Roland Fantom-S Owner's Manual download pdf (Page 32)

Effects List

46: MODULATION DELAY

Adds modulation to the delayed sound.

When Feedback Mode is NORMAL:

fig.MFX-46a

When Feedback Mode is CROSS:

fig.MFX-46b

47: 3TAP PAN DELAY

Produces three delay sounds; center, left and right.

fig.MFX-47

48: 4TAP PAN DELAY

This effect has four delays.

fig.MFX-48a

fig.MFX-48b

Stereo location of each delay

Parameter

Range Explanation

Delay1 Time

0–1300 ms, note Delay time from when sound

is input to delay 1 until the de-

lay sound is heard

Delay1

Feedback #

-98– +98% Proportion of the delay sound

that is to be returned to the in-

put of delay 1 (negative values

invert the phase)

Delay1 HF

Damp

200–8000 Hz,

BYPASS

Frequency at which the high-

frequency content of the de-

layed sound of delay 1 will be

cut (BYPASS: no cut)

Delay2 Time 0–1300 ms, note Delay time from when sound

is input to delay 2 until the de-

lay sound is heard

Delay2

Feedback #

-98– +98% Proportion of the delay sound

that is to be returned to the in-

put of delay 2 (negative values

invert the phase)

Delay2 HF

Damp

200–8000 Hz,

BYPASS

Frequency at which the high-

frequency content of the de-

layed sound of delay 2 will be

cut (BYPASS: no cut)

Pan # L64–63R Panning of the delay sound

Low Gain -15– +15 dB Amount of boost/cut for the

low-frequency range

High Gain -15– +15 dB Amount of boost/cut for the

high-frequency range

Balance # D100:0W–D0:100W Volume balance of the origi-

nal sound (D) and delay

sound (W)

Level 0–127 Output volume

Parameter

Value Description

Delay Left

0–1300 ms,

note

Adjusts the time until the delay sound

is heard.

Delay Right

Feedback

Mode

NORMAL,

CROSS

Selects the way in which delay sound is

fed back into the effect (See the figures

above.)

Feedback # -98– +98 % Adjusts the amount of the delay sound

that’s fed back into the effect. Negative

(-) settings invert the phase.

R in R out

L in L out

Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

Delay

Modulation

R in

R out

L in

L out

Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

Delay

Modulation

HF Damp

200–8000 Hz,

BYPASS

Adjusts the frequency above which

sound fed back to the effect is filtered

out. If you don’t want to filter out any

high frequencies, set this parameter to

BYPASS.

Rate # 0.05–10.00 Hz,

note

Frequency of modulation

Depth 0–127 Depth of modulation

Phase 0-180 deg Spatial spread of the sound

Low Gain -15– +15 dB Gain of the low frequency range

High Gain -15– +15 dB Gain of the high frequency range

Balance # D100:0W–

D0:100W

Volume balance between the direct

sound (D) and the delay sound (W)

Level 0–127 Output level

Parameter

Value Description

Delay Left/

Right/Center

0–2600 ms,

note

Adjusts the time until the delay sound

is heard.

Center

Feedback #

-98– +98 % Adjusts the amount of the delay sound

that’s fed back into the effect. Negative

(-) settings invert the phase.

HF Damp 200–8000 Hz,

BYPASS

Adjusts the frequency above which

sound fed back to the effect is filtered

out. If you do not want to filter out any

high frequencies, set this parameter to

BYPASS.

Left/Right/

Center Level

0–127 Volume of each delay

Low Gain -15– +15 dB Gain of the low frequency range

High Gain -15– +15 dB Gain of the high frequency range

Balance # D100:0W–

D0:100W

Volume balance between the direct

sound (D) and the delay sound (W)

Level 0–127 Output level

Parameter

Value Description

L in

R in

L out

R out

Left Tap

Right Tap

Triple Tap Delay

2-Band

Balance W

Balance D

Balance W

Balance D

Feedback

Center Tap

L in

R in

L out

R out

Quadruple Tap Delay

Balance W

Balance D

Balance W

Balance D

Delay 1

Delay 2

Delay 3

Delay 4

Feedback

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Roland Fantom-S Owner's Manual Page 32

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