Roland XP-60 Owner's Manual Page 99
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- Table of contents
- TROUBLESHOOTING
- BOOKMARKS
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Chapter 3. Creating Your Own Sounds
Chapter 3
LowGain
Adjust the gain of the low frequency range.
Hi Gain
Adjust the gain of the high frequency range.
Balance (Effect Balance)
Adjust the volume balance between the direct sound and the
flanger sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
chorus sound will be output.
Level (Output Level)
Adjust the output level.
17: STEREO-DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
fig.3-63a
When Feedback Mode is CROSS:
fig.3-63b
Delay L (Delay Time Left)
Adjust the time from the original sound until when the left
delay sound is heard.
Delay R (Delay Time Right)
Adjust the time from the original sound until when the right
delay sound is heard.
Fbk (Feedback Level) #
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Mode (Feedback Mode)
Select the way in which delay sound is fed back into the
effect.
NORMAL:
The left delay sound will be fed back into the left
delay, and the right delay sound into the right delay.
CROSS:
The left delay sound will be fed back into the right
delay, and the right delay sound into the left delay.
Phase L (Feedback Phase Left)
Select the phase of the left delay sound.
NORMAL: Phase is not changed.
INVERT: Phase is inverted.
Phase R (Feedback Phase Right)
Select the phase of the right delay sound.
NORMAL: Phase is not changed.
INVERT: Phase is inverted.
HF Damp
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
LowGain
Adjust the gain of the low frequency range.
Hi Gain
Adjust the gain of the high frequency range.
Balance (Effect Balance) #
Adjust the volume balance between the direct sound and the
delay sound. With a setting of D100:0W only the direct sound
will be output, and with a setting of D0:100W only the delay
sound will be output.
Level (Output Level)
Adjust the output level.
18: MODULATION-DELAY
This effect adds modulation to the delayed sound, producing
an effect similar to a flanger.
When Feedback Mode is NORMAL:
fig.3-63c
When Feedback Mode is CROSS:
fig.3-63d
Delay L (Delay Time Left)
Adjust the time from the original sound until when the left
delay sound is heard.
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 4
- Important Notes 5
- Contents 10
- Main Features 11
- Front and Rear Panel 12
- ■ Rear Panel 14
- Quick Start 15
- Getting Ready 16
- “Turning On the Power” (p 18
- “Turning Off 19
- Outil d'installation 22
- “Turning 23
- Off the Power” (p. 26) et 23
- Making Connections 24
- “Connecting to Your 25
- Computer” (p. 134) 25
- Turning On the Power 26
- (Factory Reset) 27
- Listening to the Demo Song 28
- ■ Profile of the Composer 29
- Playing the Sounds 30
- (Patch Search Function) 32
- Try Out Performance Functions 34
- ■ Hold Pedal 35
- ■ Expression Pedal 35
- ■ Portamento 35
- 516 2,4,5,7 36
- Advanced Use 39
- XP-30 Configuration 40
- Performance 41
- Basic Operation 42
- ■ About the Function Buttons 43
- ■ About the Cursor Buttons 44
- ■ Modifying a Value 45
- ■ Assigning a Name 46
- Chapter 2. Playing 47
- Chapter 2 49
- Playing in Performance Mode 51
- ■ Playing Along with a Song 53
- Playback (XP-30 Used as a 53
- Multitimbral Sound Source) 53
- Sound in Realtime 54
- (Sound Palette Function) 54
- Playing in Rhythm Set Mode 55
- Playing an Arpeggio 56
- ■ Playing an Arpeggio Over a 57
- Preset Keyboard Area 57
- Using a Hold Pedal 58
- Convenient Functions for 59
- Semitone Steps (Transpose) 60
- Note Does Not Sound (Panic) 60
- Regarding Effects 61
- Sound Editing Procedures 62
- Note on Tone Editing 64
- ■ Editing a Performance 65
- ■ Editing a Rhythm Set 66
- Keeping Edited Sound 67
- Functions of Patch Parameters 68
- VELOCITY (Velocity Range) 69
- KEY RANG (Key Range) 70
- STRUCT (Structure) 70
- (EFFECTS) 71
- PATCH CHORUS 72
- Sounds Are Played (CONTROL) 73
- RxSWITCH (Receive Switch) 74
- PEAK & HOLD 74
- CONTROL SOURCE 75
- CONTROL 1–3 75
- ■ Modifying Waveform (WAVE) 76
- ■ Modulating Sounds (LFO) 78
- ■ Modifying Pitch (PITCH) 79
- Frequency 80
- T1 T2 T3 T4 81
- LOWER&UPPER 82
- LOWER UPPER 82
- Functions of Performance 83
- Parameters 83
- ■ Setting Effects for a 84
- Performance (EFFECTS) 84
- PERFORM CHORUS 85
- PERFORM REVERB 85
- ■ Controlling How a Rhythm 90
- Tone will Sound with 90
- Controllers (CONTROL) 90
- ■ Modifying Waveform of a 90
- Rhythm Tone (WAVE) 90
- ■ Changing the Volume and 92
- Stereo Location of a Rhythm 92
- Tone (TVA) 92
- Multi-Effects Types 93
- (EFX Parameter) 93
- 4: PHASER 94
- 5: SPECTRUM 94
- 6: ENHANCER 94
- 7: AUTO-WAH 95
- 8: ROTARY 95
- 9: COMPRESSOR 96
- 10: LIMITER 96
- 11: HEXA-CHORUS 96
- 15: STEREO-FLANGER 98
- 16: STEP-FLANGER 98
- 17: STEREO-DELAY 99
- 18: MODULATION-DELAY 99
- 19: TRIPLE-TAP-DELAY 100
- Chapter 3 101
- 20: QUADRUPLE-TAP-DELAY 101
- 21: TIME-CONTROL-DELAY 101
- 22: 2VOICE-PITCH-SHIFTER 102
- 23: FBK-PITCH-SHIFTER 102
- (Feedback Pitch Shifter) 102
- 27: OVERDRIVE→FLANGER 104
- 28: OVERDRIVE→DELAY 104
- 29: DISTORTION→CHORUS 104
- 34: ENHANCER→DELAY 106
- 35: CHORUS→DELAY 106
- 36: FLANGER→DELAY 106
- XP-30 Operating Environment 108
- Setup (System Parameters 108
- ■ Keyboard and Controllers 110
- Settings (CONTROL) 110
- ■ MIDI Settings (MIDI) 112
- ■ Phrase Preview Settings 113
- (PREVIEW) 113
- ■ Adjusting Tuning (TUNE) 113
- ■ Program Change (PGM CHNG) 114
- Installation Status of Wave 114
- Expansion Boards (INFO) 114
- About Utility/Card Mode 115
- Basic Procedure in Utility/ 115
- Card Mode 115
- Storing Sound Data in User 116
- Memory (WRITE) 116
- Copying Sound Source 117
- Settings (COPY) 117
- ■ Rhythm Set Copy 118
- Initializing Sound Source 119
- Settings (INIT) 119
- Transmitting Sound Settings 119
- ■ Transmitting Data to User 120
- Preventing User Memory 121
- Writing Operation (PROTECT) 121
- Memory Card-Related 121
- Settings (CARD) 121
- Loading a File from Memory 122
- Card into the XP-30 (LOAD) 122
- Saving Data to Memory Card 122
- Recalling Factory Default 123
- Settings (FACTORY RESET) 123
- Entering GM Mode 124
- Modifying GM Mode Settings 125
- GM CHORUS 126
- GM REVERB 126
- Convenient Functions in GM 127
- Mode (GM Utility) 127
- ■ Initializing GM Mode (INIT) 128
- Techniques for Using Patches 129
- Using the XP-30 to Play Live 131
- Using External MIDI Devices 132
- Chapter 6 133
- Selecting Patches 133
- Selecting Performances 133
- Selecting Rhythm Sets 133
- Apple Macintosh 134
- ■ Disconnecting the Keyboard 137
- (Local OFF) 137
- Appendices 139
- Troubleshooting 140
- Error Messages 142
- Quick Reference of Procedures 143
- ■ Controller Settings 144
- ■ Saving and Loading Data 145
- ■ Controlling External MIDI 145
- External MIDI Device 146
- Parameter List 147
- CONTROL Group (p. 73) 148
- WAVE Group (p. 76) 148
- LFO Group (p. 78) 148
- ■ Performance Parameters 150
- ■ Rhythm Set Parameters 151
- ■ GM Mode Parameters 153
- ■ EFX Parameters 154
- ■ System Parameters 158
- Waveform List 160
- INT-B (Internal B) 161
- ● XP-A Menu Waveforms 163
- ● XP-C Menu Waveforms 166
- Patch List 168
- ■ B.P.M. CONVERSION TABLE 174
- Rhythm Set List 177
- Performance List 181
- Arpeggio Style List 182
- MIDI Implementation 183
- 3. Parameter Address Map 190
- 4. Supplementary Material 199
- 10 02 00 00H 204
- 00 00H Patch Common 204
- MIDI Implementation Chart 206
- Specifications 207
- For PC (25-pin) 208
- Apparatus containing 215
- Lithium batteries 215
- Information 216
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