Roland Fantom-S Owner's Manual download pdf (Page 31)

Effects List

42: GATE

Cuts the reverb’s delay according to the volume of the sound sent

into the effect. Use this when you want to create an artificial-

sounding decrease in the reverb’s decay.

fig.MFX-42

43: DELAY

This is a stereo delay.

When Feedback Mode is NORMAL:

fig.MFX-43a

When Feedback Mode is CROSS:

fig.MFX-43b

44: LONG DELAY

A delay that provides a long delay time.

fig.MFX-44

45: SERIAL DELAY

This delay connects two delay units in series. Feedback can be

applied independently to each delay unit, allowing you to produce

complex delay sounds.

fig.MFX-45

Parameter

Value Description

Threshold #

0–127 Volume level at which the gate begins to

Mode GATE,

DUCK

Type of gate

GATE:

The gate will close when the

volume of the original sound decreas-

es, cutting the original sound.

DUCK (Ducking):

The gate will close

when the volume of the original

sound increases, cutting the original

sound.

Attack 0–127 Adjusts the time it takes for the gate to

fully open after being triggered.

Hold 0–127 Adjusts the time it takes for the gate to

start closing after the source sound falls

beneath the Threshold.

Release 0–127 Adjusts the time it takes the gate to fully

close after the hold time.

Balance # D100:0W–

D0:100W

Volume balance between the direct

sound (D) and the effect sound (W)

Level 0–127 Output level

L in

R in

L out

R out

Gate

R in

R out

L in

L out

Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

Delay

R in

R out

L in

L out

Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

Delay

Parameter

Value Description

Delay Left

0–1300 ms,

note

Adjusts the time until the delay sound is

heard.

Delay Right

Phase Left NORMAL,

INVERSE

Phase of the delay sound

Phase Right

Feedback

Mode

NORMAL,

CROSS

Selects the way in which delay sound is

fed back into the effect. (See the figures

above.)

Feedback # -98– +98 % Adjusts the amount of the delay sound

that’s fed back into the effect. Negative

(-) settings invert the phase.

HF Damp 200–8000 Hz,

BYPASS

Adjusts the frequency above which sound

fed back to the effect is filtered out. If you

don’t want to filter out any high frequen-

cies, set this parameter to BYPASS.

Low Gain -15– +15 dB Gain of the low frequency range

High Gain -15– +15 dB Gain of the high frequency range

Balance # D100:0W–

D0:100W

Volume balance between the direct

sound (D) and the delay sound (W)

Level 0–127 Output level

Parameter

Range Explanation

Delay Time

0–2600 ms, note Delay time from when the

original sound is heard to

when the delay sound is

heard

Phase NORMAL, INVERSE Phase of the delay (NORMAL:

non-inverted, INVERT: in-

verted)

Feedback # -98– +98% Proportion of the delay sound

that is to be returned to the in-

put (negative values invert

the phase)

HF Damp 200–8000 Hz,

BYPASS

Frequency at which the high-

frequency content of the de-

layed sound will be cut (BY-

PASS: no cut)

Pan # L64–63R Panning of the delay sound

Low Gain -15– +15 dB Amount of boost/cut for the

high-frequency range

High Gain -15– +15 dB Amount of boost/cut for the

high-frequency range

Balance # D100:0W–D0:100W Volume balance of the origi-

nal sound (D) and delay

sound (W)

Level 0–127 Output volume

L in

R in

L out

R out

2-Band

Pan R

Pan L

2-Band

Feedback

Long Delay

R in

R out

L in

L out

Feedback 1

Pan L

Pan R

Delay 1

Feedback 2

Delay 2

List_e 31 ページ２００３年５月１５日　木曜日　午後１時３５分

1 ... 30 31 32 ... 80

Comments to this Manuals

No comments

Roland Fantom-S Owner's Manual Page 31

Comments to this Manuals

Related products and manuals for Keyboards Roland Fantom-S