Roland VS-2000 User's Guide Page 52
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Chapter 4 Recording Operations
1-8. Tracks 9-16 cannot be used. This mode is useful
when recording two-channel stereo masters.
* When the Record Mode is set to “MAS,” you can use a total of
eight tracks. If you are recording onto Tracks 7 and 8 as L and
R mastering tracks, you can play back Tracks 1-6. If you are
not recording onto the mastering tracks, you can play back
Tracks 1-8.
Tracks 9–16 cannot be used.
MT1 (Multi-Track 1):
This recording mode provides approximately twice the
recording time of MAS mode.
MT2 (Multi-Track 2):
This recording mode provides even longer record times
than MT1.
LIV1 (Live 1):
This mode is appropriate when your hard drive lacks
free space or when recording live performances where
the total recording time is unknown.
LIV2 (Live 2):
This mode provides the longest recording time. This
mode is appropriate for live recordings of speeches, and
recordings made for reference purposes. Use this mode if
you have very little drive space left or you aren’t sure
how long the recording will be.
Icon
Select from one of seven graphic icons to represent your
song.
Copy System PRM (Copy System Parameters)
When set to “on,” you can create a new song that has the
current song’s system parameters copied to it. This means
you don’t have to go back to the System menu to recreate
your favorite settings. This includes settings such as Preview
length (p. 159), metronome settings (p. 67) and so on.
Global System Parameters under [F2 (GLOBL)] are not
copied. This is useful, for example, if you are synchronizing
multiple 1680 and do not want to redo the synchronization
settings each time you create a new song.
Copy Mixer/Scene PRM (Copy Mixer/Scene
Parameters)
When set to “On,” you can create a new song that has the
current song’s mixer settings and stored Scenes.
1. Press [F4 (EXEC)] to accept the settings. “Create New
Song, Sure?” appears in the display.
2. Press [YES]. “STORE Current?” appears in the display.
3. If you wish to save any changes or edits made to the
current song, press [YES]. If the current song is a demo
song, press [NO]. After the new song is created, the Song
menu icon appears in the display.
4. Press [PLAY (DISPLAY)] to return to the Playlist display.
The new song is now the current song selected for
recording.
- USER’S GUIDE 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Table of Contents 10
- Preparations 17
- Front and Rear Panels 19
- Recorder Section 21
- Rear Panel 23
- Saving and Managing Data 25
- Mixer Section 27
- EFFECT bus and AUX bus 28
- Input Mixer 29
- Track Mixer 30
- Switching the Fader Functions 30
- Chapter 1 33
- Effects Section 34
- Chapter 2 Basic Operation 35
- Basic Navigation 36
- Setting the Internal Clock 37
- Before You Finish 38
- Restarting 39
- Chapter 3 Playback Operations 41
- Selecting a Playlist Display 42
- Playlist Display) 42
- Mixer Channel Display 43
- Changing Track Status 43
- Muting and Soloing 44
- Using Locators 45
- Using Markers 46
- Editing Marker Values 47
- Clearing Markers 47
- Other Ways to Move In a 48
- Store Your Song 48
- Protecting Songs (Song 49
- Protect) 49
- Selecting and Loading Songs 49
- Preparing for a New 51
- Tracks 9–16 cannot be used 52
- Parameters) 52
- About Recording Times 53
- If “Drive Busy!” is Displayed 53
- Connecting Instruments 55
- Recording to the Tracks 55
- Sources Assigned to Tracks 56
- Master Send Switch 57
- Master Send Pan 57
- Manual Punch-In/Punch-Out 59
- Auto Punch-In and Punch-Out 60
- Loop Recording 62
- Chapter 4 63
- Undo and Redo 64
- Track Bouncing 64
- Track Bouncing With Effects 66
- Recording a Digital Source 66
- Using the Metronome 67
- Saving Your Recordings 68
- Chapter 5 69
- Signal Flow (Busses) 70
- Signal Busses in the VS-1680 70
- Fader/Mute Button 73
- Determining Output 74
- Digital Out Connectors 75
- Direct Out Connectors 75
- Mixer Routing 76
- Input Mixer Default 76
- Assignment 76
- Stereo Link 77
- Linked Channels 78
- Linking the Faders of Two or 78
- More Channels (Fader Group) 78
- Using the Equalizer (EQ) 79
- Attenuation 81
- Copying Mixer Settings 82
- Mixer Scenes 83
- [F2 (EFX2)] Effect 2 Send 86
- [F3 (EFX3)] Effect 3 Send 86
- [F4 (EFX4)] Effect 4 Send 86
- [F5 (AUX)] AUX Send 86
- [F1 (Ef1In)] Effect 1 Insert 86
- [F2 (Ef2In)] Effect 2 Insert 87
- [F3 (Ef3In)] Effect 3 Insert 87
- F4 (EFX4)] Effect 4 Send 90
- [F6 (DOUT2)] DIGITAL OUT 2 94
- Chapter 6 95
- [F5 (AUX)] AUX Master Send 96
- Location of Effects 97
- Procedure for Using Effects 97
- Selecting Effect Patches 97
- Create a User Effect Patch 98
- Effect Types 99
- Connecting Effects 100
- Master Block 101
- Three Insert Effect Examples 102
- Connecting Effect Send-and 103
- Return Loops 103
- Send-and-Return Loops 104
- Effects Return Section 104
- Two Examples of Using Effect 104
- Using Effects While 105
- Recording 105
- Recording Insert Effects 106
- Recording an Effect Send-and 107
- Return Loop 107
- Recording Stereo Effects 108
- Three Important Reminders 108
- About Using Effects 108
- Chapter 8 EZ Routing 109
- Using EZ Routing Templates 121
- Chapter 9 Automix 123
- Using Automix 124
- Realtime Automix 124
- Snapshot Automation 126
- Automating Effect Changes 127
- Two Gradation Examples 128
- Updating Automix 129
- Understanding Fader Match 129
- Smooth Data Transitions 133
- Values (Shift/Expand) 134
- Erasing Automix Data on 136
- Specified Channels 136
- Erasing Automix Data 136
- Saving and Exiting Automix 137
- Track Editing 139
- Track Cut 140
- Track Move 141
- Start End To T 142
- Track Copy 143
- Track Insert 144
- Track Exchange 145
- Track Time Compression/ 146
- Expansion 146
- Chapter 10 147
- Track Name 148
- Track Import 149
- Phrase Editing 150
- (Phrase Split) 152
- Phrase Move 153
- Phrase Copy 153
- Phrase Trim In 153
- Phrase Trim Out 153
- Phrase New 154
- Naming Takes 155
- Deleting a Take (Delete) 156
- Editing Operations 157
- Steps for Track Editing 157
- Quick Editing 158
- Precision Editing 158
- Adjusting the Preview Length 159
- Setting Scrub Length 159
- Scrub Length (FROM) 160
- Scrub Length (TO) 160
- Step 2: Perform the Button 161
- Pushes to Complete the Edit 161
- Track Editing vs. Phrase 162
- An Editing Note of Caution 163
- Practical Editing Application 163
- SPECIAL SHORTCUT: 164
- Chapter 12 Song Editing 165
- Song Split 166
- Song Combine 167
- Chapter 13 Mastering 169
- Mastering Tracks Status 171
- Shortcuts 171
- Playing Back the Mastering 172
- Mixing Down While 173
- Inserting Effects 173
- To Prohibit Digital Copying 174
- Audio CD 175
- Creating a Master Stereo Mix 176
- Finalizing 176
- Assembling Multiple Songs 177
- Writing Songs to CD-R Discs 178
- CD Player Function 181
- Chapter 13 183
- Vari Pitch 185
- Numerics/ASCII 185
- Stereo Input 185
- Removing a Direct Current 186
- Offset from the MIX Bus 186
- Using the MONITOR Knob to 186
- Adjust Channel Panning 186
- Shut Down and Restart 187
- Synchronizing with MIDI 189
- Sequencers 189
- VS-1680 as the Master 190
- Synchronization Using the 190
- VS-1680 as the Slave 191
- Using MTC Offset 191
- Using the Sync Track (Master) 192
- Recording MIDI Clock Messages 193
- Synchronized Operation 193
- Using the Tempo Map 194
- Other Methods to Generate A 195
- Sync Track or Tempo Map 195
- Start Times 197
- Switching Track Status 198
- Switching Scenes 199
- Switching Effects 199
- Adjusting Effects 199
- Using an External MIDI 200
- Sound Source to Play the 200
- Metronome 200
- Device to Adjust the Mixer 201
- (Compu Mix) 201
- 30 MST Offset Balance 202
- 89 MST Offset Balance 202
- Preparations for Compu Mix 203
- Recording with Compu Mix 203
- MIDI Machine Control 204
- Common Terms 205
- Specific Software 206
- Applications 206
- Cubase VST 207
- Logic Audio 208
- Digital Performer 209
- Vision DSP 210
- VS-1680 as Master Device 211
- Chapter 17 Using Hard Drives 213
- Recovering Drive Space 214
- Song Erase 215
- Using External Hard Drives 216
- Connecting a Removable 217
- External Hard Drive 217
- Saving a Song to an External 218
- Song Copy Playable 219
- Song Copy Archives 220
- Drive Select 222
- Loading a Song from External 222
- Hard Drive Maintenance 223
- Drive Check 224
- Surface Scan 225
- Backup Options 226
- Chapter 18 CD Backup 227
- CD-R Backup 228
- CD-R Recover 229
- Before Backing Up to DAT 231
- Saving Song Data to DAT 232
- (Backup) 232
- Recovering Data from a DAT 233
- DAT recorder 234
- Digtal Out 234
- Digital Out 234
- Checking DAT Tape Contents 235
- DAT Backup Verification 236
- Chapter 19 237
- Drive Compatibility 239
- Song Import 239
- Song Export 241
- System Settings for Each 243
- Foot Switch Settings 244
- Global Settings 245
- Measure Display 246
- SCSI ID Number 246
- IDE Drive Switch 247
- Input Peak Level 247
- Previous/Next Switch 247
- Fan Control 248
- Play and Record Settings 249
- Mixer and System Initialize 249
- Alarm Clock 250
- Chapter 21 251
- Chapter 22 253
- Syncing Two VS-1680s with 254
- MTC and MMC 254
- Syncing a VS-1680 and a 255
- VS-880/880EX 255
- Device to Control the Mixer 256
- Synchronizing with Video 258
- Equipment 258
- Using External Effects Units 259
- Chapter 23 261
- How Do I Use Automix? 264
- How Do I Bounce Tracks? 265
- How Do I Bounce Tracks with 266
- Effects? 266
- Why Can’t I Hear My Effects? 266
- How Do I Use the Scrub and 267
- Waveform Display Features? 267
- Apparatus containing 281
- Lithium batteries 281
- Concerning Copyright 282
- Disclaimer of liability 282
- About the License Agreement 282
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