
- (central frequency 80
- ■ Naming input channels 84
- A Flex Bus and Its Output 87
- ■ Naming a Flex Bus channel 90
- Surround Output 92
- ASSIGNABLE OUT Jacks 94
- ■ Naming each output channel 95
- ■ Setting an output’s level 95
- (STUDIO 1 or 2) 96
- ■ Monitoring in mono 100
- Talkback and Slate to Player 101
- Chapter 6 Mixing Procedure 2 102
- (Output and Monitor) 102
- Chapter 7 Mixing Procedure 3 103
- [SHIFT] 104
- (fader-group master) 105
- Naming a fader-group master 106
- (Input and Output) 108
- Chapter 8 Using the 110
- Internal Effects 110
- Other restrictions 113
- ■ Setting input/output levels 114
- 5. Validating your choice 115
- Editing Effects 116
- ■ Naming effects libraries 119
- Algorithm List 120
- Sound types 121
- Reverb sound quality 121
- 3 BAND EQ (Equalizer) 122
- Reverb: Adds reverberation 122
- Delay repetition 123
- Setting up pitch 127
- Vocoder 129
- 2ch RSS 130
- Precautions for using RSS 131
- Delay RSS 132
- Chorus RSS 133
- GuitarMulti 1–3 134
- Vocal Multi 137
- Simulates a guitar amplifier 139
- Stereo Phaser 142
- Stereo Flanger 143
- Dual Compressor/Limiter 145
- Gate Reverb 147
- Stereo Multi 151
- Reverb 2 153
- Space Chorus 155
- Cutting noise 157
- Preventing howling 158
- Hum Canceler 159
- Vocal Canceler 160
- Voice Transformer 162
- Vocoder 2 (19) 163
- Mic Converter A 165
- Mic Converter B 165
- Muting the bass 167
- Muting vocals 167
- Muting noise 167
- TapeEcho201 168
- Types of Flanger Effect 169
- AnalogPhaser 170
- Speaker Modeling 171
- Mastering Tool Kit 173
- Continued 174
- 31 Band Graphic Equalizer 176
- Stereo 2-Band Dynamics 177
- Dual Mono Dynamics 179
- Master Effect 181
- 10-Band Parametric Eqalizer 181
- 3-Band Dynamics 183
- 1. Press [ANALYZER/OSC/GEN] 186
- [F1] (SET) 186
- Hall or a Signal 188
- Chapter 9 Using the 190
- Spectrum Analyzer 190
- Notes on connection 191
- Note about time code 192
- ■ Naming a locate point 194
- OFFSET) to be set from the 195
- ■ Loop and auto punch in/out 196
- Chapter 11 197
- Develops (Automix Function) 198
- Statuses of Automix 202
- Statuses of channels 203
- Recording Auto-mixing 204
- Playing Back Auto-mixing 208
- Editing Auto-mixing 209
- Changing the current position 211
- Confirming all types of data 211
- ■ Copying (COPY) 213
- ■ Moving (MOVE) 215
- (GRADATION) 219
- ■ Add dynamics (EXPAND) 221
- Settings Related to MIDI 223
- MIDI METRONOME 224
- TEMPO/BEAT 224
- OFFSET) can be used to 225
- Example of Connections 226
- (TEMPO/METRONOME) 228
- Controlling volume or panning 229
- Glossary 233
- Chapter 13 Appendices 234
- Parameter List 249
- ■ EZ ROUTING [EZ ROUTING] 251
- ■ STUDIO1/2 [SOURCE/STUDIO 2] 251
- ■ TALKBACK/ANALYZER MIC IN 251
- ■ LEVEL METER [LEVEL METER] 252
- ■ SCENE [SHIFT] + [SCENE] 253
- ■ LOCATE [SHIFT] + [LOCATE] 253
- ■ PREAMP 1–20 254
- ■ PREAMP 23, 24 254
- ■ INPUT CH 1–24 254
- ■ MULTI IN CH 1–24 257
- ■ FLEX BUS MASTER 1–8 259
- ■ FLEX BUS MASTER 9–12 260
- ■ FADER GROUP MASTER 1–24 261
- ■ MULTI OUT 1–24 261
- ■ MIDI 1–16 261
- Troubleshooting 262
- ■ The internal effects 263
- ■ MIDI-related problems 263
- ■ Others 264
- Q & A 265
- ■ Hardware 267
- ■ Effects 268
- ■ Other matters 270
- MIDI Implementation 271
- 2. Data Transfer Address Map 274
- 3. MIDI Machine Control 299
- 4. MIDI Joystick Support 301
- 5. Appendices 301
- MIDI Implementation Chart 302
- Specifications 303
- Numerics 305
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