Roland MC-505 Owner's Manual Page 169
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- Table of contents
- TROUBLESHOOTING
- BOOKMARKS
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* With MODE1, some control changes will be automatical-
ly converted to a system exclusive message for transmis-
sion. Also, when such a converted exclusive message is
received, it will automatically be converted to a control
change inside the MC-505.
* With MODE2, knobs and sliders will transmit and
receive MIDI messages in a way that differs from the offi-
cial MIDI specification. Be aware that MODE2 is a non-
standard use of MIDI.
If you would like to know the control number
assignments for each knob/slider in MODE1
and MODE2...
☞ ÒTransmit/Receive Setting ListÓ (p. 233)
* If you want the MC-505 to receive MIDI messages that
were transmitted from the knobs/sliders to an external
device (and then re-transmitted back to the MC-505), you
must select the same Edit Transmit/Receive Mode with
which the data was originally transmitted. If this setting
is different, MIDI messages will not be received correctly.
* [WAVE SELECT] data will not be transmitted, regard-
less of the mode.
Reception Settings for Each Type
of Message
Rx.PG (Receive Program Change
Switch)
Specifies whether or not each part will receive pro-
gram changes.
Range: OFF, ON
When this is ÒOFF,Ó program changes will not be
received.
Rx.Bank Sel (Receive Bank Select
Switch)
Specifies whether or not each part will receive bank
select messages.
Range: OFF, ON
When this is ÒOFF,Ó bank select messages will not be
received.
Rx.Sys-Ex (Receive System Exclusive
Switch)
Specifies whether or not each part will receive system
exclusive messages.
Range: OFF, ON
When this setting is ÒOFF,Ó system exclusive messages
will not be received.
Transmission Settings for Each
Type of Message
Tx.PG (Transmit Program Change
Switch)
Specifies whether or not program changes will be
transmitted from MIDI OUT when the patch of each
part is changed.
Range: OFF, ON
When this setting is ÒOFF,Ó program changes will not
be transmitted.
Tx.Bank Sel (Transmit Bank Select
Switch)
Specifies whether or not bank select messages will be
transmitted from MIDI OUT when the patch of each
part is changed.
Range: OFF, ON
When this setting is ÒOFF,Ó bank select messages will
not be transmitted.
Tx.A-Sens (Transmit Active Sensing
Switch)
Specifies whether or not Active Sensing messages will
be transmitted from MIDI OUT.
Range: OFF, ON
When this setting is ÒOFF,Ó these messages will not be
transmitted.
170
Chapter 15. Configuration (System)
5
- Owner's Manual 1
- Contents 3
- Chapter 4. Applying Effects 4
- Chapter 6. Using the Keyboard 5
- Chapter 10. Recording 6
- Front and Rear Panels 9
- CATEGORY 10
- PORTAMENTO 10
- PRESET USER CARD 10
- Rear Panel 11
- Important Notes 12
- How the MC-505 Is Organized 13
- About the Sound Generator 13
- Rhythm Set 14
- About the Sequencer 15
- About Memory 15
- Basic Operation 16
- PARAM COPY 17
- Chapter 2. Playing Patterns 18
- Adjusting the Tempo 19
- Muting Patterns 20
- Transposing During Playback 21
- (Real-Time Transpose) 21
- Play Sounds 21
- Selecting Sounds (Patch) 22
- Using the Part Mixer to 23
- Modify Pattern Settings 23
- Specifying the Output 24
- Destination for Musical Data 24
- (Sequencer Output Assign) 24
- Saving Patterns YouÕve 25
- Modified (Pattern Write) 25
- Using the Knobs to Modify 27
- (Real-Time Modify) 27
- (MIDI Update) 29
- Selecting Patterns from the 30
- Keyboard Pads (Pattern Set) 30
- Saving a Pattern Set That Was 31
- Modified (Pattern Set Write) 31
- INITIALIZE 31
- Creating an Original Patch 32
- Changing the Basic 33
- Waveform of the Sound 33
- (Wave/FXM) 33
- Making More Detailed Settings 34
- COARSE TUNE 35
- Key Follow (Pitch Key Follow) 36
- Sensitivity) 37
- Key on Key off 38
- TONE PAN 40
- Cutoff frequency 41
- (Octave) 41
- Level1=Level2=127 42
- Level4=0 42
- REALTIME ERASE 43
- Adjusting the Volume and 44
- Pan (Amplifier) 44
- TONE1TONE2 46
- Piano Organ 47
- Applying Cyclic Changes to 49
- Adjusting the Speed of 50
- Modulation (LFO1 Rate) 50
- Adjusting the Depth of 50
- Modulation (LFO1 Depth) 50
- Common Settings 53
- Playing Monophonically 57
- (Solo Switch) 57
- (SOLO/PORTA Section) 57
- Specifying the Parameters 58
- That Will Be Modified by 58
- Each Controller (Control) 58
- Saving Patches YouÕve 60
- Created (Patch Write) 60
- Patch Tone Copy 61
- Patch Initialize 61
- Creating an Original 62
- Changing the Pitch of the 63
- Sound (Pitch) 63
- Fine Pitch Adjustments 64
- (Fine Tune) 64
- Level1=Level2=+63 65
- F-ENV: ENV Depth 69
- C#4( 61) +63 69
- R.TONE Dly Level 76
- (Rhythm Tone Delay Level) 76
- R.TONE EFX/Out (Rhythm Tone 76
- EFX/Output Assign) 76
- Saving Rhythm Sets YouÕve 77
- Created (Rhythm Set Write) 77
- REVERB DELAY EFX 78
- REVERB LEVEL 79
- EFX REVERB LEVEL 80
- REVERB TIME 80
- EFX DELAY LEVEL 81
- FEEDBACK 81
- DELAY TIME 81
- Adjusting the Delay Interval 82
- (Delay Time) 82
- Adjusting the Number of 82
- Repeats (Feedback Level) 82
- R1234567 Current Part 83
- MIX OUT MIX OUT MIX OUT 84
- General Purpose Multi-Effects 85
- Selecting the Type (EFX Type) 85
- 4-BAND-EQ 86
- SPECTRUM 87
- OVERDRIVE 88
- ENHANCER 88
- DISTORTION 89
- N Filter 90
- Lo-Fi Level 90
- Noise Level 90
- Output Level 90
- PHONOGRAPH 91
- RADIO-TUNG 91
- COMPRESSOR 92
- Timing PTN 93
- Accent PTN 93
- TETRA-CHORS 96
- Feedback 97
- ST-FLANGER 98
- SHORT-DELAY 99
- AUTO-PAN 100
- FB-P-SHIFT 101
- GATE-REVERB 102
- (EFX ON) 103
- (EFX OFF) 103
- Playing an Arpeggio 104
- Creating an Arpeggio 104
- ACCENT RATE 105
- Saving Arpeggio Settings 107
- That You Have Modified 107
- (Arpeggio Write) 107
- Using the Keyboard Pads to 108
- Play Back Phrases 108
- Assigning a Phrase to a 109
- Keyboard Pad 109
- Making Settings for Each 110
- Saving the Phrases You 111
- Assigned (RPS Set Write) 111
- Selecting Parts to Use with 112
- Play Quantize 112
- Correcting Inaccuracies in 112
- Giving Swing to the Rhythm 113
- (Shuffle Quantize) 113
- VELOCITY 113
- Giving a Groove to the 114
- Rhythm (Groove Quantize) 114
- Template velocity 116
- Template timing 116
- Selecting a Distant Pattern 119
- Saving the Exchanged 119
- Using the DBeam Controller 120
- How Each Type Will Function 120
- D BEAM CONTROLLER 120
- 28:Adlib2 (Ad-Lib 2) 125
- Recording Your Playing As 126
- You Perform 126
- (Real-Time Recording) 126
- Recording begins 128
- Count in: 2 (4/4 time) 128
- Metronome 128
- Part Level 129
- MUTE CTRL 130
- Part Pan 130
- Erasing Unwanted Data While 131
- You Record (Real-Time Erase) 131
- Recording Notes One at a 132
- Time (Step Recording) 132
- 80% 80% 80% 80% 105% 80% 135
- 1 2 3 4 5 6 7 8 9 10 11 12 136
- C4 C4 C4 C4 137
- Note Velocity Gate Time Ratio 138
- CURRENT NEXT 139
- CURRENT NEXT CURRENT NEXT 139
- Musical Data Handled in 140
- Microscope Mode 140
- Data (Change Event) 141
- Checking the Remaining 143
- Amount of Memory 143
- (Memory Information) 143
- Temp (Temporary) 144
- User (User Memory) 144
- Card (Card Memory) 144
- Copying a Portion of a 145
- Pattern (Copy) 145
- Erasing Unwanted Data 146
- Deleting Unwanted 147
- Measures (Delete Measure) 147
- Inserting Blank Measures 148
- (Insert Measure) 148
- Transposing the Pitch 149
- (Transpose) 149
- Modifying the Strength of 149
- Notes (Change Velocity) 149
- Modifying the Note Length 150
- (Change Gate Time) 150
- Shifting the Timing Slightly 150
- (Shift Clock) 150
- Thinning Out Unneeded Data 151
- (Data Thin) 151
- Using Play Quantize Settings 152
- (Edit Quantize) 152
- Converting the Note Timing 152
- Playing Back a Song 153
- Recording a Song 154
- Saving a Song That You 154
- Recorded (Song Write) 154
- Copying a Song (Song Copy) 156
- Inserting a Pattern 157
- (Insert Pattern) 157
- Deleting Unwanted Patterns 157
- How a Memory Card Can Be 158
- Before Using a New Card 158
- (Format) 158
- Saving All Internal Settings 159
- Restoring the Saved Settings 159
- Back to Internal Memory 159
- (Backup Load) 159
- Deleting the Backup File 160
- Duplicating a Card 160
- (Card Duplicate) 160
- Card protector 161
- Tuning and Sound Generator 162
- Related Settings 162
- Controller-Related Settings 163
- RESONANCE 163
- Sequencer-Related Settings 165
- MIDI-Related Settings 167
- Type of Message 169
- Taking Advantage of MIDI 170
- Local Tx Sw 171
- MIDI Rx Sw 171
- Sequencer Output Assign 171
- Upper ArpeggioLower RPS 172
- MIDI IN MIDI OUT 173
- MIDI IN1 MIDI OUT1 173
- MIDI IN2MIDI OUT2 173
- MIDI INMIDI OUT 173
- Generator from the MC-505 174
- Synchronizing to an External 176
- Sequencer 176
- Synchronizing Two MC-505 to 176
- Each Other 176
- Saving Pattern and Patch 177
- Data on an External 177
- Sequencer (Bulk Dump) 177
- Tips for Creating Sounds 178
- TONE LEVEL 179
- TONE PANFINE TUNE 179
- FINE TUNE 179
- Synth Strings 181
- Troubleshooting 185
- Error Message List 187
- Waveform List 189
- Preset Patch List 191
- Bank Select table 194
- Patch transmit example 194
- Rhythm Set transmit example 194
- Preset Rhythm Set List 195
- Rhythm Group 196
- P:05 Techno 1 196
- P:06 Techno 2 196
- P:07 Techno 3 196
- P:08 Hardcore 196
- P:09 Ambient 197
- P:10 House 1 197
- P:11 House 2 197
- P:12 Jungle 197
- P:13 Drum’n’Bass1 198
- P:14 Drum’n’Bass2 198
- P:15 Hip-Hop 1 198
- P:16 Hip-Hop 2 198
- P:17 Funk 199
- P:18 Electro 199
- P:19 Jazz 199
- P:20 Brush 199
- P:21 Disco 200
- P:22 Ragga 200
- P:23 Rock 200
- P:24 Industrial 200
- P:25 Ethnic 201
- P:26 Reverse 201
- Preset Pattern List 202
- Drum’n’Bass 204
- RPS Pattern List 207
- RPS Bass Pattern (Used Part1) 208
- RPS Hit (Used Part1) 214
- RPS Set List 215
- U:28 Reggae 2 (BPM=155) 218
- U:29 Salsa (BPM=110) 218
- U:30 Samba (BPM=125) 218
- Parameter List 219
- Rhythm Set Parameters 223
- Setup Parameters 224
- Arpeggiator Parameters 230
- Play Quantize Parameters 230
- System Parameters 231
- Transmit/Receive Setting List 232
- MIDI Implementation 233
- ■ Channel Mode messages 234
- ■ System Realtime messages 235
- ■ System Exclusive messages 235
- ■ Channel voice messages 236
- 3. Parameter address map 238
- 1.MC-505 (Model ID=00H 0BH) 238
- ■ 1-2-1.Part Info Common 239
- ■ 1-2-2.Part Info Part 241
- ■ 1-3.Patch 241
- ■ 1-3-1.Patch Common 241
- ■ 1-3-2.Patch Tone 242
- ■ 1-4.Rhythm Setup 243
- ■ 1-4-1.Rhythm Common 244
- ■ 1-4-2.Rhythm Note 244
- ■ 3-2. Quick SysEx Sequencer 246
- ■ Address block map 246
- 4. Supplementary material 247
- ❍ Equal temperament 248
- ❍ Arabian-type scale 248
- MIDI Implementation Chart 249
- Main Specifications 251
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