Roland GT-PRO Owner's Manual download pdf (Page 51)

Chapter 4 Introduction to Effects and Parameters

Chapter 4

SH (Sound Hold)

You can have sound played on the guitar be held

continuously. This effect allows you to perform the melody

in the upper registers while holding a note in the lower

registers.

* This function will not work properly when two or more notes

are played simultaneously.

SDD (Sub Delay)

This is a delay with the maximum delay time of 400 ms. This

effect is useful for making the sound fatter.

EQ (Equalizer)

Adjusts the tonal quality. A parametric type equalizer is used

for the upper and lower midrange.

Parameter/

Range

Explanation

Hold

Off, On Switches the hold sound on and off.

Normally, this is controlled with the foot switch connected to the

CTL 1/2 jack or CTL 3/4 jack or assigned to the FC-200’s CTL pedal

(p. 66).

Rise Time

0–100

Adjusts how rapidly the Sound Hold sound

is produced.

Effect Level

0–120 Adjusts the volume of the hold sound.

Parameter/

Range

Explanation

Delay Time

0 ms–400 ms,

BPM –BPM

Adjusts the delay time.

* When set to BPM, the value of each parameter will be set according to

the value of the Master BPM (p. 55) specified for each patch. This makes

it easier to achieve effect sound settings that match the tempo of the

song (synchronizing the time to twice or four times the time length of

the BPM when the set time is increased).

When setting to BPM, press PARAMETER [ ] several times to

display the Master BPM settings screen.

Feedback

0–100

Adjusts the volume that is returned to the

input.

Feedback refers to returning the delayed signal back into the input

of the delay. Higher settings will result in more delay repeats.

Effect Level

0–120 Adjusts the volume of delay sound.

Parameter/

Range

Explanation

On/Off

Off, On Turns the EQ on/off.

Low Cut (Low Cut Filter)

Flat, 55 Hz–800 Hz

This sets the frequency at which the low cut

filter begins to take effect.

This lets you cut the low-end component below the set frequency to

create a clear, distinct low end, thereby bringing out the high end of

the effect. When “Flat” is selected, the low cut filter will have no ef-

fect.

Low EQ

-20 dB–+20 dB Adjusts the low frequency range tone.

Low-Middle Frequency

20.0 Hz–10.0 kHz

Specify the center of the frequency range

that will be adjusted by the “Lo-Middle

EQ.”

Low-Middle Q

0.5–16

Adjusts the width of the area affected by the

EQ centered at the “Lo-Middle frequency.”

Higher values will narrow the area.

Low-Middle EQ

-20 dB–+20 dB

Adjusts the low-middle frequency range

tone.

High-Middle Frequency

20.0 Hz–10.0 kHz

Specify the center of the frequency range

that will be adjusted by the “Hi-MidDle

EQ.”

High-Middle Q

0.5–16

Adjusts the width of the area affected by the

EQ centered at the “Hi-Middle frequency.”

Higher values will narrow the area.

High-Middle EQ

-20 dB–+20 dB

Adjusts the high-middle frequency range

tone.

High EQ

-20 dB–+20 dB Adjusts the high frequency range tone.

High Cut (High Cut Filter)

700 Hz–11.0kHz, Flat

This sets the frequency at which the high cut

filter begins to take effect.

This allows you to get a mild effect sound by cutting the high-end

component above the set frequency. When “Flat” is selected, the

high cut filter will have no effect.

Level

-20 dB–+20 dB Adjusts the volume before the equalizer.

1 2 ... 46 47 48 49 50 51 52 53 54 55 56 ... 163 164

Comments to this Manuals

No comments

Roland GT-PRO Owner's Manual Page 51

Comments to this Manuals

Related products and manuals for Supplementary music equipment Roland GT-PRO