Roland MC-505 Owner's Manual Page 191
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- Table of contents
- TROUBLESHOOTING
- BOOKMARKS
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001: Lead TB 1
002: Dist TB 1
003: Dist Sqr TB
004: Dist TB 2
005: Dist TB 3
006: TB + Voco
007: Dist TB 4
008: Lead TB 2
009: Devil TB
010: Dual TB
011: HiLo303ModSw
012: Arpness TB
013: Acid Line
014: Dist TB 5
015: Lead TB 3
016: Lead TB 4
017: TB Tra Bass
018: Acid TB
019: Psyche-TB
020: TB + Sine
021: Hi-Pass TB
022: Moog Saw
023: OB Saw
024: MG Lead
025: Poly Key
026: Synth Pulse
027: Dual Profs
028: Axe of 80
029: MG Square
030: Square Lead1
031: Square Lead2
032: Square Lead3
033: Lucky
034: Synth Lead 1
035: Moon Lead
036: Rezo SynLead
037: Wspy Synth
038: Enorjizor
039: JP8 Sprang
040: PortaSynLead
041: Wah Lead
042: Beep Mod
043: Dist Lead 1
044: Freaky Fry
045: JU2 SubOsc 1
046: JU2 SubOsc 2
047: Froggy
048: Synth Lead 2
049: Singin’ MINI
050: Plastic Tone
051: SinusoidRave
052: Sine Me Up
053: Spooky Sine
054: Sine Tone
055: D50 Saw Lead
056: Dst Syn Lead
057: Big Up Massv
058: Warm SawLead
059: Hartnoll Era
060: Skegness 97
061: Simply June
062: The Brothers
063: Dist Lead 2
064: Dark SawLead
065: Dist Lead 3
066: Mosquito
067: Phazyn Vox
068: Voc Saw
069: VT Vox
070: Pure Voice
071: Robo Vox
072: Hallucinate
073: Seq.Synth
074: Analog Seq
075: Ana Punch
076: Atom Brain
077: Fooled MC
078: 101 Bass 1
079: House Bass
080: 101 Bass 2
081: 202 Bass
082: Psycho Funk
083: Talking Line
084: Inside Bass
085: Bubble Bass
086: Bass Bleep
087: Wiggle Bass
088: Twist Bass
089: Octa Bass
090: BT’s Sticky
091: MG Bass
092: FM Super Bs
093: Solid Bass
094: T Nite Bass
095: Front 505
096: Def Bass 1
097: Def Bass 2
098: Sine Bass 1
099: Sine Bass 2
100: RollModRezBs
101: Gate Me Buzz
102: System Bass
103: Spike Bass
104: Solid Goa
105: Rezo Bass
106: Blip Bass
107: Pizz Bass
108: Voco Bass
109: VoCoRoBo
110: Dust Bass
111: ArtCore Bass
112: NU-NRG Bass
113: TalkBox Bass
114: Incontinence
115: Bari Voice
116: Ac.Bass
117: E.Ac.Bass
118: Acid Jazz Bs
119: Soup’s Bass
120: Fingered Bs
121: FingBsVeloSw
122: PickedBass 1
123: PickedBass 2
124: Fretless Bs
125: Phot Bass
126: Slap Bass
127: R&B B-Slides
128: Syn Stack 1
Preset Patch List
192
Preset A (CC#0 = 81, CC#32 = 0)
No. Name No. Name No. Name
- Owner's Manual 1
- Contents 3
- Chapter 4. Applying Effects 4
- Chapter 6. Using the Keyboard 5
- Chapter 10. Recording 6
- Front and Rear Panels 9
- CATEGORY 10
- PORTAMENTO 10
- PRESET USER CARD 10
- Rear Panel 11
- Important Notes 12
- How the MC-505 Is Organized 13
- About the Sound Generator 13
- Rhythm Set 14
- About the Sequencer 15
- About Memory 15
- Basic Operation 16
- PARAM COPY 17
- Chapter 2. Playing Patterns 18
- Adjusting the Tempo 19
- Muting Patterns 20
- Transposing During Playback 21
- (Real-Time Transpose) 21
- Play Sounds 21
- Selecting Sounds (Patch) 22
- Using the Part Mixer to 23
- Modify Pattern Settings 23
- Specifying the Output 24
- Destination for Musical Data 24
- (Sequencer Output Assign) 24
- Saving Patterns YouÕve 25
- Modified (Pattern Write) 25
- Using the Knobs to Modify 27
- (Real-Time Modify) 27
- (MIDI Update) 29
- Selecting Patterns from the 30
- Keyboard Pads (Pattern Set) 30
- Saving a Pattern Set That Was 31
- Modified (Pattern Set Write) 31
- INITIALIZE 31
- Creating an Original Patch 32
- Changing the Basic 33
- Waveform of the Sound 33
- (Wave/FXM) 33
- Making More Detailed Settings 34
- COARSE TUNE 35
- Key Follow (Pitch Key Follow) 36
- Sensitivity) 37
- Key on Key off 38
- TONE PAN 40
- Cutoff frequency 41
- (Octave) 41
- Level1=Level2=127 42
- Level4=0 42
- REALTIME ERASE 43
- Adjusting the Volume and 44
- Pan (Amplifier) 44
- TONE1TONE2 46
- Piano Organ 47
- Applying Cyclic Changes to 49
- Adjusting the Speed of 50
- Modulation (LFO1 Rate) 50
- Adjusting the Depth of 50
- Modulation (LFO1 Depth) 50
- Common Settings 53
- Playing Monophonically 57
- (Solo Switch) 57
- (SOLO/PORTA Section) 57
- Specifying the Parameters 58
- That Will Be Modified by 58
- Each Controller (Control) 58
- Saving Patches YouÕve 60
- Created (Patch Write) 60
- Patch Tone Copy 61
- Patch Initialize 61
- Creating an Original 62
- Changing the Pitch of the 63
- Sound (Pitch) 63
- Fine Pitch Adjustments 64
- (Fine Tune) 64
- Level1=Level2=+63 65
- F-ENV: ENV Depth 69
- C#4( 61) +63 69
- R.TONE Dly Level 76
- (Rhythm Tone Delay Level) 76
- R.TONE EFX/Out (Rhythm Tone 76
- EFX/Output Assign) 76
- Saving Rhythm Sets YouÕve 77
- Created (Rhythm Set Write) 77
- REVERB DELAY EFX 78
- REVERB LEVEL 79
- EFX REVERB LEVEL 80
- REVERB TIME 80
- EFX DELAY LEVEL 81
- FEEDBACK 81
- DELAY TIME 81
- Adjusting the Delay Interval 82
- (Delay Time) 82
- Adjusting the Number of 82
- Repeats (Feedback Level) 82
- R1234567 Current Part 83
- MIX OUT MIX OUT MIX OUT 84
- General Purpose Multi-Effects 85
- Selecting the Type (EFX Type) 85
- 4-BAND-EQ 86
- SPECTRUM 87
- OVERDRIVE 88
- ENHANCER 88
- DISTORTION 89
- N Filter 90
- Lo-Fi Level 90
- Noise Level 90
- Output Level 90
- PHONOGRAPH 91
- RADIO-TUNG 91
- COMPRESSOR 92
- Timing PTN 93
- Accent PTN 93
- TETRA-CHORS 96
- Feedback 97
- ST-FLANGER 98
- SHORT-DELAY 99
- AUTO-PAN 100
- FB-P-SHIFT 101
- GATE-REVERB 102
- (EFX ON) 103
- (EFX OFF) 103
- Playing an Arpeggio 104
- Creating an Arpeggio 104
- ACCENT RATE 105
- Saving Arpeggio Settings 107
- That You Have Modified 107
- (Arpeggio Write) 107
- Using the Keyboard Pads to 108
- Play Back Phrases 108
- Assigning a Phrase to a 109
- Keyboard Pad 109
- Making Settings for Each 110
- Saving the Phrases You 111
- Assigned (RPS Set Write) 111
- Selecting Parts to Use with 112
- Play Quantize 112
- Correcting Inaccuracies in 112
- Giving Swing to the Rhythm 113
- (Shuffle Quantize) 113
- VELOCITY 113
- Giving a Groove to the 114
- Rhythm (Groove Quantize) 114
- Template velocity 116
- Template timing 116
- Selecting a Distant Pattern 119
- Saving the Exchanged 119
- Using the DBeam Controller 120
- How Each Type Will Function 120
- D BEAM CONTROLLER 120
- 28:Adlib2 (Ad-Lib 2) 125
- Recording Your Playing As 126
- You Perform 126
- (Real-Time Recording) 126
- Recording begins 128
- Count in: 2 (4/4 time) 128
- Metronome 128
- Part Level 129
- MUTE CTRL 130
- Part Pan 130
- Erasing Unwanted Data While 131
- You Record (Real-Time Erase) 131
- Recording Notes One at a 132
- Time (Step Recording) 132
- 80% 80% 80% 80% 105% 80% 135
- 1 2 3 4 5 6 7 8 9 10 11 12 136
- C4 C4 C4 C4 137
- Note Velocity Gate Time Ratio 138
- CURRENT NEXT 139
- CURRENT NEXT CURRENT NEXT 139
- Musical Data Handled in 140
- Microscope Mode 140
- Data (Change Event) 141
- Checking the Remaining 143
- Amount of Memory 143
- (Memory Information) 143
- Temp (Temporary) 144
- User (User Memory) 144
- Card (Card Memory) 144
- Copying a Portion of a 145
- Pattern (Copy) 145
- Erasing Unwanted Data 146
- Deleting Unwanted 147
- Measures (Delete Measure) 147
- Inserting Blank Measures 148
- (Insert Measure) 148
- Transposing the Pitch 149
- (Transpose) 149
- Modifying the Strength of 149
- Notes (Change Velocity) 149
- Modifying the Note Length 150
- (Change Gate Time) 150
- Shifting the Timing Slightly 150
- (Shift Clock) 150
- Thinning Out Unneeded Data 151
- (Data Thin) 151
- Using Play Quantize Settings 152
- (Edit Quantize) 152
- Converting the Note Timing 152
- Playing Back a Song 153
- Recording a Song 154
- Saving a Song That You 154
- Recorded (Song Write) 154
- Copying a Song (Song Copy) 156
- Inserting a Pattern 157
- (Insert Pattern) 157
- Deleting Unwanted Patterns 157
- How a Memory Card Can Be 158
- Before Using a New Card 158
- (Format) 158
- Saving All Internal Settings 159
- Restoring the Saved Settings 159
- Back to Internal Memory 159
- (Backup Load) 159
- Deleting the Backup File 160
- Duplicating a Card 160
- (Card Duplicate) 160
- Card protector 161
- Tuning and Sound Generator 162
- Related Settings 162
- Controller-Related Settings 163
- RESONANCE 163
- Sequencer-Related Settings 165
- MIDI-Related Settings 167
- Type of Message 169
- Taking Advantage of MIDI 170
- Local Tx Sw 171
- MIDI Rx Sw 171
- Sequencer Output Assign 171
- Upper ArpeggioLower RPS 172
- MIDI IN MIDI OUT 173
- MIDI IN1 MIDI OUT1 173
- MIDI IN2MIDI OUT2 173
- MIDI INMIDI OUT 173
- Generator from the MC-505 174
- Synchronizing to an External 176
- Sequencer 176
- Synchronizing Two MC-505 to 176
- Each Other 176
- Saving Pattern and Patch 177
- Data on an External 177
- Sequencer (Bulk Dump) 177
- Tips for Creating Sounds 178
- TONE LEVEL 179
- TONE PANFINE TUNE 179
- FINE TUNE 179
- Synth Strings 181
- Troubleshooting 185
- Error Message List 187
- Waveform List 189
- Preset Patch List 191
- Bank Select table 194
- Patch transmit example 194
- Rhythm Set transmit example 194
- Preset Rhythm Set List 195
- Rhythm Group 196
- P:05 Techno 1 196
- P:06 Techno 2 196
- P:07 Techno 3 196
- P:08 Hardcore 196
- P:09 Ambient 197
- P:10 House 1 197
- P:11 House 2 197
- P:12 Jungle 197
- P:13 Drum’n’Bass1 198
- P:14 Drum’n’Bass2 198
- P:15 Hip-Hop 1 198
- P:16 Hip-Hop 2 198
- P:17 Funk 199
- P:18 Electro 199
- P:19 Jazz 199
- P:20 Brush 199
- P:21 Disco 200
- P:22 Ragga 200
- P:23 Rock 200
- P:24 Industrial 200
- P:25 Ethnic 201
- P:26 Reverse 201
- Preset Pattern List 202
- Drum’n’Bass 204
- RPS Pattern List 207
- RPS Bass Pattern (Used Part1) 208
- RPS Hit (Used Part1) 214
- RPS Set List 215
- U:28 Reggae 2 (BPM=155) 218
- U:29 Salsa (BPM=110) 218
- U:30 Samba (BPM=125) 218
- Parameter List 219
- Rhythm Set Parameters 223
- Setup Parameters 224
- Arpeggiator Parameters 230
- Play Quantize Parameters 230
- System Parameters 231
- Transmit/Receive Setting List 232
- MIDI Implementation 233
- ■ Channel Mode messages 234
- ■ System Realtime messages 235
- ■ System Exclusive messages 235
- ■ Channel voice messages 236
- 3. Parameter address map 238
- 1.MC-505 (Model ID=00H 0BH) 238
- ■ 1-2-1.Part Info Common 239
- ■ 1-2-2.Part Info Part 241
- ■ 1-3.Patch 241
- ■ 1-3-1.Patch Common 241
- ■ 1-3-2.Patch Tone 242
- ■ 1-4.Rhythm Setup 243
- ■ 1-4-1.Rhythm Common 244
- ■ 1-4-2.Rhythm Note 244
- ■ 3-2. Quick SysEx Sequencer 246
- ■ Address block map 246
- 4. Supplementary material 247
- ❍ Equal temperament 248
- ❍ Arabian-type scale 248
- MIDI Implementation Chart 249
- Main Specifications 251
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