Roland GT-PRO Owner's Manual download pdf (Page 34)

Chapter 4 Introduction to Effects and Parameters

Using the HOLD (Hold Delay)

* Recording and playback of performances and other operations

are carried out with pedals while Hold is in effect. Connect

external pedals (foot switches) or an FC-200.

1. Referring to p. 62–p. 67 of “Chapter 6 Using Pedals to

Control the Effects,” assign the following functions to

the connected external pedal (or foot switch) or FC-200

pedals.

Target: Hold Dly Rec/Dub Source Mode: Normal

Target: Hold Dly Stop Source Mode: Normal

2. Press [DELAY], then press PARAMETER [ ] [ ]

so that “Type” is displayed.

* If the delay is off, pressing [DELAY] once switches the delay

on.

3. Rotate the PATCH/VALUE dial to select “Hold.”

* After switching to HOLD, you cannot perform any operation

during the 2.8-second period before the unit switches to

recording standby. Wait for at least 2.8 seconds before moving

on to the next step.

4. Press [EXIT] to return to the Play screen.

5. Press the pedal to which Hold Dly Rec/Dub is

assigned.

Recording starts when you press the pedal.

The bank indicated in the left part of the display flashes

while recording is in progress.

6. Press the pedal to which Hold Dly Rec/Dub is assigned

again to stop recording.

Playback of the recorded content begins simultaneously

(and the bank indicated in the left part of the display

lights).

* The maximum recording time is 2.8 seconds. If the recording

time exceeds 2.8 seconds, the recording stops automatically,

and the recorded content is then played back.

* An oscillating sound may be audible with extremely short

recording times.

7. When layering recordings, repeat Steps 5 and 6.

* The recorded content is cleared when the Type or patch is

switched to a different setting or when the power is turned off.

8. To return to recording standby, press the pedal to

which Hold Dly Stop is assigned.

The unit returns to recording standby, and the bank

indicated in the left part of the display goes blank for a

set interval and then flashes.

* When playback is stopped, the recorded content is erased.

* To start recording again, wait 2.8 seconds, then carry out step 5.

CHORUS

In this effect, a slightly detuned sound is added to the

original sound to add depth and breadth.

Parameter/

Range

Explanation

On/Off

Off, On Turns the CHORUS effect on/off.

Mode

Mono, Stereo1, Stereo2 Selection for the chorus mode.

Mono

This chorus effect outputs the same sound from both L and R.

Stereo1

This is a stereo chorus effect that adds different chorus sounds to L

and R.

Stereo2

This is a stereo chorus effect produced by synthesizing the spatial

characteristics of the direct sound and the effect sound.

Rate

0–100,

BPM –BPM

Adjusts the rate of the chorus effect.

* When set to BPM, the value of each parameter will be set according to

the value of the Master BPM (p. 55) specified for each patch. This makes

it easier to achieve effect sound settings that match the tempo of the

song (synchronizing the cycle to one-half or one-fourth of the BPM

when the set cycle rate is increased).

When setting to BPM, press PARAMETER [ ] several times to

display the Master BPM settings screen.

Depth

0–100 Adjusts the depth of the chorus effect.

To use it for doubling effect, set the value to “0.”

Pre Delay

0.0 msec–40.0 msec

Adjusts the time needed for the effect sound

to be output after the direct sound has been

output.

By setting a longer pre delay time, you can obtain an effect that

sounds like more than one sound is being played at the same time

(doubling effect).

Low Cut (Low Cut Filter)

Flat, 55 Hz–800 Hz

This sets the frequency at which the low cut

filter begins to take effect.

This lets you cut the low-end component below the set frequency to

create a clear, distinct low end, thereby bringing out the high end of

the effect. When “Flat” is selected, the low cut filter will have no ef-

fect.

High Cut (High Cut Filter)

700 Hz–11.0 kHz, Flat

This sets the frequency at which the high cut

filter begins to take effect.

This allows you to get a mild effect sound by cutting the high-end

component above the set frequency. When “Flat” is selected, the

high cut filter will have no effect.

Effect Level

0–100 Adjusts the volume of the effect sound.

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Roland GT-PRO Owner's Manual Page 34

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