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Roland MC-505 Owner's Manual Page 181
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Synth Strings
LetÕs create a Synth Strings sound of the type often used as backing. Rather than playing individual, let's play
chords so that you can hear the sound as you make these settings.
fig.17-2
182
Chapter 16. Advanced Applications
6
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Owner's Manual
1
Contents
3
Chapter 4. Applying Effects
4
Chapter 6. Using the Keyboard
5
Chapter 10. Recording
6
Front and Rear Panels
9
CATEGORY
10
PORTAMENTO
10
PRESET USER CARD
10
Rear Panel
11
Important Notes
12
How the MC-505 Is Organized
13
About the Sound Generator
13
Rhythm Set
14
About the Sequencer
15
About Memory
15
Basic Operation
16
PARAM COPY
17
Chapter 2. Playing Patterns
18
Adjusting the Tempo
19
Muting Patterns
20
Transposing During Playback
21
(Real-Time Transpose)
21
Play Sounds
21
Selecting Sounds (Patch)
22
Using the Part Mixer to
23
Modify Pattern Settings
23
Specifying the Output
24
Destination for Musical Data
24
(Sequencer Output Assign)
24
Saving Patterns YouÕve
25
Modified (Pattern Write)
25
Using the Knobs to Modify
27
(Real-Time Modify)
27
(MIDI Update)
29
Selecting Patterns from the
30
Keyboard Pads (Pattern Set)
30
Saving a Pattern Set That Was
31
Modified (Pattern Set Write)
31
INITIALIZE
31
Creating an Original Patch
32
Changing the Basic
33
Waveform of the Sound
33
(Wave/FXM)
33
Making More Detailed Settings
34
COARSE TUNE
35
Key Follow (Pitch Key Follow)
36
Sensitivity)
37
Key on Key off
38
TONE PAN
40
Cutoff frequency
41
(Octave)
41
Level1=Level2=127
42
Level4=0
42
REALTIME ERASE
43
Adjusting the Volume and
44
Pan (Amplifier)
44
TONE1TONE2
46
Piano Organ
47
Applying Cyclic Changes to
49
Adjusting the Speed of
50
Modulation (LFO1 Rate)
50
Adjusting the Depth of
50
Modulation (LFO1 Depth)
50
Common Settings
53
Playing Monophonically
57
(Solo Switch)
57
(SOLO/PORTA Section)
57
Specifying the Parameters
58
That Will Be Modified by
58
Each Controller (Control)
58
Saving Patches YouÕve
60
Created (Patch Write)
60
Patch Tone Copy
61
Patch Initialize
61
Creating an Original
62
Changing the Pitch of the
63
Sound (Pitch)
63
Fine Pitch Adjustments
64
(Fine Tune)
64
Level1=Level2=+63
65
F-ENV: ENV Depth
69
C#4( 61) +63
69
R.TONE Dly Level
76
(Rhythm Tone Delay Level)
76
R.TONE EFX/Out (Rhythm Tone
76
EFX/Output Assign)
76
Saving Rhythm Sets YouÕve
77
Created (Rhythm Set Write)
77
REVERB DELAY EFX
78
REVERB LEVEL
79
EFX REVERB LEVEL
80
REVERB TIME
80
EFX DELAY LEVEL
81
FEEDBACK
81
DELAY TIME
81
Adjusting the Delay Interval
82
(Delay Time)
82
Adjusting the Number of
82
Repeats (Feedback Level)
82
R1234567 Current Part
83
MIX OUT MIX OUT MIX OUT
84
General Purpose Multi-Effects
85
Selecting the Type (EFX Type)
85
4-BAND-EQ
86
SPECTRUM
87
OVERDRIVE
88
ENHANCER
88
DISTORTION
89
N Filter
90
Lo-Fi Level
90
Noise Level
90
Output Level
90
PHONOGRAPH
91
RADIO-TUNG
91
COMPRESSOR
92
Timing PTN
93
Accent PTN
93
TETRA-CHORS
96
Feedback
97
ST-FLANGER
98
SHORT-DELAY
99
AUTO-PAN
100
FB-P-SHIFT
101
GATE-REVERB
102
(EFX ON)
103
(EFX OFF)
103
Playing an Arpeggio
104
Creating an Arpeggio
104
ACCENT RATE
105
Saving Arpeggio Settings
107
That You Have Modified
107
(Arpeggio Write)
107
Using the Keyboard Pads to
108
Play Back Phrases
108
Assigning a Phrase to a
109
Keyboard Pad
109
Making Settings for Each
110
Saving the Phrases You
111
Assigned (RPS Set Write)
111
Selecting Parts to Use with
112
Play Quantize
112
Correcting Inaccuracies in
112
Giving Swing to the Rhythm
113
(Shuffle Quantize)
113
VELOCITY
113
Giving a Groove to the
114
Rhythm (Groove Quantize)
114
Template velocity
116
Template timing
116
Selecting a Distant Pattern
119
Saving the Exchanged
119
Using the DBeam Controller
120
How Each Type Will Function
120
D BEAM CONTROLLER
120
28:Adlib2 (Ad-Lib 2)
125
Recording Your Playing As
126
You Perform
126
(Real-Time Recording)
126
Recording begins
128
Count in: 2 (4/4 time)
128
Metronome
128
Part Level
129
MUTE CTRL
130
Part Pan
130
Erasing Unwanted Data While
131
You Record (Real-Time Erase)
131
Recording Notes One at a
132
Time (Step Recording)
132
80% 80% 80% 80% 105% 80%
135
1 2 3 4 5 6 7 8 9 10 11 12
136
C4 C4 C4 C4
137
Note Velocity Gate Time Ratio
138
CURRENT NEXT
139
CURRENT NEXT CURRENT NEXT
139
Musical Data Handled in
140
Microscope Mode
140
Data (Change Event)
141
Checking the Remaining
143
Amount of Memory
143
(Memory Information)
143
Temp (Temporary)
144
User (User Memory)
144
Card (Card Memory)
144
Copying a Portion of a
145
Pattern (Copy)
145
Erasing Unwanted Data
146
Deleting Unwanted
147
Measures (Delete Measure)
147
Inserting Blank Measures
148
(Insert Measure)
148
Transposing the Pitch
149
(Transpose)
149
Modifying the Strength of
149
Notes (Change Velocity)
149
Modifying the Note Length
150
(Change Gate Time)
150
Shifting the Timing Slightly
150
(Shift Clock)
150
Thinning Out Unneeded Data
151
(Data Thin)
151
Using Play Quantize Settings
152
(Edit Quantize)
152
Converting the Note Timing
152
Playing Back a Song
153
Recording a Song
154
Saving a Song That You
154
Recorded (Song Write)
154
Copying a Song (Song Copy)
156
Inserting a Pattern
157
(Insert Pattern)
157
Deleting Unwanted Patterns
157
How a Memory Card Can Be
158
Before Using a New Card
158
(Format)
158
Saving All Internal Settings
159
Restoring the Saved Settings
159
Back to Internal Memory
159
(Backup Load)
159
Deleting the Backup File
160
Duplicating a Card
160
(Card Duplicate)
160
Card protector
161
Tuning and Sound Generator
162
Related Settings
162
Controller-Related Settings
163
RESONANCE
163
Sequencer-Related Settings
165
MIDI-Related Settings
167
Type of Message
169
Taking Advantage of MIDI
170
Local Tx Sw
171
MIDI Rx Sw
171
Sequencer Output Assign
171
Upper ArpeggioLower RPS
172
MIDI IN MIDI OUT
173
MIDI IN1 MIDI OUT1
173
MIDI IN2MIDI OUT2
173
MIDI INMIDI OUT
173
Generator from the MC-505
174
Synchronizing to an External
176
Sequencer
176
Synchronizing Two MC-505 to
176
Each Other
176
Saving Pattern and Patch
177
Data on an External
177
Sequencer (Bulk Dump)
177
Tips for Creating Sounds
178
TONE LEVEL
179
TONE PANFINE TUNE
179
FINE TUNE
179
Synth Strings
181
Troubleshooting
185
Error Message List
187
Waveform List
189
Preset Patch List
191
Bank Select table
194
Patch transmit example
194
Rhythm Set transmit example
194
Preset Rhythm Set List
195
Rhythm Group
196
P:05 Techno 1
196
P:06 Techno 2
196
P:07 Techno 3
196
P:08 Hardcore
196
P:09 Ambient
197
P:10 House 1
197
P:11 House 2
197
P:12 Jungle
197
P:13 Drum’n’Bass1
198
P:14 Drum’n’Bass2
198
P:15 Hip-Hop 1
198
P:16 Hip-Hop 2
198
P:17 Funk
199
P:18 Electro
199
P:19 Jazz
199
P:20 Brush
199
P:21 Disco
200
P:22 Ragga
200
P:23 Rock
200
P:24 Industrial
200
P:25 Ethnic
201
P:26 Reverse
201
Preset Pattern List
202
Drum’n’Bass
204
RPS Pattern List
207
RPS Bass Pattern (Used Part1)
208
RPS Hit (Used Part1)
214
RPS Set List
215
U:28 Reggae 2 (BPM=155)
218
U:29 Salsa (BPM=110)
218
U:30 Samba (BPM=125)
218
Parameter List
219
Rhythm Set Parameters
223
Setup Parameters
224
Arpeggiator Parameters
230
Play Quantize Parameters
230
System Parameters
231
Transmit/Receive Setting List
232
MIDI Implementation
233
■ Channel Mode messages
234
■ System Realtime messages
235
■ System Exclusive messages
235
■ Channel voice messages
236
3. Parameter address map
238
1.MC-505 (Model ID=00H 0BH)
238
■ 1-2-1.Part Info Common
239
■ 1-2-2.Part Info Part
241
■ 1-3.Patch
241
■ 1-3-1.Patch Common
241
■ 1-3-2.Patch Tone
242
■ 1-4.Rhythm Setup
243
■ 1-4-1.Rhythm Common
244
■ 1-4-2.Rhythm Note
244
■ 3-2. Quick SysEx Sequencer
246
■ Address block map
246
4. Supplementary material
247
❍ Equal temperament
248
❍ Arabian-type scale
248
MIDI Implementation Chart
249
Main Specifications
251
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