Roland MC-505 Owner's Manual Page 14
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Rhythm Set
A collection of various rhythm instruments (rhythm
tones) is referred to as a Rhythm Set. A different
rhythm tone can be assigned to each key (note num-
ber), allowing you to use a large number of rhythm
tones at once. There are two types of rhythm sets:
ÒPreset Rhythm SetsÓ which are already built into the
MC-505, and ÒUser Rhythm SetsÓ which accommodate
the rhythm sets that you create.
fig.1-5
Part
You can think of ÒPartsÓ as slots into which Patches
are placed. They can be thought of as being a little like
musicians. You can select a patch (instrument) for each
part (musician), and play multiple parts at once. The
MC-505 has eight parts for pattern playback, and you
can adjust the volume and pan etc. for each part.
fig.1-6
Parts 1Ð7
For each of these parts, you can select a patch and play
melodic, bass or chordal instruments. Since it is also
possible to select an individual rhythm tone, you can
also use one of these parts as an auxiliary rhythm part.
Rhythm part
For this part, you can select a rhythm set and play per-
cussion instrument sounds.
About simultaneous polyphony
The MC-505 is able to play up to 64 notes simultane-
ously. If the incoming musical data requests more than
64 notes simultaneously, some notes will drop out.
When using patches with a long release time or when
using RPS, be careful not to exceed the maximum
simultaneous polyphony. The number of notes that
can be sounded will actually depend not only on the
number of notes being played, but also on the number
of tones that are used by each patch.
For example, if you are playing a patch that uses four
tones, that patch will take up four times the number of
notes that are played.
If you would like to know about the polyphony
settings...
¥ The Voice Priority parameter can be set for
each patch to specify how notes will be turned
off when the maximum polyphony is exceed-
ed.
☞ ÒChanging How Tones Are Combined and
Played (Common)Ó (p. 54)
¥ The Voice Reserve parameter can be set to
specify a minimum number of notes that will
be reserved for each part.
☞ ÒSpecifying the Number of Notes for Each
Part (Voice Reserve)Ó (p. 164)
Patch
Patch
Patch
Patch
Patch
Patch
Patch
Part1
R Part
Sound source section
Part2
Part3
Part4
Part5
Part6
Part7
Rhythm Set
Setup parameters
Setup parameters
Setup parameters
Setup parameters
Setup parameters
Setup parameters
Setup parameters
Setup parameters
RHYTHM TONE (B5)
RHYTHM TONE (D5)
RHYTHM TONE (C4)
FILTER
AMPLIFIER
RHYTHM TONE (B1)
PITCH
PITCH
ENV
FILTER
ENV
AMPLIFIER
ENV
WAVE
SELECT
RHYTHM SET
Chapter 1. an Overview of the MC-505
15
1
- Owner's Manual 1
- Contents 3
- Chapter 4. Applying Effects 4
- Chapter 6. Using the Keyboard 5
- Chapter 10. Recording 6
- Front and Rear Panels 9
- CATEGORY 10
- PORTAMENTO 10
- PRESET USER CARD 10
- Rear Panel 11
- Important Notes 12
- How the MC-505 Is Organized 13
- About the Sound Generator 13
- Rhythm Set 14
- About the Sequencer 15
- About Memory 15
- Basic Operation 16
- PARAM COPY 17
- Chapter 2. Playing Patterns 18
- Adjusting the Tempo 19
- Muting Patterns 20
- Transposing During Playback 21
- (Real-Time Transpose) 21
- Play Sounds 21
- Selecting Sounds (Patch) 22
- Using the Part Mixer to 23
- Modify Pattern Settings 23
- Specifying the Output 24
- Destination for Musical Data 24
- (Sequencer Output Assign) 24
- Saving Patterns YouÕve 25
- Modified (Pattern Write) 25
- Using the Knobs to Modify 27
- (Real-Time Modify) 27
- (MIDI Update) 29
- Selecting Patterns from the 30
- Keyboard Pads (Pattern Set) 30
- Saving a Pattern Set That Was 31
- Modified (Pattern Set Write) 31
- INITIALIZE 31
- Creating an Original Patch 32
- Changing the Basic 33
- Waveform of the Sound 33
- (Wave/FXM) 33
- Making More Detailed Settings 34
- COARSE TUNE 35
- Key Follow (Pitch Key Follow) 36
- Sensitivity) 37
- Key on Key off 38
- TONE PAN 40
- Cutoff frequency 41
- (Octave) 41
- Level1=Level2=127 42
- Level4=0 42
- REALTIME ERASE 43
- Adjusting the Volume and 44
- Pan (Amplifier) 44
- TONE1TONE2 46
- Piano Organ 47
- Applying Cyclic Changes to 49
- Adjusting the Speed of 50
- Modulation (LFO1 Rate) 50
- Adjusting the Depth of 50
- Modulation (LFO1 Depth) 50
- Common Settings 53
- Playing Monophonically 57
- (Solo Switch) 57
- (SOLO/PORTA Section) 57
- Specifying the Parameters 58
- That Will Be Modified by 58
- Each Controller (Control) 58
- Saving Patches YouÕve 60
- Created (Patch Write) 60
- Patch Tone Copy 61
- Patch Initialize 61
- Creating an Original 62
- Changing the Pitch of the 63
- Sound (Pitch) 63
- Fine Pitch Adjustments 64
- (Fine Tune) 64
- Level1=Level2=+63 65
- F-ENV: ENV Depth 69
- C#4( 61) +63 69
- R.TONE Dly Level 76
- (Rhythm Tone Delay Level) 76
- R.TONE EFX/Out (Rhythm Tone 76
- EFX/Output Assign) 76
- Saving Rhythm Sets YouÕve 77
- Created (Rhythm Set Write) 77
- REVERB DELAY EFX 78
- REVERB LEVEL 79
- EFX REVERB LEVEL 80
- REVERB TIME 80
- EFX DELAY LEVEL 81
- FEEDBACK 81
- DELAY TIME 81
- Adjusting the Delay Interval 82
- (Delay Time) 82
- Adjusting the Number of 82
- Repeats (Feedback Level) 82
- R1234567 Current Part 83
- MIX OUT MIX OUT MIX OUT 84
- General Purpose Multi-Effects 85
- Selecting the Type (EFX Type) 85
- 4-BAND-EQ 86
- SPECTRUM 87
- OVERDRIVE 88
- ENHANCER 88
- DISTORTION 89
- N Filter 90
- Lo-Fi Level 90
- Noise Level 90
- Output Level 90
- PHONOGRAPH 91
- RADIO-TUNG 91
- COMPRESSOR 92
- Timing PTN 93
- Accent PTN 93
- TETRA-CHORS 96
- Feedback 97
- ST-FLANGER 98
- SHORT-DELAY 99
- AUTO-PAN 100
- FB-P-SHIFT 101
- GATE-REVERB 102
- (EFX ON) 103
- (EFX OFF) 103
- Playing an Arpeggio 104
- Creating an Arpeggio 104
- ACCENT RATE 105
- Saving Arpeggio Settings 107
- That You Have Modified 107
- (Arpeggio Write) 107
- Using the Keyboard Pads to 108
- Play Back Phrases 108
- Assigning a Phrase to a 109
- Keyboard Pad 109
- Making Settings for Each 110
- Saving the Phrases You 111
- Assigned (RPS Set Write) 111
- Selecting Parts to Use with 112
- Play Quantize 112
- Correcting Inaccuracies in 112
- Giving Swing to the Rhythm 113
- (Shuffle Quantize) 113
- VELOCITY 113
- Giving a Groove to the 114
- Rhythm (Groove Quantize) 114
- Template velocity 116
- Template timing 116
- Selecting a Distant Pattern 119
- Saving the Exchanged 119
- Using the DBeam Controller 120
- How Each Type Will Function 120
- D BEAM CONTROLLER 120
- 28:Adlib2 (Ad-Lib 2) 125
- Recording Your Playing As 126
- You Perform 126
- (Real-Time Recording) 126
- Recording begins 128
- Count in: 2 (4/4 time) 128
- Metronome 128
- Part Level 129
- MUTE CTRL 130
- Part Pan 130
- Erasing Unwanted Data While 131
- You Record (Real-Time Erase) 131
- Recording Notes One at a 132
- Time (Step Recording) 132
- 80% 80% 80% 80% 105% 80% 135
- 1 2 3 4 5 6 7 8 9 10 11 12 136
- C4 C4 C4 C4 137
- Note Velocity Gate Time Ratio 138
- CURRENT NEXT 139
- CURRENT NEXT CURRENT NEXT 139
- Musical Data Handled in 140
- Microscope Mode 140
- Data (Change Event) 141
- Checking the Remaining 143
- Amount of Memory 143
- (Memory Information) 143
- Temp (Temporary) 144
- User (User Memory) 144
- Card (Card Memory) 144
- Copying a Portion of a 145
- Pattern (Copy) 145
- Erasing Unwanted Data 146
- Deleting Unwanted 147
- Measures (Delete Measure) 147
- Inserting Blank Measures 148
- (Insert Measure) 148
- Transposing the Pitch 149
- (Transpose) 149
- Modifying the Strength of 149
- Notes (Change Velocity) 149
- Modifying the Note Length 150
- (Change Gate Time) 150
- Shifting the Timing Slightly 150
- (Shift Clock) 150
- Thinning Out Unneeded Data 151
- (Data Thin) 151
- Using Play Quantize Settings 152
- (Edit Quantize) 152
- Converting the Note Timing 152
- Playing Back a Song 153
- Recording a Song 154
- Saving a Song That You 154
- Recorded (Song Write) 154
- Copying a Song (Song Copy) 156
- Inserting a Pattern 157
- (Insert Pattern) 157
- Deleting Unwanted Patterns 157
- How a Memory Card Can Be 158
- Before Using a New Card 158
- (Format) 158
- Saving All Internal Settings 159
- Restoring the Saved Settings 159
- Back to Internal Memory 159
- (Backup Load) 159
- Deleting the Backup File 160
- Duplicating a Card 160
- (Card Duplicate) 160
- Card protector 161
- Tuning and Sound Generator 162
- Related Settings 162
- Controller-Related Settings 163
- RESONANCE 163
- Sequencer-Related Settings 165
- MIDI-Related Settings 167
- Type of Message 169
- Taking Advantage of MIDI 170
- Local Tx Sw 171
- MIDI Rx Sw 171
- Sequencer Output Assign 171
- Upper ArpeggioLower RPS 172
- MIDI IN MIDI OUT 173
- MIDI IN1 MIDI OUT1 173
- MIDI IN2MIDI OUT2 173
- MIDI INMIDI OUT 173
- Generator from the MC-505 174
- Synchronizing to an External 176
- Sequencer 176
- Synchronizing Two MC-505 to 176
- Each Other 176
- Saving Pattern and Patch 177
- Data on an External 177
- Sequencer (Bulk Dump) 177
- Tips for Creating Sounds 178
- TONE LEVEL 179
- TONE PANFINE TUNE 179
- FINE TUNE 179
- Synth Strings 181
- Troubleshooting 185
- Error Message List 187
- Waveform List 189
- Preset Patch List 191
- Bank Select table 194
- Patch transmit example 194
- Rhythm Set transmit example 194
- Preset Rhythm Set List 195
- Rhythm Group 196
- P:05 Techno 1 196
- P:06 Techno 2 196
- P:07 Techno 3 196
- P:08 Hardcore 196
- P:09 Ambient 197
- P:10 House 1 197
- P:11 House 2 197
- P:12 Jungle 197
- P:13 Drum’n’Bass1 198
- P:14 Drum’n’Bass2 198
- P:15 Hip-Hop 1 198
- P:16 Hip-Hop 2 198
- P:17 Funk 199
- P:18 Electro 199
- P:19 Jazz 199
- P:20 Brush 199
- P:21 Disco 200
- P:22 Ragga 200
- P:23 Rock 200
- P:24 Industrial 200
- P:25 Ethnic 201
- P:26 Reverse 201
- Preset Pattern List 202
- Drum’n’Bass 204
- RPS Pattern List 207
- RPS Bass Pattern (Used Part1) 208
- RPS Hit (Used Part1) 214
- RPS Set List 215
- U:28 Reggae 2 (BPM=155) 218
- U:29 Salsa (BPM=110) 218
- U:30 Samba (BPM=125) 218
- Parameter List 219
- Rhythm Set Parameters 223
- Setup Parameters 224
- Arpeggiator Parameters 230
- Play Quantize Parameters 230
- System Parameters 231
- Transmit/Receive Setting List 232
- MIDI Implementation 233
- ■ Channel Mode messages 234
- ■ System Realtime messages 235
- ■ System Exclusive messages 235
- ■ Channel voice messages 236
- 3. Parameter address map 238
- 1.MC-505 (Model ID=00H 0BH) 238
- ■ 1-2-1.Part Info Common 239
- ■ 1-2-2.Part Info Part 241
- ■ 1-3.Patch 241
- ■ 1-3-1.Patch Common 241
- ■ 1-3-2.Patch Tone 242
- ■ 1-4.Rhythm Setup 243
- ■ 1-4-1.Rhythm Common 244
- ■ 1-4-2.Rhythm Note 244
- ■ 3-2. Quick SysEx Sequencer 246
- ■ Address block map 246
- 4. Supplementary material 247
- ❍ Equal temperament 248
- ❍ Arabian-type scale 248
- MIDI Implementation Chart 249
- Main Specifications 251
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