Roland MC-505 Owner's Manual Page 199
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Rhythm Group
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
P:17 Funk
TR707 Kick 2
West Kick
Lo-Fi Rim
Deep Snare
Funky Clap
Disco Snare
TR707 Tom
Tight CHH
TR707 Tom
Hip PHH
TR707 Tom
Funk OHH
Hazy Kick
Turbo Kick
SideStiker
Whack Snare
Funk Clap 2
Macho Snare
TR909 Tom
Real CHH
TR909 Tom
Pedal Hat 1
TR909 Tom
Cym OHH
TR909 Tom
TR909 Tom
NaturalCrash
TR909 Tom
TR909 Ride
TR909 Crash
Cup Cym
CR78 Tamb
TR909 Crash
TR707Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
808 Maracas
Scratch BD f
Scratch BD r
Scratch SD f
Scratch SD r
Scratch ALT
Vinyl Stop
Vinyl Noise
Philly Hit
Brass Fall
Kick it!
Harmo Gtr
Big Clap
Plastic BD 2
TR909 Kick 5
DanceHall SD
Machine Snr
P:18 Electro
TR808 Kick 1
TR808 Kick 5
TR808 RimLng
TR808 Snr 8
Down Clap
TR808 Snr 5
TR808 Tom
TR808 CHH 1
TR808 Tom
TR808 PHH 1
TR808 Tom
TR808 OHH 1
Ele Kick
TR707 Kick 2
TR707 Rim
ElectroSnr 2
TR707 Clap
Sim Snare
Deep Tom
Closed Hat
Deep Tom
Pedal Hat 1
Deep Tom
Open Hat
Deep Tom
Deep Tom
TR909 Crash
Deep Tom
TR707 Ride
NaturalCrash
Asian Gong
Tambourine 2
TR909 Crash
TR808Cowbell
TR606 Cym 1
TR727Quijada
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
808 Maracas
Air Blip
Thin Beef
Back Hit
Analog Bird
Hoo
Metal Sweep
Emergency
Buzzer
Tonality
Ring Osc
Toy Gun 3
Hip Clap
Plastic BD 1
Lo-Fi Kick 1
Synth Snare
TR808 Snr 6
P:19 Jazz
Lo-Fi Kick 1
Hip Kick
SideStiker
Deep Snare
Real Clap 1
HH Soul Snr
Natural Tom
Real CHH
Natural Tom
Pedal Hat 1
Natural Tom
Real OHH
Optic Kick
Video Kick
Gate Rim
Headz Snare
Big Clap
Cross Snare
TR707 Tom
Closed Hat
TR707 Tom
Bristol CHH
TR707 Tom
Cym OHH
TR707 Tom
TR707 Tom
NaturalCrash
TR707 Tom
TR909 Ride
NaturalCrash
Cup Cym
Tambourine 2
TR909 Crash
Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
Maracas
TR727Quijada
Jingle Bell
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
Hyoshigi
Mute Cuica
Open Cuica
Triangle 1
Triangle 1
Finger Snap
TR808 Kick 1
TR909 Kick 1
R8 BrshSwill
R8 Brush Tap
P:20 Brush
Video Kick
West Kick
Natural Rim
R&B Snare
Brush Slap 1
MC Snare
TR707 Tom
Pop CHH
TR707 Tom
Room CHH
TR707 Tom
Pop Hat Open
Hip Kick
Optic Kick
R8 BrshSwill
R8 Brush Tap
Brush Slap 2
R8 BrushRoll
Natural Tom
R8 Brush CHH
Natural Tom
Pedal Hat 1
Natural Tom
R8 OHH
Natural Tom
Natural Tom
NaturalCrash
Natural Tom
TR909 Ride
NaturalCrash
Cup Cym
Tambourine 2
TR606 Cym 1
Cowbell
TR909 Crash
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
Maracas
Whistle
Whistle
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
Hyoshigi
Mute Cuica
Open Cuica
Triangle 1
Triangle 1
Real Clap 1
TR909 Kick 2
TR707 Kick 1
Real Snare
Deep Snare
200
35
39
40
41
43
45
47
42
44
46
36
38
37
87
88
84
86
85
51
52
53
55
57
59
54
56
58
48
50
49
63
64
65
67
69
71
66
68
70
60
62
61
75
76
77
79
81
83
78
80
82
72
74
73
C2
C3
C4
C5
C6
Note No.
89
91
93
95
90
92
94
96
98
97
C7
- Owner's Manual 1
- Contents 3
- Chapter 4. Applying Effects 4
- Chapter 6. Using the Keyboard 5
- Chapter 10. Recording 6
- Front and Rear Panels 9
- CATEGORY 10
- PORTAMENTO 10
- PRESET USER CARD 10
- Rear Panel 11
- Important Notes 12
- How the MC-505 Is Organized 13
- About the Sound Generator 13
- Rhythm Set 14
- About the Sequencer 15
- About Memory 15
- Basic Operation 16
- PARAM COPY 17
- Chapter 2. Playing Patterns 18
- Adjusting the Tempo 19
- Muting Patterns 20
- Transposing During Playback 21
- (Real-Time Transpose) 21
- Play Sounds 21
- Selecting Sounds (Patch) 22
- Using the Part Mixer to 23
- Modify Pattern Settings 23
- Specifying the Output 24
- Destination for Musical Data 24
- (Sequencer Output Assign) 24
- Saving Patterns YouÕve 25
- Modified (Pattern Write) 25
- Using the Knobs to Modify 27
- (Real-Time Modify) 27
- (MIDI Update) 29
- Selecting Patterns from the 30
- Keyboard Pads (Pattern Set) 30
- Saving a Pattern Set That Was 31
- Modified (Pattern Set Write) 31
- INITIALIZE 31
- Creating an Original Patch 32
- Changing the Basic 33
- Waveform of the Sound 33
- (Wave/FXM) 33
- Making More Detailed Settings 34
- COARSE TUNE 35
- Key Follow (Pitch Key Follow) 36
- Sensitivity) 37
- Key on Key off 38
- TONE PAN 40
- Cutoff frequency 41
- (Octave) 41
- Level1=Level2=127 42
- Level4=0 42
- REALTIME ERASE 43
- Adjusting the Volume and 44
- Pan (Amplifier) 44
- TONE1TONE2 46
- Piano Organ 47
- Applying Cyclic Changes to 49
- Adjusting the Speed of 50
- Modulation (LFO1 Rate) 50
- Adjusting the Depth of 50
- Modulation (LFO1 Depth) 50
- Common Settings 53
- Playing Monophonically 57
- (Solo Switch) 57
- (SOLO/PORTA Section) 57
- Specifying the Parameters 58
- That Will Be Modified by 58
- Each Controller (Control) 58
- Saving Patches YouÕve 60
- Created (Patch Write) 60
- Patch Tone Copy 61
- Patch Initialize 61
- Creating an Original 62
- Changing the Pitch of the 63
- Sound (Pitch) 63
- Fine Pitch Adjustments 64
- (Fine Tune) 64
- Level1=Level2=+63 65
- F-ENV: ENV Depth 69
- C#4( 61) +63 69
- R.TONE Dly Level 76
- (Rhythm Tone Delay Level) 76
- R.TONE EFX/Out (Rhythm Tone 76
- EFX/Output Assign) 76
- Saving Rhythm Sets YouÕve 77
- Created (Rhythm Set Write) 77
- REVERB DELAY EFX 78
- REVERB LEVEL 79
- EFX REVERB LEVEL 80
- REVERB TIME 80
- EFX DELAY LEVEL 81
- FEEDBACK 81
- DELAY TIME 81
- Adjusting the Delay Interval 82
- (Delay Time) 82
- Adjusting the Number of 82
- Repeats (Feedback Level) 82
- R1234567 Current Part 83
- MIX OUT MIX OUT MIX OUT 84
- General Purpose Multi-Effects 85
- Selecting the Type (EFX Type) 85
- 4-BAND-EQ 86
- SPECTRUM 87
- OVERDRIVE 88
- ENHANCER 88
- DISTORTION 89
- N Filter 90
- Lo-Fi Level 90
- Noise Level 90
- Output Level 90
- PHONOGRAPH 91
- RADIO-TUNG 91
- COMPRESSOR 92
- Timing PTN 93
- Accent PTN 93
- TETRA-CHORS 96
- Feedback 97
- ST-FLANGER 98
- SHORT-DELAY 99
- AUTO-PAN 100
- FB-P-SHIFT 101
- GATE-REVERB 102
- (EFX ON) 103
- (EFX OFF) 103
- Playing an Arpeggio 104
- Creating an Arpeggio 104
- ACCENT RATE 105
- Saving Arpeggio Settings 107
- That You Have Modified 107
- (Arpeggio Write) 107
- Using the Keyboard Pads to 108
- Play Back Phrases 108
- Assigning a Phrase to a 109
- Keyboard Pad 109
- Making Settings for Each 110
- Saving the Phrases You 111
- Assigned (RPS Set Write) 111
- Selecting Parts to Use with 112
- Play Quantize 112
- Correcting Inaccuracies in 112
- Giving Swing to the Rhythm 113
- (Shuffle Quantize) 113
- VELOCITY 113
- Giving a Groove to the 114
- Rhythm (Groove Quantize) 114
- Template velocity 116
- Template timing 116
- Selecting a Distant Pattern 119
- Saving the Exchanged 119
- Using the DBeam Controller 120
- How Each Type Will Function 120
- D BEAM CONTROLLER 120
- 28:Adlib2 (Ad-Lib 2) 125
- Recording Your Playing As 126
- You Perform 126
- (Real-Time Recording) 126
- Recording begins 128
- Count in: 2 (4/4 time) 128
- Metronome 128
- Part Level 129
- MUTE CTRL 130
- Part Pan 130
- Erasing Unwanted Data While 131
- You Record (Real-Time Erase) 131
- Recording Notes One at a 132
- Time (Step Recording) 132
- 80% 80% 80% 80% 105% 80% 135
- 1 2 3 4 5 6 7 8 9 10 11 12 136
- C4 C4 C4 C4 137
- Note Velocity Gate Time Ratio 138
- CURRENT NEXT 139
- CURRENT NEXT CURRENT NEXT 139
- Musical Data Handled in 140
- Microscope Mode 140
- Data (Change Event) 141
- Checking the Remaining 143
- Amount of Memory 143
- (Memory Information) 143
- Temp (Temporary) 144
- User (User Memory) 144
- Card (Card Memory) 144
- Copying a Portion of a 145
- Pattern (Copy) 145
- Erasing Unwanted Data 146
- Deleting Unwanted 147
- Measures (Delete Measure) 147
- Inserting Blank Measures 148
- (Insert Measure) 148
- Transposing the Pitch 149
- (Transpose) 149
- Modifying the Strength of 149
- Notes (Change Velocity) 149
- Modifying the Note Length 150
- (Change Gate Time) 150
- Shifting the Timing Slightly 150
- (Shift Clock) 150
- Thinning Out Unneeded Data 151
- (Data Thin) 151
- Using Play Quantize Settings 152
- (Edit Quantize) 152
- Converting the Note Timing 152
- Playing Back a Song 153
- Recording a Song 154
- Saving a Song That You 154
- Recorded (Song Write) 154
- Copying a Song (Song Copy) 156
- Inserting a Pattern 157
- (Insert Pattern) 157
- Deleting Unwanted Patterns 157
- How a Memory Card Can Be 158
- Before Using a New Card 158
- (Format) 158
- Saving All Internal Settings 159
- Restoring the Saved Settings 159
- Back to Internal Memory 159
- (Backup Load) 159
- Deleting the Backup File 160
- Duplicating a Card 160
- (Card Duplicate) 160
- Card protector 161
- Tuning and Sound Generator 162
- Related Settings 162
- Controller-Related Settings 163
- RESONANCE 163
- Sequencer-Related Settings 165
- MIDI-Related Settings 167
- Type of Message 169
- Taking Advantage of MIDI 170
- Local Tx Sw 171
- MIDI Rx Sw 171
- Sequencer Output Assign 171
- Upper ArpeggioLower RPS 172
- MIDI IN MIDI OUT 173
- MIDI IN1 MIDI OUT1 173
- MIDI IN2MIDI OUT2 173
- MIDI INMIDI OUT 173
- Generator from the MC-505 174
- Synchronizing to an External 176
- Sequencer 176
- Synchronizing Two MC-505 to 176
- Each Other 176
- Saving Pattern and Patch 177
- Data on an External 177
- Sequencer (Bulk Dump) 177
- Tips for Creating Sounds 178
- TONE LEVEL 179
- TONE PANFINE TUNE 179
- FINE TUNE 179
- Synth Strings 181
- Troubleshooting 185
- Error Message List 187
- Waveform List 189
- Preset Patch List 191
- Bank Select table 194
- Patch transmit example 194
- Rhythm Set transmit example 194
- Preset Rhythm Set List 195
- Rhythm Group 196
- P:05 Techno 1 196
- P:06 Techno 2 196
- P:07 Techno 3 196
- P:08 Hardcore 196
- P:09 Ambient 197
- P:10 House 1 197
- P:11 House 2 197
- P:12 Jungle 197
- P:13 Drum’n’Bass1 198
- P:14 Drum’n’Bass2 198
- P:15 Hip-Hop 1 198
- P:16 Hip-Hop 2 198
- P:17 Funk 199
- P:18 Electro 199
- P:19 Jazz 199
- P:20 Brush 199
- P:21 Disco 200
- P:22 Ragga 200
- P:23 Rock 200
- P:24 Industrial 200
- P:25 Ethnic 201
- P:26 Reverse 201
- Preset Pattern List 202
- Drum’n’Bass 204
- RPS Pattern List 207
- RPS Bass Pattern (Used Part1) 208
- RPS Hit (Used Part1) 214
- RPS Set List 215
- U:28 Reggae 2 (BPM=155) 218
- U:29 Salsa (BPM=110) 218
- U:30 Samba (BPM=125) 218
- Parameter List 219
- Rhythm Set Parameters 223
- Setup Parameters 224
- Arpeggiator Parameters 230
- Play Quantize Parameters 230
- System Parameters 231
- Transmit/Receive Setting List 232
- MIDI Implementation 233
- ■ Channel Mode messages 234
- ■ System Realtime messages 235
- ■ System Exclusive messages 235
- ■ Channel voice messages 236
- 3. Parameter address map 238
- 1.MC-505 (Model ID=00H 0BH) 238
- ■ 1-2-1.Part Info Common 239
- ■ 1-2-2.Part Info Part 241
- ■ 1-3.Patch 241
- ■ 1-3-1.Patch Common 241
- ■ 1-3-2.Patch Tone 242
- ■ 1-4.Rhythm Setup 243
- ■ 1-4-1.Rhythm Common 244
- ■ 1-4-2.Rhythm Note 244
- ■ 3-2. Quick SysEx Sequencer 246
- ■ Address block map 246
- 4. Supplementary material 247
- ❍ Equal temperament 248
- ❍ Arabian-type scale 248
- MIDI Implementation Chart 249
- Main Specifications 251
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