Roland Fantom-S Owner's Manual download pdf (Page 42)

Effects List

Chorus Parameters

The Fantom-S’s Chorus effect unit can also be used as a stereo delay

unit.

These settings allow you to select chorus or delay, and the

characteristics of the selected effect type.

note:

fig.MFX-note2.e

Reverb Parameters

These settings allow you to select the desired type of reverb, and its

characteristics.

Parameter

Value Description

Chorus Type

0 (OFF),

1 (CHORUS),

2 (DELAY),

3 (GM2 CHORUS)

Selects either Chorus or Delay.

0 (OFF): Neither Chorus or De-

lay is used.

1 (CHORUS): Chorus is used.

2 (DELAY): Delay is used.

3 (GM2 CHORUS): GM2 Cho-

rus is used.

Type: 1 (CHORUS)

Rate 0.05–10.00 Hz, note

Frequency of modulation

Depth 0–127

Depth of modulation

Pre Delay 0.0–100.0 ms

Adjusts the delay time from the di-

rect sound until the chorus sound

is heard.

Feedback 0–127

Adjusts the amount of the chorus

sound that is fed back into the ef-

fect.

Filter Type OFF, LPF, HPF

Type of filter

OFF: no filter is used

LPF: cuts the frequency range

above the Cutoff Freq

HPF: cuts the frequency range

below the Cutoff Freq

Cutoff Freq 200–8000 Hz

Basic frequency of the filter

Phase 0–180˚

Spatial spread of the sound

Type: 2 (DELAY)

Delay Left

0–1000 ms, note

Adjusts the delay time from the di-

rect sound until the delay sound is

heard.

Delay Right

Delay Center

Center Feed-

back

-98–+98 %

Adjusts the proportion of the de-

lay sound that is fed back into the

effect. Negative (-) settings will in-

vert the phase.

HF Damp 200–8000 Hz,

BYPASS

Adjusts the frequency above

which sound fed back to the effect

will be cut. If you do not want to

cut the high frequencies, set this

parameter to BYPASS.

Left Level 0–127

Volume of each delay sound

Right Level

Center Level

Type: 3 (GM2 CHORUS)

Pre-LPF

0–7

Cuts the high frequency range of

the sound coming into the chorus.

Higher values will cut more of

the high frequencies.

Level 0–127

Volume of the chorus sound

Feedback 0–127

Adjusts the amount of the chorus

sound that is fed back into the ef-

fect.

Delay 0–127

Adjusts the delay time from the di-

rect sound until the chorus sound

is heard.

Rate 0–127

Frequency of modulation

Depth 0–127

Depth of modulation

Send Level

To Reverb

0–127

Adjusts the amount of chorus

sound that will be sent to the re-

verb.

(Double note)(Dotted whole note),

(Dotted half note),

(Dotted thirty-second note),

(Whole note),

(Double-note triplet),

(Sixteenth-note triplet),

(Thirty-second note),

(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),

(Dotted eighth note),(Quarter-note triplet),(Eighth note),

(Half-note triplet),(Quarter note),

(Dotted quarter note),

(Whole-note triplet),

(Half note),

(Sixteenth note),

(Eighth-note triplet),

(Dotted sixteenth note),

Parameter Value Description

Reverb

Type

0 (OFF),

1 (REVERB),

2 (SRV ROOM),

3 (SRV HALL),

4 (SRV PLATE),

5 (GM2 REVERB)

Type of reverb

0 (OFF): Reverb is not used.

1 (REVERB): Normal reverb

2 (SRV ROOM): This simulates typical

room acoustic reflections.

3 (SRV HALL): This simulates typical

concert hall acoustic reflections.

4 (SRV PLATE): This simulates a reverb

plate, a popular type of artificial reverb

unit that derives its sound from the vi-

bration of a metallic plate.

5 (GM2 REVERB): GM2 Reverb

Type: 1 (REVERB)

Type

ROOM1, ROOM2,

STAGE1, STAGE2,

HALL1, HALL2,

DELAY,

PAN-DELAY

Type of reverb/delay

ROOM1: short reverb with high density

ROOM2: short reverb with low density

STAGE1: reverb with greater late rever-

beration

STAGE2: reverb with strong early re-

flections

HALL1: very clear-sounding reverb

HALL2: rich reverb

DELAY: conventional delay effect

PAN-DELAY: delay effect with echoes

that pan left and right

Time

0–127

Time length of reverberation

(Type: ROOM1–HALL2)

Delay time

(Type: DELAY, PAN-DELAY)

HF Damp 200–8000 Hz,

BYPASS

Adjusts the frequency above which the

high-frequency content of the reverb

sound will be cut, or “damped.” If you do

not want to cut the high frequencies, set

this parameter to BYPASS.

Delay

Feedback

0–127

Adjusts the amount of delay feedback

when the Type setting is DELAY or PAN-

DELAY.

Type: 2 (SRV ROOM)/3 (SRV HALL)/4 (SRV PLATE)

Pre Delay

0.0–100.0 ms

Adjusts the delay time from the direct

sound until the reverb sound is heard.

Time

0–127

Time length of reverberation

Size

1–8

Size of the simulated room or hall

High Cut 160 Hz–12.5 kHz,

BYPASS

Adjusts the frequency above which the

high-frequency content of the reverb will

be reduced. If you do not want to reduce

the high frequencies, set this parameter to

BYPASS.

Density

0–127

Density of reverb

Diffusion

0–127

Adjusts the change in the density of the re-

verb over time. The higher the value, the

more the density increases with time. (The

effect of this setting is most pronounced

with long reverb times.)

LF Damp

Freq

50–4000 Hz

Adjusts the frequency below which the

low-frequency content of the reverb sound

will be reduced, or “damped.”

LF Damp

Gain

-36–0 dB

Adjusts the amount of damping applied to

the frequency range selected with LF

Damp. With a setting of “0,” there will be

no reduction of the reverb’s low-frequency

content.

HF Damp

Freq

4000 Hz–12.5 kHz

Adjusts the frequency above which the

high-frequency content of the reverb

sound will be reduced, or “damped.”

HF Damp

Gain

-36–0 dB

Adjusts the amount of damping applied to

the frequency range selected with HF

Damp. With a setting of “0,” there will be

no reduction of the reverb’s high-frequen-

cy content.

Type: 5 (GM2 REVERB)

Character

0–7

Type of reverb

0–5: reverb

6, 7: delay

Pre-LPF

0–7

Cuts the high frequency range of the sound

coming into the reverb.

Higher values will cut more of the high

frequencies.

Level

0–127

Output level of reverbration

Time 0–127

Time length of reverberation

Delay

Feedback

0–127

Adjusts the amount of the delay sound that

is fed back into the effect when the Reverb

Character setting is 6 or 7.

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Roland Fantom-S Owner's Manual Page 42

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