Roland XP-80 Owner's Manual Page 112

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114
Inputting chords
To input a chord, press all the notes in the desired chord
after setting all parameters. When you release all these notes
simultaneously, the chord will be input. The next chord can
then be input. Since the chord will not be input until all
notes have been released, you are free to change the notes in
the chord as long as one key at least remains pressed.
Inputting ties
First specify the step times of the notes to be tied, then press
[F5]. The tie will be input, and the next data can be input.
For instance, if you want to tie a half note and a quarter note,
first input a half note. Then specify a quarter note for Step
Time and press [F5] (Tie).
Inputting a dotted note
First input an undotted note. Then set the Step Time to half
the value of the most recent note input, and press [F5] (Tie).
This will input the dotted note, and the next data can be
input.
For instance, if you want to input a dotted quarter note, first
input a quarter note. Then set Step Time to an eighth note
and press [F5] (Tie).
Inputting rests
Set Step Time to the length of the desired rest, and press [F6]
(Rest). This will input the rest, and the next data can be
input.
Erasing wrong notes
Press [BWD] or [F2] (StpBack) and the most recent note
input will be erased. The erased note will sound so you can
confirm it.
...........................................................................................................
<Relationship between notes and gate times>
Notes and gate times interact with each other as outlined
below.
However, the gate times that will actually be recorded are
determined by multiplying these values by the Gate Ratio
parameter value. For instance, with a Gate Ratio of 80%,
inputting will result in gate time of 77 (960.8).
...........................................................................................................
Assigning a Pattern to a Phrase track
When you create a song by combining pre-recorded
Patterns, you can assign a Pattern on a Phrase track using
step recording. However, the Phrase track contains only
Pattern Call messages that instruct the Pattern to play back,
not the actual data of the Pattern. If you re-record the Pattern
later on, the song playback will vary.
When you assign a Pattern to a Phrase track and play it
back, the Pattern’s time signature (Pattern beat) will be
ignored – instead, the time signature of the Beat track
is used. If the Pattern beat and the time signature set-
ting of the Beat track differ, the lengths of measures
will not match, and playback might be skewed. If this
is encountered, reset the time signature of the Beat
track (p.148).
<Procedure>
Make sure that the Play display (SEQ(Song)) is up.
Move the cursor to the song number and select the
song you wish to record.
If you’re recording a new song, select “00:Internal
Song.” If you’re recording over a song saved on disk, select
that song number.
Move the cursor to “M” and specify the recording start
position.
Move the cursor to “ ” and set the tempo.
Press [F4] (Micro).
If you have selected a song saved on disk in step 2, a
window asks “This Song is not Internal Song. Load
anyway?” If you want to erase the song from the inter-
nal memory and load the new song, press [F5] (OK). If
you decide not to erase the song from the internal
memory, press [F6] (Cancel).
Press TRACK/PART [1]–[16] to select Phrase track to
which you want to assign a Pattern.
Press [REC] to call up the Step Recording display
(SEQ/Micro).
Press [F1] (PATTERN) to prepare to assign a Pattern to
the Phrase track.
The display will indicate “” next to PATTERN.
Select the Pattern number you wish to assign to the
track.
Press [F6] (Put Ptn).
The Pattern Call massage will be input into the Phrase track
and the input location will advance by the number of mea-
sures in the Pattern. You may now assign the next Pattern if
desired.
Repeat steps 9 and 10 to assign other Patterns.
3
3
3
6
12
16
24
32
48
64
96
192
Note Gate time
Chapter 4. Playing back and recording a song
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