Roland GT-PRO Owner's Manual download pdf (Page 32)

Chapter 4 Introduction to Effects and Parameters

DELAY

This effect adds delayed sound to the direct sound, giving

more body to the sound or creating special effects.

Parameter/

Range

Explanation

On/Off

Off, On Turns the DELAY Effect on/off.

Type

see below This selects which type of delay.

Single

Delay sound of 0 to 1800 ms delay time.

Pan

This delay is specifically for stereo output. This allows you to obtain

the tap delay effect that divides the delay time, then deliver them to

L and R channels.

fig.04-0050

Stereo

The direct sound is output from the left channel, and the effect sound

is output from the right channel.

Dual Series

This is a delay comprising two different delays connected in series.

Each delay time can be set in a range from 0 ms to 900 ms.

fig.04-0060

Dual Parallel

This is a delay comprising two delays connected in parallel. Each de-

lay time can be set in a range from 0 ms to 900 ms.

fig.04-0070

Dual L/R

This is a delay with individual settings available for the left and right

channels. Delay 1 goes to the left channel, Delay 2 to the right.

fig04-0080

Reverse

This produces an effect where the sound is played back in reverse.

Analog

This gives a mild analog delay sound. The delay time can be set with-

in the range of 0 to 1800 ms

Tape

This setting provides the characteristic wavering sound of the tape

echo. The delay time can be set within the range of 0 to 1800 ms.

Warp

This simultaneously controls the delay sound’s feedback level and

volume to produce a totally unreal delay.

Modulate

This delay adds a pleasant wavering effect to the sound.

INPUT

OUTPUT L

OUTPUT R

Feedback

Delay Time

Effect Level

DELAY

Tap Time

D1 D2

D1: Delay 1

D2: Delay 2

Hold

Up to 2.8 seconds of performance content is recorded, then played

back repeatedly. You can also layer this as you perform something

else, then record these together (overdub), allowing you to produce

what is called “sound-on-sound.”

* For more detail the operation, refer to“Using the HOLD (Hold Delay)”

(p. 34).

* If you switch patches with the Type set to either Dual Series, Dual

Parallel, or Dual L/R and then begin to play immediately after the

patches change, you may be unable to attain the intended effect in the

first portion of what you perform.

* When the Type is switched from Modulate to Hold (or Hold to

Modulate), the following settings are switched to OFF and the held

sound is cleared.

• When FX (1 or 2) with FB (Feedbacker: p. 42) (OSC) selected is

• When AR (Auto Riff: p. 48) Hold is ON

• When SH (Sound Hold: p. 51) Hold is ON

Delay Time

0 ms–1800 ms,

BPM –BPM

This determines the delay time.

* When set to BPM, the value of each parameter will be set according to the

value of the Master BPM (p. 55) specified for each patch. This makes it

easier to achieve effect sound settings that match the tempo of the song

(synchronizing the time to twice or four times the time length of the BPM

when the set time is increased). When setting to BPM, press PARAMETER

[] several times to display the Master BPM settings screen.

Tap Time

0%–100%

(Type = Pan)

Adjusts the delay time of the left channel de-

lay. This setting adjusts the L channel delay

time relative to the R channel delay time

(considered as 100%).

Feedback

0–100 Adjusts the amount of feedback.

“Feedback” is returning a delay signal to the input. A higher value

will increase the number of the delay repeats.

High Cut (High Cut Filter)

700 Hz–11.0 kHz, Flat

This sets the frequency at which the high cut

filter begins to take effect.

This allows you to get a mild effect sound by cutting the high-end

component above the set frequency. When it is set to “Flat,” the high

cut filter is off or has no effect.

Delay1 Time *1

0 ms–900 ms,

BPM –BPM

This determines the delay time of the

Delay1.

* When set to BPM, the value of each parameter will be set according to the

value of the Master BPM (p. 55) specified for each patch. This makes it

easier to achieve effect sound settings that match the tempo of the song

(synchronizing the time to twice or four times the time length of the BPM

when the set time is increased). When setting to BPM, press PARAMETER

[] several times to display the Master BPM settings screen.

Delay1 Feedback *1

0–100

Adjusts the amount of feedback of the Delay1.

A higher value will increase the number of the delay repeats.

Parameter/

Range

Explanation

1 2 ... 27 28 29 30 31 32 33 34 35 36 37 ... 163 164

Comments to this Manuals

No comments

Roland GT-PRO Owner's Manual Page 32

Comments to this Manuals

Related products and manuals for Supplementary music equipment Roland GT-PRO