Roland XP-60 Owner's Manual Page 71
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- TROUBLESHOOTING
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71
Chapter 3. Creating Your Own Sounds
Chapter 3
The display will graphically indicate the selected Structure.
The symbols displayed have the following meanings.
W1 (WG1), W2 (WG2), F1 (TVF1), F2 (TVF2), A1 (TVA1), A2
(TVA2), B (booster), R (ring modulator)
* If you select a Tone while in the Structure display, the Tone that
is paired with the selected Tone will also be selected.
* If a Structure 2–10 is selected, turning off one Tone will cause
the other Tone to be connected in the simple order of WG/TVF/
TVA.
Booster (Booster Gain)
If the Type parameter has been set to 3 or 4, you can adjust
how strongly the Booster will function. The Booster amplifies
the incoming signal, causing it to distort. This creates an
effect similar to the distortion often used on an electric
guitar.
■ Setting Effects for a Patch
(EFFECTS)
This group contains settings for the Multi-Effects/Chorus/
Reverb effects used by a Patch.
* If an “x” mark is displayed at the right of the display name, the
effect for that display has been turned off. Turn the
corresponding effect on before you make settings (p. 62).
OUTPUT
These parameters specify how the output of each Tone will
be sent to the effects.
* When the Type parameter (PATCH/COMMON/STRUCT) has
a setting of 2–10, the outputs of Tones 1 (3) and 2 (4) will be
combined with Tone 2 (4). This means that the setting for Tone
1 (3) will be ignored.
Output Assign (Output Assign/Output Level)
Select whether or not the output of each Tone will be sent
through Multi-Effects, and adjust the volume of each Tone.
MIX: Output the Tone to the OUTPUT jack without passing
through Multi-Effects.
EFX: Output the Tone to the OUTPUT jack through Multi-
Effects.
* If you select MIX, the settings in the PATCH EFX OUT
display (PATCH/EFFECTS) will be ignored.
Chorus (Chorus Send Level)
Adjust the amount of Chorus for each Tone.
Reverb (Reverb Send Level)
Adjust the amount of Reverb for each Tone.
PATCH EFX TYPE
Specify the Patch Multi-Effects.
Type (EFX Type)
Select the type of Multi-Effects. For details refer to “Multi-
Effects Types (EFX Parameter)” (p. 93).
PATCH EFX PRM (Patch EFX Parameters)
Set the various parameters of the selected EFX type. For
details refer to “Multi-Effects Types (EFX Parameter)” (p.
93).
Ring Modulator
The Ring Modulator multiplies two Tones together,
creating a new sound that includes overtones
(inharmonic overtones) that were not present in either
of the two original Tones. Since the pitch difference
between the two Tones will change the overtone
structure, the result will be an unpitched metallic
sound. This is especially suitable for creating bells and
other metallic sounds.
fig.3-26
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 4
- Important Notes 5
- Contents 10
- Main Features 11
- Front and Rear Panel 12
- ■ Rear Panel 14
- Quick Start 15
- Getting Ready 16
- “Turning On the Power” (p 18
- “Turning Off 19
- Outil d'installation 22
- “Turning 23
- Off the Power” (p. 26) et 23
- Making Connections 24
- “Connecting to Your 25
- Computer” (p. 134) 25
- Turning On the Power 26
- (Factory Reset) 27
- Listening to the Demo Song 28
- ■ Profile of the Composer 29
- Playing the Sounds 30
- (Patch Search Function) 32
- Try Out Performance Functions 34
- ■ Hold Pedal 35
- ■ Expression Pedal 35
- ■ Portamento 35
- 516 2,4,5,7 36
- Advanced Use 39
- XP-30 Configuration 40
- Performance 41
- Basic Operation 42
- ■ About the Function Buttons 43
- ■ About the Cursor Buttons 44
- ■ Modifying a Value 45
- ■ Assigning a Name 46
- Chapter 2. Playing 47
- Chapter 2 49
- Playing in Performance Mode 51
- ■ Playing Along with a Song 53
- Playback (XP-30 Used as a 53
- Multitimbral Sound Source) 53
- Sound in Realtime 54
- (Sound Palette Function) 54
- Playing in Rhythm Set Mode 55
- Playing an Arpeggio 56
- ■ Playing an Arpeggio Over a 57
- Preset Keyboard Area 57
- Using a Hold Pedal 58
- Convenient Functions for 59
- Semitone Steps (Transpose) 60
- Note Does Not Sound (Panic) 60
- Regarding Effects 61
- Sound Editing Procedures 62
- Note on Tone Editing 64
- ■ Editing a Performance 65
- ■ Editing a Rhythm Set 66
- Keeping Edited Sound 67
- Functions of Patch Parameters 68
- VELOCITY (Velocity Range) 69
- KEY RANG (Key Range) 70
- STRUCT (Structure) 70
- (EFFECTS) 71
- PATCH CHORUS 72
- Sounds Are Played (CONTROL) 73
- RxSWITCH (Receive Switch) 74
- PEAK & HOLD 74
- CONTROL SOURCE 75
- CONTROL 1–3 75
- ■ Modifying Waveform (WAVE) 76
- ■ Modulating Sounds (LFO) 78
- ■ Modifying Pitch (PITCH) 79
- Frequency 80
- T1 T2 T3 T4 81
- LOWER&UPPER 82
- LOWER UPPER 82
- Functions of Performance 83
- Parameters 83
- ■ Setting Effects for a 84
- Performance (EFFECTS) 84
- PERFORM CHORUS 85
- PERFORM REVERB 85
- ■ Controlling How a Rhythm 90
- Tone will Sound with 90
- Controllers (CONTROL) 90
- ■ Modifying Waveform of a 90
- Rhythm Tone (WAVE) 90
- ■ Changing the Volume and 92
- Stereo Location of a Rhythm 92
- Tone (TVA) 92
- Multi-Effects Types 93
- (EFX Parameter) 93
- 4: PHASER 94
- 5: SPECTRUM 94
- 6: ENHANCER 94
- 7: AUTO-WAH 95
- 8: ROTARY 95
- 9: COMPRESSOR 96
- 10: LIMITER 96
- 11: HEXA-CHORUS 96
- 15: STEREO-FLANGER 98
- 16: STEP-FLANGER 98
- 17: STEREO-DELAY 99
- 18: MODULATION-DELAY 99
- 19: TRIPLE-TAP-DELAY 100
- Chapter 3 101
- 20: QUADRUPLE-TAP-DELAY 101
- 21: TIME-CONTROL-DELAY 101
- 22: 2VOICE-PITCH-SHIFTER 102
- 23: FBK-PITCH-SHIFTER 102
- (Feedback Pitch Shifter) 102
- 27: OVERDRIVE→FLANGER 104
- 28: OVERDRIVE→DELAY 104
- 29: DISTORTION→CHORUS 104
- 34: ENHANCER→DELAY 106
- 35: CHORUS→DELAY 106
- 36: FLANGER→DELAY 106
- XP-30 Operating Environment 108
- Setup (System Parameters 108
- ■ Keyboard and Controllers 110
- Settings (CONTROL) 110
- ■ MIDI Settings (MIDI) 112
- ■ Phrase Preview Settings 113
- (PREVIEW) 113
- ■ Adjusting Tuning (TUNE) 113
- ■ Program Change (PGM CHNG) 114
- Installation Status of Wave 114
- Expansion Boards (INFO) 114
- About Utility/Card Mode 115
- Basic Procedure in Utility/ 115
- Card Mode 115
- Storing Sound Data in User 116
- Memory (WRITE) 116
- Copying Sound Source 117
- Settings (COPY) 117
- ■ Rhythm Set Copy 118
- Initializing Sound Source 119
- Settings (INIT) 119
- Transmitting Sound Settings 119
- ■ Transmitting Data to User 120
- Preventing User Memory 121
- Writing Operation (PROTECT) 121
- Memory Card-Related 121
- Settings (CARD) 121
- Loading a File from Memory 122
- Card into the XP-30 (LOAD) 122
- Saving Data to Memory Card 122
- Recalling Factory Default 123
- Settings (FACTORY RESET) 123
- Entering GM Mode 124
- Modifying GM Mode Settings 125
- GM CHORUS 126
- GM REVERB 126
- Convenient Functions in GM 127
- Mode (GM Utility) 127
- ■ Initializing GM Mode (INIT) 128
- Techniques for Using Patches 129
- Using the XP-30 to Play Live 131
- Using External MIDI Devices 132
- Chapter 6 133
- Selecting Patches 133
- Selecting Performances 133
- Selecting Rhythm Sets 133
- Apple Macintosh 134
- ■ Disconnecting the Keyboard 137
- (Local OFF) 137
- Appendices 139
- Troubleshooting 140
- Error Messages 142
- Quick Reference of Procedures 143
- ■ Controller Settings 144
- ■ Saving and Loading Data 145
- ■ Controlling External MIDI 145
- External MIDI Device 146
- Parameter List 147
- CONTROL Group (p. 73) 148
- WAVE Group (p. 76) 148
- LFO Group (p. 78) 148
- ■ Performance Parameters 150
- ■ Rhythm Set Parameters 151
- ■ GM Mode Parameters 153
- ■ EFX Parameters 154
- ■ System Parameters 158
- Waveform List 160
- INT-B (Internal B) 161
- ● XP-A Menu Waveforms 163
- ● XP-C Menu Waveforms 166
- Patch List 168
- ■ B.P.M. CONVERSION TABLE 174
- Rhythm Set List 177
- Performance List 181
- Arpeggio Style List 182
- MIDI Implementation 183
- 3. Parameter Address Map 190
- 4. Supplementary Material 199
- 10 02 00 00H 204
- 00 00H Patch Common 204
- MIDI Implementation Chart 206
- Specifications 207
- For PC (25-pin) 208
- Apparatus containing 215
- Lithium batteries 215
- Information 216
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