Roland XP-60 Owner's Manual Page 75
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75
Chapter 3. Creating Your Own Sounds
Chapter 3
EfxCtrl (EFX Control Peak/Hold)
Specify how Hold messages will affect the parameters you
specify in the PATCH EFX CTRL display (PATCH/
EFFECTS).
OFF: Parameter values will not be held even if Hold
messages are received.
HOLD: Parameter values will be held when Hold messages
are received.
PEAK: Parameter values will be held when Hold messages
are received. However if a parameter value higher
than the current one is received while Hold is still
on, that new value will be held.
Ctrl 1 (Control 1 Peak/Hold)
Specify how Hold messages will affect the parameters
controlled by Control Source 1 (Modulation: MIDI controller
number 1). The settings are the same as for EFX Control.
Ctrl 2 (Control 2 Peak/Hold)
This parameter specifies the way in which Hold messages
will control the parameter selected as Control Source 2 in the
following display. The range of values is the same as for EFX
control.
Ctrl 3 (Control 3 Peak/Hold)
This parameter specifies the way in which Hold messages
will control the parameter selected as Control Source 3 in the
following display. The range of values is the same as for EFX
control.
CONTROL SOURCE
If you wish to use controllers to control a specific Tone
parameter, select the controller in this display. Each Patch
can have up to 3 control source assigned to it, but the
function of control source 1 is fixed at Modulation (MIDI
controller number 1).
Control 2 (Control Source 2)
Assign one of the following controllers to Control Source 2. If
you want to use a controller that will be common to all
Patches, or to use a controller that is not available for
selection here, first select SYS-CTRL 1 or SYS-CTRL 2 then set
the Control 1/2 parameter (SYSTEM/CONTROL/SYS-CTRL
ASSIGN) to select the controller.
OFF: a controller will not be used
SYS-CTRL1: System controller (Control 1)
SYS-CTRL2: System controller (Control 2)
MODULATION: Modulation (MIDI controller number 1)
BREATH: Breath (MIDI controller number 2)
FOOT: Foot (MIDI controller number 4)
VOLUME: Volume (MIDI controller number 7)
PAN: Pan (MIDI controller number 10)
EXPRESSION: Expression (MIDI controller number 11)
BENDER: Pitch bend
AFTERTOUCH: Aftertouch
LFO1: LFO1 rate
LFO2: LFO2 rate
VELOCITY: Velocity
KEYFOLLOW:
Key follow (adjust the parameter value
depending on the keyboard location, relative
to a standard value (0) at the C4 key)
PLAYMATE: Playmate (adjust the parameter value
depending on the time length that the key is
pressed)
Control 3 (Control Source 3)
Assign a controller to Control Source 3. The controllers
available for selection are the same as for Control Source 2.
CONTROL 1–3
Specify the parameters to be controlled by Control Sources 1–3
and the depth of each parameter. The upper line of the display
will show the Control Source selected in the previous display.
* From the PATCH PLAY display you can switch directly to the
CONTROL1 display by pressing [CONTROLLER] while
holding down [SHIFT].
Destination 1–4
Select the parameters to be controlled. Up to four parameters can
be specified for each controller, and controlled simultaneously.
OFF: no control
PCH: WG Pitch
CUT: TVF Cutoff Frequency
RES: TVF Resonance
LEV: TVA Level
PAN: TVA Pan
MIX: Output level of Tone
CHO: Chorus Send level of Tone
REV: Reverb Send level of Tone
PL1: LFO1 depth of WG Pitch
PL2: LFO2 depth of WG Pitch
FL1: LFO1 depth of TVF Cutoff Frequency
FL2: LFO2 depth of TVF Cutoff Frequency
AL1: LFO1 depth of TVA Level
AL2: LFO2 depth of TVA Level
pL1: LFO1 depth of TVA Pan
pL2: LFO2 depth of TVA Pan
L1R: LFO1 rate
L2R: LFO2 rate
Depth 1–4
Adjust the amount of change that will occur in response to
controller movement. Higher value will cause greater
change. Negative (-) values will reverse the direction of the
change. For LFO rates, negative (-) values will lengthen the
period (causing slower modulation), and positive (+) values
will shorten the period (causing faster modulation).
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 4
- Important Notes 5
- Contents 10
- Main Features 11
- Front and Rear Panel 12
- ■ Rear Panel 14
- Quick Start 15
- Getting Ready 16
- “Turning On the Power” (p 18
- “Turning Off 19
- Outil d'installation 22
- “Turning 23
- Off the Power” (p. 26) et 23
- Making Connections 24
- “Connecting to Your 25
- Computer” (p. 134) 25
- Turning On the Power 26
- (Factory Reset) 27
- Listening to the Demo Song 28
- ■ Profile of the Composer 29
- Playing the Sounds 30
- (Patch Search Function) 32
- Try Out Performance Functions 34
- ■ Hold Pedal 35
- ■ Expression Pedal 35
- ■ Portamento 35
- 516 2,4,5,7 36
- Advanced Use 39
- XP-30 Configuration 40
- Performance 41
- Basic Operation 42
- ■ About the Function Buttons 43
- ■ About the Cursor Buttons 44
- ■ Modifying a Value 45
- ■ Assigning a Name 46
- Chapter 2. Playing 47
- Chapter 2 49
- Playing in Performance Mode 51
- ■ Playing Along with a Song 53
- Playback (XP-30 Used as a 53
- Multitimbral Sound Source) 53
- Sound in Realtime 54
- (Sound Palette Function) 54
- Playing in Rhythm Set Mode 55
- Playing an Arpeggio 56
- ■ Playing an Arpeggio Over a 57
- Preset Keyboard Area 57
- Using a Hold Pedal 58
- Convenient Functions for 59
- Semitone Steps (Transpose) 60
- Note Does Not Sound (Panic) 60
- Regarding Effects 61
- Sound Editing Procedures 62
- Note on Tone Editing 64
- ■ Editing a Performance 65
- ■ Editing a Rhythm Set 66
- Keeping Edited Sound 67
- Functions of Patch Parameters 68
- VELOCITY (Velocity Range) 69
- KEY RANG (Key Range) 70
- STRUCT (Structure) 70
- (EFFECTS) 71
- PATCH CHORUS 72
- Sounds Are Played (CONTROL) 73
- RxSWITCH (Receive Switch) 74
- PEAK & HOLD 74
- CONTROL SOURCE 75
- CONTROL 1–3 75
- ■ Modifying Waveform (WAVE) 76
- ■ Modulating Sounds (LFO) 78
- ■ Modifying Pitch (PITCH) 79
- Frequency 80
- T1 T2 T3 T4 81
- LOWER&UPPER 82
- LOWER UPPER 82
- Functions of Performance 83
- Parameters 83
- ■ Setting Effects for a 84
- Performance (EFFECTS) 84
- PERFORM CHORUS 85
- PERFORM REVERB 85
- ■ Controlling How a Rhythm 90
- Tone will Sound with 90
- Controllers (CONTROL) 90
- ■ Modifying Waveform of a 90
- Rhythm Tone (WAVE) 90
- ■ Changing the Volume and 92
- Stereo Location of a Rhythm 92
- Tone (TVA) 92
- Multi-Effects Types 93
- (EFX Parameter) 93
- 4: PHASER 94
- 5: SPECTRUM 94
- 6: ENHANCER 94
- 7: AUTO-WAH 95
- 8: ROTARY 95
- 9: COMPRESSOR 96
- 10: LIMITER 96
- 11: HEXA-CHORUS 96
- 15: STEREO-FLANGER 98
- 16: STEP-FLANGER 98
- 17: STEREO-DELAY 99
- 18: MODULATION-DELAY 99
- 19: TRIPLE-TAP-DELAY 100
- Chapter 3 101
- 20: QUADRUPLE-TAP-DELAY 101
- 21: TIME-CONTROL-DELAY 101
- 22: 2VOICE-PITCH-SHIFTER 102
- 23: FBK-PITCH-SHIFTER 102
- (Feedback Pitch Shifter) 102
- 27: OVERDRIVE→FLANGER 104
- 28: OVERDRIVE→DELAY 104
- 29: DISTORTION→CHORUS 104
- 34: ENHANCER→DELAY 106
- 35: CHORUS→DELAY 106
- 36: FLANGER→DELAY 106
- XP-30 Operating Environment 108
- Setup (System Parameters 108
- ■ Keyboard and Controllers 110
- Settings (CONTROL) 110
- ■ MIDI Settings (MIDI) 112
- ■ Phrase Preview Settings 113
- (PREVIEW) 113
- ■ Adjusting Tuning (TUNE) 113
- ■ Program Change (PGM CHNG) 114
- Installation Status of Wave 114
- Expansion Boards (INFO) 114
- About Utility/Card Mode 115
- Basic Procedure in Utility/ 115
- Card Mode 115
- Storing Sound Data in User 116
- Memory (WRITE) 116
- Copying Sound Source 117
- Settings (COPY) 117
- ■ Rhythm Set Copy 118
- Initializing Sound Source 119
- Settings (INIT) 119
- Transmitting Sound Settings 119
- ■ Transmitting Data to User 120
- Preventing User Memory 121
- Writing Operation (PROTECT) 121
- Memory Card-Related 121
- Settings (CARD) 121
- Loading a File from Memory 122
- Card into the XP-30 (LOAD) 122
- Saving Data to Memory Card 122
- Recalling Factory Default 123
- Settings (FACTORY RESET) 123
- Entering GM Mode 124
- Modifying GM Mode Settings 125
- GM CHORUS 126
- GM REVERB 126
- Convenient Functions in GM 127
- Mode (GM Utility) 127
- ■ Initializing GM Mode (INIT) 128
- Techniques for Using Patches 129
- Using the XP-30 to Play Live 131
- Using External MIDI Devices 132
- Chapter 6 133
- Selecting Patches 133
- Selecting Performances 133
- Selecting Rhythm Sets 133
- Apple Macintosh 134
- ■ Disconnecting the Keyboard 137
- (Local OFF) 137
- Appendices 139
- Troubleshooting 140
- Error Messages 142
- Quick Reference of Procedures 143
- ■ Controller Settings 144
- ■ Saving and Loading Data 145
- ■ Controlling External MIDI 145
- External MIDI Device 146
- Parameter List 147
- CONTROL Group (p. 73) 148
- WAVE Group (p. 76) 148
- LFO Group (p. 78) 148
- ■ Performance Parameters 150
- ■ Rhythm Set Parameters 151
- ■ GM Mode Parameters 153
- ■ EFX Parameters 154
- ■ System Parameters 158
- Waveform List 160
- INT-B (Internal B) 161
- ● XP-A Menu Waveforms 163
- ● XP-C Menu Waveforms 166
- Patch List 168
- ■ B.P.M. CONVERSION TABLE 174
- Rhythm Set List 177
- Performance List 181
- Arpeggio Style List 182
- MIDI Implementation 183
- 3. Parameter Address Map 190
- 4. Supplementary Material 199
- 10 02 00 00H 204
- 00 00H Patch Common 204
- MIDI Implementation Chart 206
- Specifications 207
- For PC (25-pin) 208
- Apparatus containing 215
- Lithium batteries 215
- Information 216
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