Roland VM-C7200 Owner's Manual Page 230
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- Table of contents
- TROUBLESHOOTING
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Chapter 12 Using with MIDI Devices
Chapter 12 Using with MIDI Devices
[SHIFT]+[PROJECT] → CURSOR [DOWN] → [F4] (MIDI)
fig.12-06
• MIDI THRU (CONSOLE): OUT
Recording parameter settings on a sequencer
Settings for the effect algorithms, equalizer, etc., can be sent to an external device in
the form of System Exclusive messages. If you record these messages on a sequencer,
you can add a variety of enhancements at the appropriate places in the music.
[SHIFT]+[PROJECT] → CURSOR [DOWN] → [F4] (MIDI)
fig.12-07
• TX PARAM: ON
• MIDI THRU (CONSOLE): OUT
- Owner’s Manual 1
- VM-C7200/C7100 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- Important Notes 4
- Table of Contents 5
- Chapter 1 Introduction 10
- A: Display area 12
- B: Monitor area 13
- C: Memory/Recall area 15
- D: Transport area 16
- Rear panel 20
- Precautions on connection 21
- Rear Panel on the console 22
- Front Panel on the Processor 22
- Rear Panel 23
- Turning the power on/off 24
- IMPORTANT 27
- Formatting a memory card 28
- Creating new project 28
- Internal Signal Flow 29
- Master clock (word clock) 31
- ■ Word clock connector 32
- ■ Checking the overall system 32
- (Factory Reset) 33
- ■ Factory reset procedure 33
- Basic Operations 34
- ■ Setting parameters 35
- Level Meter Settings 36
- -3dB 0dB 37
- What is GPI? 38
- OUT IN OUT IN 40
- Memory Card (2–16 MB) 43
- 3. Press [COPY/LIBRARY] 44
- 5. Confirm selection 45
- SCENE ACTIVE CHANNEL page 48
- CURRENT SCENE NAME EDIT page 49
- Protect Area 50
- Chapter 3 Data Storage 51
- ■ Storing a project 52
- ■ Selecting a project 55
- ■ Copying a project 56
- ■ Backing up a memory card 58
- Chapter 4 Useful Functions 59
- ■ Routing template 60
- ■ Virtual patchbay 61
- (Quick Channel Edit) 63
- (Quick channel edit) 64
- How to set parameters 67
- Chapter 5 Mixing Procedure 1 68
- (Input Channel) 68
- ■ Muting a channel (MUTE) 78
- Frequency 79
- (central frequency 80
- ■ Naming input channels 84
- A Flex Bus and Its Output 87
- ■ Naming a Flex Bus channel 90
- Surround Output 92
- ASSIGNABLE OUT Jacks 94
- ■ Naming each output channel 95
- ■ Setting an output’s level 95
- (STUDIO 1 or 2) 96
- ■ Monitoring in mono 100
- Talkback and Slate to Player 101
- Chapter 6 Mixing Procedure 2 102
- (Output and Monitor) 102
- Chapter 7 Mixing Procedure 3 103
- [SHIFT] 104
- (fader-group master) 105
- Naming a fader-group master 106
- (Input and Output) 108
- Chapter 8 Using the 110
- Internal Effects 110
- Other restrictions 113
- ■ Setting input/output levels 114
- 5. Validating your choice 115
- Editing Effects 116
- ■ Naming effects libraries 119
- Algorithm List 120
- Sound types 121
- Reverb sound quality 121
- 3 BAND EQ (Equalizer) 122
- Reverb: Adds reverberation 122
- Delay repetition 123
- Setting up pitch 127
- Vocoder 129
- 2ch RSS 130
- Precautions for using RSS 131
- Delay RSS 132
- Chorus RSS 133
- GuitarMulti 1–3 134
- Vocal Multi 137
- Simulates a guitar amplifier 139
- Stereo Phaser 142
- Stereo Flanger 143
- Dual Compressor/Limiter 145
- Gate Reverb 147
- Stereo Multi 151
- Reverb 2 153
- Space Chorus 155
- Cutting noise 157
- Preventing howling 158
- Hum Canceler 159
- Vocal Canceler 160
- Voice Transformer 162
- Vocoder 2 (19) 163
- Mic Converter A 165
- Mic Converter B 165
- Muting the bass 167
- Muting vocals 167
- Muting noise 167
- TapeEcho201 168
- Types of Flanger Effect 169
- AnalogPhaser 170
- Speaker Modeling 171
- Mastering Tool Kit 173
- Continued 174
- 31 Band Graphic Equalizer 176
- Stereo 2-Band Dynamics 177
- Dual Mono Dynamics 179
- Master Effect 181
- 10-Band Parametric Eqalizer 181
- 3-Band Dynamics 183
- 1. Press [ANALYZER/OSC/GEN] 186
- [F1] (SET) 186
- Hall or a Signal 188
- Chapter 9 Using the 190
- Spectrum Analyzer 190
- Notes on connection 191
- Note about time code 192
- ■ Naming a locate point 194
- OFFSET) to be set from the 195
- ■ Loop and auto punch in/out 196
- Chapter 11 197
- Develops (Automix Function) 198
- Statuses of Automix 202
- Statuses of channels 203
- Recording Auto-mixing 204
- Playing Back Auto-mixing 208
- Editing Auto-mixing 209
- Changing the current position 211
- Confirming all types of data 211
- ■ Copying (COPY) 213
- ■ Moving (MOVE) 215
- (GRADATION) 219
- ■ Add dynamics (EXPAND) 221
- Settings Related to MIDI 223
- MIDI METRONOME 224
- TEMPO/BEAT 224
- OFFSET) can be used to 225
- Example of Connections 226
- (TEMPO/METRONOME) 228
- Controlling volume or panning 229
- Glossary 233
- Chapter 13 Appendices 234
- Parameter List 249
- ■ EZ ROUTING [EZ ROUTING] 251
- ■ STUDIO1/2 [SOURCE/STUDIO 2] 251
- ■ TALKBACK/ANALYZER MIC IN 251
- ■ LEVEL METER [LEVEL METER] 252
- ■ SCENE [SHIFT] + [SCENE] 253
- ■ LOCATE [SHIFT] + [LOCATE] 253
- ■ PREAMP 1–20 254
- ■ PREAMP 23, 24 254
- ■ INPUT CH 1–24 254
- ■ MULTI IN CH 1–24 257
- ■ FLEX BUS MASTER 1–8 259
- ■ FLEX BUS MASTER 9–12 260
- ■ FADER GROUP MASTER 1–24 261
- ■ MULTI OUT 1–24 261
- ■ MIDI 1–16 261
- Troubleshooting 262
- ■ The internal effects 263
- ■ MIDI-related problems 263
- ■ Others 264
- Q & A 265
- ■ Hardware 267
- ■ Effects 268
- ■ Other matters 270
- MIDI Implementation 271
- 2. Data Transfer Address Map 274
- 3. MIDI Machine Control 299
- 4. MIDI Joystick Support 301
- 5. Appendices 301
- MIDI Implementation Chart 302
- Specifications 303
- Numerics 305
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