Roland XP-80 Owner's Manual download pdf (Page 47)

✳

If HOLD is selected for Peak&Hold, you must also set

the Hold parameter (SYSTEM/Control/Control

Source) to the type of pedal message to be controlled.

✳

If PEAK is selected for Peak&Hold, you must also set

the Peak parameter (SYSTEM/Control/Control

Source) to the type of pedal message to be controlled.

...........................................................................................................

Ctrl 1 (Controller 1)

Ctrl 1 uses Modulation to control a specific Tone parameter.

Select how parameter values will be held using Peak&Hold.

Ctrl 2 (Controller 2)

Select the controller to control Ctrl 2 parameter with Control

Source. Select how parameter values will be held using

Peak&Hold.

Ctrl 3 (Controller 3)

Select the controller to control Ctrl 3 parameter with Control

Source. Select how parameter values will be held using

Peak&Hold.

Structure display

Use this display to determine how Tones are combined.

Structure Type 1&2

Structure Type 3&4

Each of the above two parameters determines how Tone 1

and 2, and Tone 3 and 4 are connected. Ten structures are

available.

✳

Space limitations make these symbols B: Booster and

R: Ring Modulator necessary.

TYPE1

: This keeps Tone 1 and 2 (or 3 and 4) independent of

each other. Select this when you want to preserve PCM

sounds or create new sounds and combine them for each

Tone.

TYPE2

: Two filters combine to enhance filter response. The

TVA for Tone 1 (or 3) controls the volume balance between

the two Tones.

TYPE3

: Filters the mix of Tone 1 (or 3) and Tone 2 (or 4),

before sending the signal through a booster to distort the

waveforms.

TYPE4

: Two filters combine and a booster is applied to dis-

tort waveforms. The TVA for Tone 1 (or 3) controls the vol-

ume balance between the two Tones and adjusts booster

level.

TYPE5

: Combines two filters and boosts the upper harmon-

ics by processing with the ring modulator. The TVA for

Tone 1 (or 3) is used to adjust ring modulation depth.

TYPE6

: Combines two filters, boosts harmonics by ring

modulation and mixes in Tone 2 (or 4). As the sound from

the ring modulator and Tone 2 (or 4) can be mixed, the TVA

for Tone 1 (or 3) adjusts the amount of ring-modulated

sound.

TYPE7

: Sends Tone 1 (or 3) which has been filtered and

Tone 2 (or 4) through the ring modulator to boost harmon-

ics.

TYPE8

: Sends Tone 1 (or 3) which has been filtered and

Tone 2 (or 4) through the ring modulator, then mixes it with

the filtered Tone 2 (or 4).

TYPE9

: Sends the filtered Tones through the ring modulator

to boost the harmonics. The TVA for Tone 1 (or 3) controls

the volume balance between the two Tones and adjusts ring

modulation depth.

TYPE10

: Sends the filtered Tones through the ring modula-

tor to boost harmonics, then mixes the result with Tone 2 (or

4). As the sound from the ring modulator can be mixed with

Tone 2 (or 4), the TVA for Tone 1 (or 3) adjusts the amount

of ring-modulated sound.

✳

In a selection of TYPE2–10, turning off one Tone will

make the other Tone have a TYPE1 structure.

Booster 1&2 (Booster gain 1&2)

Booster 3&4 (Booster gain 3&4)

If TYPE3 or TYPE4 is selected for the Structure Type para-

meter, you can adjust the degree of Boost. The Booster

amplifies the incoming signal to distort it, an effect like the

distortion used with electric guitars.

...........................................................................................................

The Booster is used to distort the incoming signal.

You can also create a PWM (Pulse Width Modulation) like

effect by using a Tone’s waveform (WG1) as an LFO to shift

the other Tone’s waveform (WG2) up and down. This para-

meter works best when you use it in conjunction with the

Gain parameter (PATCH/WG/Wave Param).

...........................................................................................................

Booster level

TVA

WG1

WG2

Booster

Adds to WG1

Shift in waveform by WG1

Distorted area of the

waveform changes

WG2

Uses WG1

as LFO

Adjusts WG1

output

Chapter 3. Creating your own sounds

[PATCH]

➞

[F1] (Common)

➞

[F3] (Struct)

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Roland XP-80 Owner's Manual Page 47

Comments to this Manuals

Roland XP-80 Owner's Manual Page 47

Comments to this Manuals

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